Search results for ""Author Tom Gauld""

Confront the spectre of failure, the wraith of social media, and other supernatural enemies of the authorTom Gauld returns with his wittiest and most trenchant collection of literary cartoons to date. Perfectly composed drawings are punctuated with the artist's signature brand of humour, hitting high and low. After all, Gauld is just as comfortable taking jabs at Jane Eyre and Game of Thrones.Some particularly favoured targets include the pretentious procrastinating novelist, the commercial mercenary of the dispassionate editor, the wilful obscurantism of the vainglorious poet. Quake in the presence of the stack of bedside books as it grows taller! Gnash your teeth at the ever-moving deadline that the writer never meets! Quail before the critic's incisive dissection of the manuscript! And most importantly, seethe with envy at the paragon of creative productivity!Revenge of the Librarians contains even more murders, drubbings and castigations than The Department of Mind-Blowing Theories, Baking For Kafka or any other collections of mordant scribblings by the inimitably excellent Gauld.

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'Tom Gauld is always funny, but he's funny in a way that makes you feel smarter. Which is especially useful when he's being funny about science' Neil GaimanA dog philosopher questions what it really means to be a 'good boy'. A virtual assistant and a robot-cleaner elope. The undiscovered species and the theoretical particle face existential despair.Just as he did with writers, poets and literary classics in Baking with Kafka, Gauld now does with hapless scientists, nanobots, and puzzling theorems - with comic strips funny enough to engage science boffins and novices alike.

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Living on the moonWhatever were we thinking? ...It seems so silly now. The lunar colony is slowly winding down, like a small town circumvented by a new super highway. As our hero, the Mooncop, makes his daily rounds, his beat grows ever smaller, the population dwindles. A young girl runs away, a dog breaks off his leash, an automaton wanders off from the Museum of the Moon. Each day that the Mooncop goes to work, life gets a little quieter and a little lonelier. As in Goliath, Tom Gauld's retelling of the Bible story, the focus in Gauld's science fiction is personal-no big explo-sions or grand reveals, just the incremental dissolution of an abandoned project and a person's slow awakening to his own uselessness. Depicted in the distinctive, matter-of-fact style of his beloved Guardian strips, Mooncop is equal parts funny and melancholy. Gauld captures essential truths about humanity, making this a story of the past, present, and future, all in one.

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2018 EISNER AWARD-WINNER - BEST HUMOUR PUBLICATION In Baking with Kafka, Tom Gauld asks the questions no one else dares ask about civilisation as we know it. - How do you get published during a skeleton apocalypse?- What was the secret of Kafka's lemon drizzle cake?- And what plot possibilities does the exploding e-cigarette offer modern mystery writers?A riotous collection of laugh-out-loud cartoons in his signature style, Baking with Kafka reaffirms Gauld's position as a first-rate cartoonist, creating work infused with a deep understanding of both literary and cartoon history.

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A whimsical modern fairy tale from internationally renowned cartoonist, Tom Gauld. Now available in paperback

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* FOYLES CHILDREN'S BOOK OF THE YEAR WINNER * A whimsical modern fairy tale from internationally renowned cartoonist, Tom Gauld.When the log princess goes missing, her brother, the little wooden robot, sets out on an epic adventure to find her. He will encounter goblins, magic puddings, a mushroom queen and a very intimidating wood pile as he seeks to bring his sister home.The Little Wooden Robot and the Log Princess is an exquisitely illustrated modern fairytale about sibling love. Tom Gauld brings all of his wit, draghtsmanship and narrative craft to a funny, moving tale that proves that woodlice can be heroes too.The New York Times review: "one of the best picture books I've read this year. It's a cabinet of curiosities in a clockwork castle... it's a funny, twisty, heartfelt yarn." -Ben HatkeThe Irish Times review: "The narrative is full of surprises [...] but it is Gauld's detailed, textured illustrations that will draw a young reader's attention back to this wonderful book again and again."[The Little Wooden Robot and the Log Princess was Foyles Children's Book of the Year in 2021]

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Tom Gauld has created countless iconic strips for the Guardian over the course of his illustrious career. A master of condensing grand, highbrow themes into panel comics, his weekly strips embody his trademark sense of humour while simultaneously opening comics to an audience unfamiliar with the artistry that cartooning has to offer. Funny but serious, these comics allow Gauld to put his impressive knowledge of history, literature and pop culture on full display - his impeccable timing and distinctive visual style setting him apart from the rest.This postcard set celebrates more than a decade of Gauld's contributions to the Guardian, with fifty of his most beloved strips, on everything from Samuel Beckett's sitcom pitches (such as Waiting for Kramer, a show where two men await the arrival of a man named Kramer who never comes), 'Procrastination for Creative Writers, a 10-Week Course' and 'Poetry Anthologies for People Who Don't Like Poems'. Witty and beautifully drawn, The Snooty Bookshop will make you laugh at least fifty times, guaranteed.

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Since the 2011 release of Goliath, Tom Gauld has solidified himself as one of the world s most revered and critically- acclaimed cartoonists working today. From his weekly strips in the Guardian and New Scientist, to his lauded graphic novels You re All Just Jealous of My Jet- pack and Mooncop, Gauld s fascination with the intersection between history, literary criticism, and pop culture has become the crux of his work. Now in paperback, with a new cover and smaller size, Goliath is a retelling of the classic myth, this time from Goliath s side of the Valley of Elah. Goliath of Gath isn t much of a fighter. He would pick admin work over patrolling in a heartbeat, to say nothing of his distaste for engaging in combat. Nonetheless, at the behest of the king, he finds himself issuing a twice-daily challenge to the Israelites: Choose a man. Let him come to me that we may fight. Quiet moments in Goliath s life as an iso- lated soldier are accentuated by Gauld s trademark drawing style: minimalist scenery, geometric humans, and densely crosshatched detail. Simultaneously tragic and bleakly funny, Goliath displays a sensitive wit and a bold line - a traditional narrative reworked, remade, and revolutionized into a classic tale of Gauld s very own.

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