Search results for ""Author Tim Robinson""

The second volume in Tim Robinson's phenomenal Connemara Trilogy - which Robert Macfarlane has called 'One of the most remarkable non-fiction projects undertaken in English'. The first volume of Tim Robinson's Connemara trilogy, Listening to the Wind, covered Robinson's home territory of Roundstone and environs. The Last Pool of Darkness moves into wilder territory: the fjords, cliffs, hills and islands of north-west Connemara, a place that Wittgenstein, who lived on his own in a cottage there for a time, called 'the last pool of darkness in Europe'. Again combining his polymathic knowledge of Connemara's natural history, human history, folklore and topography with his own unsurpassable artistry as a writer, Tim Robinson has produced another classic.A native of Yorkshire, Tim Robinson moved to the Aran Islands in 1972. His books include the celebrated two-volume Stones of Aran. Since 1984 he has lived in Roundstone, Connemara.'The Proust & Ruskin of modern place-writing, deep-mapper of Irish landscapes, visionary thinker, and human of exceptional intellectual generosity & kindness. He was an immense inspiration to & encourager of me & my work' Robert Macfarlane'A masterpiece of travel and topographical writing and a miraculous, vivid and engrossing meditation on landscape and history and the sacred mood of places' Colm Tóibín, Irish Times'One of the greatest writers of lands ... No one has disentangled the tales the stones of Ireland have to tell so deftly and retold them so beautifully' Fintan O'Toole

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The first volume in Tim Robinson's phenomenal Connemara Trilogy - which Robert Macfarlane has called 'One of the most remarkable non-fiction projects undertaken in English'. In its landscape, history and folklore, Connemara is a singular region: ill-defined geographically, and yet unmistakably a place apart from the rest of Ireland. Tim Robinson, who established himself as Ireland's most brilliant living non-fiction writer with the two-volume Stones of Aran, moved from Aran to Connemara nearly twenty years ago. This book is the result of his extraordinary engagement with the mountains, bogs and shorelines of the region, and with its folklore and its often terrible history: a work as beautiful and surprising as the place it attempts to describe.Chosen as a book of the year by Iain Sinclair, Robert Macfarlane and Colm Tóibín'One of the greatest writers of lands ... No one has disentangled the tales the stones of Ireland have to tell so deftly and retold them so beautifully' Fintan O'Toole 'Dazzling ... an indubitable classic' Giles Foden, Condé Nast Traveller'He is that rarest of phenomena, a scientist and an artist, and his method is to combine scientific rigour with artistic reverie in a seamless blend that both informs and delights' John Banville'One of contemporary Ireland's finest literary stylists' Joseph O'Connor, Guardian

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The triumphant conclusion to Tim Robinson's extraordinary Connemara trilogy, which Robert Macfarlane has called 'one of the most remarkable non-fiction projects undertaken in English'. Robinson writes about the people, places and history of south Connemara - one of Ireland's last Gaelic-speaking enclaves - with the encyclopaedic knowledge of a cartographer and the grace of a born writer. From the man who has been praised in the highest terms by Joseph O'Connor ('One of contemporary Ireland's finest literary stylists''), John Burnside ('one of the finest of contemporary prose stylists'), Fintan O'Toole ('Simply one of the best non-fiction prose writers currently at work') and Giles Foden ('an indubitable classic'), among many others, this is one of the publishing events of 2011 and the conclusion of one of the great literary projects of our time.'One of the greatest writers of lands ... No one has disentangled the tales the stones of Ireland have to tell so deftly and retold them so beautifully' Fintan O'Toole'He is that rarest of phenomena, a scientist and an artist, and his method is to combine scientific rigour with artistic reverie in a seamless blend that both informs and delights.' John Banville, Guardian'The Proust & Ruskin of modern place-writing, deep-mapper of Irish landscapes, visionary thinker, and human of exceptional intellectual generosity & kindness. He was an immense inspiration to & encourager of me & my work' Robert Macfarlane'A masterpiece of travel and topographical writing, and an incomparable and enthralling meditation on times past ... This perfectly pitched work opens readers up to the world around them' Sunday Times 'Will endure into the far future ... He knows this world as no one else does, and writes about it with awe and love, but also with measured grace, an artist's eye and a scientist's sensibility' Colm Toibin, Sunday Business Post Books of the Year 'Anyone willing to get lost in this book will be left with indelible mental images of places they may never have visited but will now never forget' Dermot Bolger, Irish Mail on Sunday

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This significant book explains how work-life balance is being destroyed because individuals fail to link their work effort with its adverse environmental effects and the personal costs they impose.The burgeoning literature dealing with work-life balance suggests that the developed world is more interested in this issue today than at any other time in the recent past. Provocative and insightful, Work, Leisure and the Environment presents a rigorous explanation based on economic theory as to why contemporary societies suffer from over-work and work-life imbalance, asserting that they are both the cause and effect of environmental degradation. The author focuses upon a fundamental flaw in contemporary market economies that causes individuals to unknowingly reduce their well-being by working and consuming excessively, while enjoying inadequate leisure time. It is argued that this inability to correctly assess the benefits derived from their work effort causes individuals to place unreasonable and unsustainable demands on the environment. By ignoring the environmental destruction that accompanies work effort, its benefits are overestimated and, as a consequence, individuals voluntarily choose to work longer hours than they should. This engaging volume will have widespread appeal amongst researchers and policymakers interested in the environment, consumerism and labour markets and will also be an invaluable reference tool for studies into leisure and work-life balance.

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Dazzle your friends and family with dozens of science tricks!Kids may not clamor to study science and physics, but they sure enjoy anything that has to do with slime, invisible ink and obtaining the ability to make things disappear. With The Everything Kids'' Magical Science Experiments Book, kids will be able to bend the rules of time, space and logic by performing over 50 magical science experiments. Parents will love the fact that their kids are learning while having fun, by performing feats such as: Changing salt to sugar Creating a real life genie in a bottle Creating and writing with invisible ink Making a person stay seated, just by using their pinky finger Sealing a punctured balloon with a penny Changing Mentos candy into soda The Everything Kids'' Magical Science Experiments Book is packed with 30 magical science-related puzzles and over 50 experiments that are sure to get kids excite

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A brilliant new translation of Ó Cadhain’s modern Irish literature masterpiece, meant to spark debate and comparison with Alan Titley’s Dirty Dust, now with bonus materials on its history, reception, interpretations, adaptations, and more “Gloriously attuned to the energy, copiousness, invective and ribaldry of the original Cre na Cille.”—Patricia Craig, Times Literary Supplement “Corrosively satirical and darkly comic. . . . A tour de force of a gabfest.”—Mark Harman, Los Angeles Review of Books In critical opinion and popular polls, Máirtín Ó Cadhain’s Graveyard Clay is invariably ranked the most important prose work in modern Irish. This bold new translation of his radically original Cré na Cille is the shared project of two fluent speakers of the Irish of Ó Cadhain’s native region, Liam Mac Con Iomaire and Tim Robinson. They have achieved a lofty goal: to convey Ó Cadhain’s meaning accurately and to meet his towering literary standards. Graveyard Clay is a novel of black humor, reminiscent of the work of Synge and Beckett. The story unfolds entirely in dialogue as the newly dead arrive in the graveyard, bringing news of recent local happenings to those already confined in their coffins. Avalanches of gossip, backbiting, flirting, feuds, and scandal-mongering ensue, while the absurdity of human nature becomes ever clearer. This edition of Ó Cadhain’s masterpiece is enriched with footnotes, bibliography, publication and reception history, and other materials that invite further study and deeper enjoyment of his most engaging and challenging work.

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"I find him to be a kindred spirit, a sympathetic but shrewd enquirer, a companionable stroller, and a lover of anecdotes gathered by the wayside." So Tim Robinson described folklorist, revolutionary, and district justice Seán Mac Giollarnáth, whose 1941 book Annála Beaga ó Iorras Aithneach revealed his sheer delight in the rich language and stories of the people he encountered in Conamara, the Irish-speaking region in the south of Connemara. From tales of smugglers, saints, and scholars to memories of food, work, and family, the stories gathered here provide invaluable insights into the lives and culture of the community. This faithful and lovingly crafted translation, complete with annotations, a biography, and thoughtful chapters that explore the importance of the language and region, is the final work of both Robinson and his collaborator, the renowned writer and Irish language expert Liam Mac Con Iomaire. Translated into English for the first time, Conamara Chronicles: Tales from Iorras Aithneach preserves the art of storytellers in the West of Ireland and honors the inspiration they kindle even still.

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"I find him to be a kindred spirit, a sympathetic but shrewd enquirer, a companionable stroller, and a lover of anecdotes gathered by the wayside." So Tim Robinson described folklorist, revolutionary, and district justice Seán Mac Giollarnáth, whose 1941 book Annála Beaga ó Iorras Aithneach revealed his sheer delight in the rich language and stories of the people he encountered in Conamara, the Irish-speaking region in the south of Connemara. From tales of smugglers, saints, and scholars to memories of food, work, and family, the stories gathered here provide invaluable insights into the lives and culture of the community. This faithful and lovingly crafted translation, complete with annotations, a biography, and thoughtful chapters that explore the importance of the language and region, is the final work of both Robinson and his collaborator, the renowned writer and Irish language expert Liam Mac Con Iomaire. Translated into English for the first time, Conamara Chronicles: Tales from Iorras Aithneach preserves the art of storytellers in the West of Ireland and honors the inspiration they kindle even still.

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