Search results for ""Author Tim Crouch""

When I say sleep, you’re free again. A man loses his daughter to a car accident. Nothing now is what it seems. It’s like he’s in a play - but he doesn’t know the words or the moves. Tim Crouch’s critically acclaimed play playfully pushes the limits of theatre: a two-hander, where one of the actors walk on stage having neither seen nor read a word of the play they’re in… until they’re in it. Shockingly moving, An Oak Tree questions how we perform … and whether we know our lines. This edition was published to coincide with the runs at Avignon Festival, France, in July 2023, and the Edinburgh Festival Fringe, in August 2023.

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Includes the plays The Author, England, An Oak Tree and My Arm. My Arm ‘...he is actually exploring on stage the nature of art and performance itself, taking risks in the process… At these moments, Crouch is armed and dangerous.’ Guardian An Oak Tree ‘Pirandello for a modern audience and better. It’s philosophy inaction, playful and seriously thought-provoking.’ Independent on Sunday ENGLAND ‘…created with rigorous, poetic economy… ENGLAND belongs to that wonderful genre of thoughtful plays that could be discussed for hours without exhausting its ideas.’ New York Times The Author ‘This is not audience participation; it is the audience at once being the theatre and interrogating it.’ Financial Times

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Tim Crouch is a UK theatre artist based in Brighton. He writes plays, performs in them and takes responsibility for their production. He started to make his own work in 2003. Before then he was an actor. Tim works with a number of associates and collaborators to produce his writing. There isn't a company structure; things and people are brought together when they are needed. The starting process has always been a text written by Crouch. Early work was made in response to a self-generated impulse to tell a story or explore a form. This impulse is still the first motivation but, lately, it's become slightly more formalized through the involvement of various commissioning theatres and organizations. Tim's work tours extensively to UK and international venues and festivals.

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And that’s the moment when I leave. The moment when the jokes fail us. When I fail. I fail. This precise moment here, look, see with your ears. The Fool leaves King Lear before the blinding. Before the killing starts. Before the ice-creams in the interval. In his new solo work, playwright Tim Crouch draws on ideas of virtual reality to send the Fool back to the future of the play that he left. Back to a world without moral leadership or integrity; a world where wealth covers vice; where the poor are dehumanised; where the jokes fall flat; where live art has become the privilege of the few. Truth’s a Dog Must to Kennel is a daringly unaccommodating piece of theatre that switches between scathingly funny stand-up and an audacious act of collective imagining. King Lear meets stand-up meets the metaverse. Crouch’s previous celebrated works include An Oak Tree, The Author, Adler & Gibb, Total Immediate Collective Imminent Terrestrial Salvation, and Beginners. This edition was published to coincide with the production at The Royal Lyceum Theatre Edinburgh in August 2022.

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Twelfth Night, Julius Caesar, A Midsummer Night's Dream, Macbeth, and The Tempest... in a way you’ve never seen them before. Away from the rest of their plays, Malvolio, Cinna, Peaseblossom, Banquo, and Caliban tell their tales, each in a solo-show written for younger audiences, by acclaimed playwright Tim Crouch. No longer burdened by iambic pentameter, these five can finally speak their truth… Fusing Shakespeare with meta-theatre, multimedia, creative tasks, and philosophical playfulness, Crouch reimagines these secondary Shakespearean characters in a way that is accessible and engaging to young audiences. Featuring an introduction from Crouch that explains the origin of the five plays and their performance processes, the I, Shakespeare collection provides a fresh perspective on some of theatre’s most well-known stories, finding the parallels between the Bard’s time and present day.

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Jesus didn’t die so we could be reborn, lady, the stars did. The writer leads his followers towards the end of this world and the start of a new one. The book he’s written predicts it all – the equations, the black hole, all the words we’ll speak till then. On this last day, at this last hour, a defector finds her voice and returns.

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Six exciting new plays by some of the best artists working in the UK today written with and for young people. Created as part of Wonder Fools' international participatory project Positive Stories for Negative Times which has reached over 8000 young people from 16 different countries including UK, South Africa, India, USA, Canada, Italy and Sweden. Co-commissioned by Wonder Fools and the Traverse Theatre these six plays offer a variety of stories, styles and forms for ages 10 to 25. These original and innovative plays are: The Day the Stampers United by Sara Shaarawi Ages 12+ Ms Campbell's Class Fifth Period by Leyla Josephine Ages 14+ And The Name for That Is?... by Robert Softley Gale Ages 16+ Are You A Robot? by Tim Crouch Ages 10+ Revolting by Bryony Kimmings Ages 13+ Thanks for Nothing by The PappyShow with Lewis Hetherington Ages 11+ Positive Stories For Negative Times was initially created in response to the lack of physical spaces for young people to participate in creative activities due to the pandemic, and instead allowing them to come together and be inspired through making new work. The project has now grown into a programme of work that includes hundreds of participating groups across the world, a youth board who dramaturg all the commissioned plays from inception to final draft, a continuing professional development programme for group leaders and four regional Scottish youth theatre festivals taking place in summer 2023. Supported by Creative Scotland, the Gannochy Trust, Hugh Fraser Foundation, William Syson Foundation, Trades House of Glasgow Commonweal Fund and Gordon Fraser Foundation. www.positivestories.scot

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