Search results for ""Author Till-Holger Borchert""

Following Masterpiece: Hieronymus Bosch, Masterpiece: Jan Van Eyck shows the paintings of this Flemish master as never seen before. We can follow the restoration of the famous Adoration of the Mystic Lamb over the last five years. This book gives you access to it instantly. With amazing details and full-page images this is an attractively priced pocket-size guide. There is a commentary on the images by Till-Holger Borchert, the director of Musea Brugge. Text in English and Dutch.

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Often imitated but never equaled, Jan van Eyck (c. 1390-1441) left an indelible impression on Renaissance art and paved the way for future realist painters. With its unprecedented precision and masterful use of color, Arnolfini Double Portrait, depicting the wedding of a young couple, is testament to the mastery of the Flemish painter and leader of the Early Netherlandish school. Van Eyck painted both secular and religious subject matter, emphasizing a naturalism and realism that moved seamlessly between 15th-century everyday life and poetic, heavenly settings. Working with oil paint, he innovated the medium, allowing for great intensity and depth of color. Trace the artist’s impressive oeuvre in this hardcover survey of his work, including altarpieces, religious figures, and commissioned portraits. Featuring enlarged details and close analyses of masterpieces like the Ghent Altarpiece, this publication also offers a chronology of van Eyck’s production, including the output of his workshop which continued even after his death.

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Following Masterpiece: Hieronymus Bosch, Masterpiece: Peter Paul Rubens shows the paintings of this Flemish master as never seen before. With amazing details and full-page images this is an attractively priced pocket-size guide. There is a commentary on the images by Till-Holger Borchert, the director of Musea Brugge. Text in English and Dutch. Also available: Masterpiece: Jan Van Eyck ISBN 9789401441629

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2019, 450 years after the Old Master's death, will be celebrated as the Year of Bruegel, culminating in the exhibition 'The Age of Bruegel' at The Royal Museum of Fine Arts (KMSKA), Antwerp. In the run up to the numerous exhibitions and festivities that are planned for next year, Lannoo Publishers releases this glossy guidebook. It contains images of the Old Master's paintings with astonishing detail. It contains expert commentary by Till-Holger Borchert, director of all Bruges-based museums. Also available in the series: Masterpiece: Peter Paul Rubens (ISBN: 9789401441612) and Masterpiece: Jan Van Eyck (ISBN: 9789401441629).

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The Book of Miracles first surfaced only a few years ago and is one of the most spectacular discoveries in the field of Renaissance art. The near-complete illustrated manuscript, created in Augsburg around 1550, is composed of 169 pages of large-format illustrations in gouache and watercolor, depicting wondrous and often eerie phenomena. The mesmerizing images deal with both biblical and folkloric tales, depicting stories from the Old Testament and Book of Revelation as well as events that took place in the immediate present of the manuscript’s author. From shooting stars to swarms of locusts, terrifying monsters to fatal floods, page after page hypnotizes with visions alternately dreadful, spectacular, and even apocalyptic. This volume presents the revelatory Book of Miracles in a new, compact format, making this extraordinary document accessible to everyone. It comes with a translation of the manuscript texts and two essays that give an introduction to the cultural and historical context of this unique Renaissance work.

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Renaissance Children puts child portrait painting from the 15th and 16th century in the spotlight and tells the historical, pedagogical and artistic story of the most remarkable paintings. In the 15th and 16th century, the House of Habsburg ruled over a large part of Europe, and would turn into one of the most important European royal families in world history. In that time, Mechelen was the centre of education, where many Habsburg princes and princesses spent a large part of their youth, among whom Margaret of Austria and Charles V. Other powerful families also sent their children to Mechelen – the most famous of whom is perhaps Anne Boleyn, who would later become queen of England. Renaissance Children goes back to that Belgian city, where many portrait paintings of children originated. The book specifically focusses on child portraits of top artists, such as Jan Gossart, Bernard van Orley and Juan de Flandes. Includes unique paintings by Flemish Masters, such as Jan Gossart, Bernard van Orley and Juan de Flandes Insight into educational values and techniques from the 15th and 16th century The first publication about art and education at one the most important royal houses in European history

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A visually exciting, focused exploration of two of the great masterpieces of early Netherlandish painting. This book celebrates the reunion, for the first time in twenty-four years and only the second time in their history, of two masterpieces of early Netherlandish painting commissioned by the Carthusian monk Jan Vos during his tenure as prior of the Charterhouse of Bruges in the 1440s: the Frick Collection's Virgin and Child with St. Barbara, St. Elizabeth, and Jan Vos (commissioned from Jan van Eyck and completed by his workshop) and the Gemaldegalerie's Virgin and Child with St. Barbara and Jan Vos (painted by Petrus Christus). These works are examined with a selection of objects that place them in the rich Carthusian context for which they were created. Drawing on a recent campaign of technical examination and new archival research, this lavishly illustrated, scholarly volume explores the works' creation, patronage, function, and reception, offering a focused look at devotional and artistic practices in Bruges during the mid-fifteenth century. This is a significant contribution to the body of published knowledge of the role played by images in shaping monastic life and funerary strategies in late medieval Europe. AUTHOR: Emma Capron is the 2016–18 Anne L. Poulet Curatorial Fellow. A doctoral candidate at the Courtauld Institute of Art, her dissertation focuses on the patronage of altarpieces in late medieval Avignon, while her broader research interest covers every aspect of Northern Renaissance art. SELLING POINTS: . Celebrates the reunion, for the first time in twenty-four years and only the second time in their history, of two masterpieces of early Netherlandish painting commisioned by the Carthusian monk Jan Vos . A significant contribution to the body of published knowledge of the role played by images in shaping monastic life and funerary strategies in late medieval Europe . A lavishly illustrated, scholarly volume 85 colour images

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Flemish painter Jan Van Eyck (c. 1390–1441) towered above his contemporaries. With his unprecedented technique, scientific knowledge and unparalleled powers of observation, Van Eyck lifted oil painting to previously unseen heights and helped determine the course of Western art. In 2020 the Museum of Fine Arts Ghent will host the largest ever exhibition of Van Eyck’s work. An Optical Revolution includes artworks by Van Eyck, several pieces from his studio and international masterpieces from the late Middle Ages, which makes the world of Van Eyck more tangible than ever. This tie-in exhibition catalogue unravels some of the myths that surround Van Eyck and his technique while showing his complete oeuvre and his influence in a new perspective. Central to the exhibition are the eight restored exterior panels of the Adoration of the Mystic Lamb, a highly exceptional loan from St Bavo’s Cathedral in Ghent. After the exhibition the panels will return to their original place in the cathedral and never again be shown elsewhere. Including essays by leading experts from around the world, this book will be an indispensable resource for Van Eyck fans and scholars alike.

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This radical new examination of one of the most important Flemish Masters presents Bouts as a maker of images—and considers his oeuvre alongside the work of current-day filmmakers, game creators, and sports photographers.One of the foremost painters of the 15th century, Dieric Bouts was a master of composition, technical precision, and spiritual messaging. But, as this innovative exhibition catalog suggests, he was also a shrewd commercial artist, successfully procuring important commissions, and expertly conveying religious devotion. Filled with new perspectives informed by the latest research, this volume explores how Bouts’ career was influenced by the cultural and political environment of his hometown of Leuven. Filled with luminous reproductions and photographs of Bouts’ most important paintings and altarpieces, it focuses on several in depth, including The Last Supper, The Triptych of the Descent from the Cross, The Martyrdom of Saint Erasmus with Saints Jerome and Bernard, and Christ Crowned with Thorns. Refreshing and authoritative, this unconventional perspective on a painter who lived half a millennium ago is certain to surprise and satisfy scholars and fans of Bouts and of Renaissance artists in general.

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With TraumA, the Triennial of Bruges dives into the ‘uncanny’ history and reality of Bruges. Historical layers are exposed, forgotten or hidden storylines discussed. This edition explores the thin line between dream and trauma, between paradise and hell. It appeals to the imagination, to the pomp and circumstance, but also to the ‘uncanny’ that is present underground. For although Bruges seems to be a dream destination for many, poverty, loneliness, pollution or fear also lurk in this picture-perfect world. Triennial Bruges 2021: TraumA uses artistic and architectural interventions to bring the less attractive aspects to the surface and make them part of the city’s image. It creates a polyphonic discourse, where there is room for imagination, beauty, darkness and complexity. A space where artists and architects can explore both the stage and the dusty wings. Triennial Bruges 2021: TraumA balances between the present and the hidden. With a course of sculptural, architectural and organic creations, it is a celebration of the versatility and mobility of this city. Between private and public. Between dream and nightmare. Text in English and Dutch.

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Around 1505 Goossen Van der Weyden, Rogier's grandson, painted a monumental altarpiece depicting the various phases of Saint Dymphna's insane life. This Irish princess, who fled her incestuous father in the sixth century, was beheaded in the Kempen village of Geel. On account of her tragic end and uncompromising chastity, the princess was venerated from that moment on as the patron saint of the mentally ill. From the late Middle Ages, pilgrims flocked to Geel in large numbers to catch a glimpse of Saint Dymphna. They paid homage to the local celebrity in the hope that she would alleviate their mental problems. To this day, Geel is known for its unique treatment of the mentally ill, who are cared for at home by locals. Goossen Van der Weyden's altarpiece came into being at the height of Dymphna's popularity. The masterpiece was intended for the church of Tongerlo Abbey. Today this work is characterised by a remarkable iconography and an eventful history: a panel was lost and the triptych was even sawn into pieces. It ultimately came into the hands of a team of specialists from Belgium and abroad who subjected the altarpiece to a meticulous conservation over a period of three years, a colossal undertaking during which new techniques were used. This gave the conservators unprecedented insight into the mind, and workshop, of an early 16th century painter. This richly illustrated book is the result of years of research and contains essays by Till-Holger Borchert (Musea Brugge), Stephan Kemperdick (Gemäldegalerie, Staatliche Museen, Berlin), Katharina Van Cauteren (The Phoebus Foundation, Antwerp), Lucinda Timmermans (Rijksmuseum, Amsterdam), Patrick Allegaert (Dr. Guislain Museum, Ghent) and many others.

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