Search results for ""Author Timothy Wilson""

Joan of Arc, born in Domremy in France in 1412, began to hear voices when she was thirteen and, believing they were directives from God, followed them - to the French court, to battle to wrest France from the English in the Hundred Years War, and to defeat and capture. She was put on trial for heresy and, on 30 May 1431, burned at the stake. Even today many people are fascinated by this teenage woman who persuaded her king to believe that she could lead her nation to victory. In the retrial of 1452-6 she was vindicated, but it took almost five hundred years after an English soldier declared 'we have burnt a saint' for the Catholic Church to conclude that she was indeed one. 'Joan of Arc: Maid, Myth and Mystery' is not merely an account of a life that was cut short; its focus is also on Joan's history, which in 1431 had just begun, and which, the author shows, was influenced just as much by the transformation in Anglo-French relations and by internal politics, issues of freedom and republicanism, and by changes in society regarding secularisation and belief, as by our response to the central issue of Joan's voices themselves.

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Part of a series designed to provide an introduction for the general reader and a compact guide for the expert. This is a survey of the Ashmolean's collection of Italian High Renaissance painted ceramics; although small, it is one of the most significant in the world.

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This book is the culmination of nearly thirty years' work in caring for, studying, and developing the collections in this Museum by Timothy Wilson, long-time Keeper of Western Art. Wilson is well-known as a specialist in the study of European Renaissance ceramics. The Ashmolean collections have their origins in the collection of C.D.E. Fortnum (1820-1899), but have been developed further in the last quarter-century, so that they can claim to be one of the top such collections of Renaissance ceramics worldwide. This book, containing 289 catalogue entries, will completely encompass the Museum's collection of postclassical Italian pottery, including pieces from excavations. In addition it will include catalogue entries for some seventy selected pieces of pottery from France, the Low Countries, England, Spain, Portugal, Germany, and Mexico, in order to present a wide-ranging picture of the development of tin-glaze pottery from Islamic Spain through to recent times. It will also include an essay by Kelly Domoney of Cranfield University, and Elisabeth Gardner of the Ashmolean's Conservation Department, on the technical analysis and conservation history of some pieces in the collection.

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The brightly colored tin-enameled earthenware called maiolica was among the major accomplishments of decorative arts in 16th-century Italy. This in-depth look at the history of maiolica, told through 140 exemplary pieces from the world-class collection at the Metropolitan Museum, offers a new perspective on a major aspect of Italian Renaissance art. Most of the works have never been published and all are newly photographed. The ceramics are featured alongside detailed descriptions of production techniques and a consideration of the social and cultural context, making this an invaluable resource for scholars and collectors. The imaginatively decorated works include an eight-figure group of the Lamentation, the largest and most ambitious piece of sculpture produced in a Renaissance maiolica workshop; pharmacy jars; bella donna plates; and more.Published by The Metropolitan Museum of Art / Distributed by Yale University PressExhibition Schedule:The Metropolitan Museum of Art (08/29/16–02/26/17)

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The Museum of Applied Arts (MAK) in Vienna holds a unique collection of Italian maiolica from the 15th to the 18th century, which is now being published almost in its entirety for the very first time. Maiolica tableware, Italy’s luxury export, spread to the courts of northern Europe from the early 16th century. Today, the MAK’s holdings from former imperial, ecclesiastical, aristocratic, and private ownership enter into a dialogue with maiolica from well-known Austrian and Central European collections. Timothy Wilson, professor emeritus at Balliol College Oxford and former Keeper of Western Art at the Ashmolean Museum in Oxford, and Rainald Franz, curator at MAK, together with other experts provide an extensive insight into the development of maiolica in its cultural and historical context. Thus a scholarly exploration of one of the best collections of maiolica in the world has now been scientifically examined for the very first time. With contributions by Rainald Franz, Michael Göbl, Nikolaus Hofer, and Timothy Wilson.

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