Search results for ""Author Thomas de Quincey""
£10.80
Dover Publications Inc. Suspiria De Profundis
£7.04
Alianza Editorial Del asesinato considerado como una de las bellas artes
Obra maestra de la sorna y la ironía aplicadas a la literatura, ?Del asesinato considerado como una de las bellas artes? expresa, asimismo, las obsesiones íntimas de Thomas De Quincey (1785-1859). El libro está compuesto por dos artículos publicados en 1827 y 1829, y que constituyen una pieza clásica del humorismo inglés, y por el Post Scriptum de 1854, dominado por una tensión más oscura. Si el tono de los artículos ?presentados como una conferencia leída ante la Sociedad de Conocedores del Asesinato y como las actas de una cena conmemorativa del club? concilia la erudición y la brutalidad en una de las muestras más perfectas de mordacidad literaria, el Post Scriptum, aun sin perder esta nota, es una reflexión sobre el horror, superpuesta a la escalofriante descripción de los célebres crímenes de John Williams y de los hermanos M?Kean.
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Pan Macmillan Confessions of an English OpiumEater
Thomas De Quincey was born in Manchester in 1785. Highly intelligent but with a rebellious spirit, he was offered a place at Oxford University while still a student at Manchester Grammar School. But unwilling to complete his studies, he ran away and lived on the streets, first in Wales and then in London. Eventually he returned home and took up his place at Oxford, but quit before completing his degree. A friend of Coleridge and Wordsworth, he eventually settled in Grasmere in the Lake District and worked as a journalist. He first wrote about his opium experiences in essays for The London Magazine, and these were printed in book form in 1822. De Quincey died in 1859.
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Alma Books Ltd Confessions of an English Opium-Eater: Annotated Edition – Also includes The Pleasures of Opium, Introduction to the Pains of Opium and The Pains of Opium
In an examination of his laudanum addiction and the dreams and visions the drug engendered, Thomas De Quincey lays bare the celestial pleasures and infernal lows of an existence dependent on “subtle and mighty opium”. At once moving and rhapsodic, and suffused with a poetic and lyrical beauty, Confessions of an English Opium-Eater hauntingly evokes frightful scenes and phantasmagorical night-time wanderings, while reality, dream and memory blur and intertwine in a nebulous and protean haze. Published anonymously in The London Magazine, the Confessions were an immediate success, and soon speculation was rife as to the identity of the mysterious Opium-Eater. The work, which introduced the literary world to De Quincey’s unique “impassioned prose”, is now widely deemed to be De Quincey’s masterpiece.
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Malpaso Editorial Judas Y Otros Ensayos Sobre Lo Divino Y Lo Humano
£17.01
Anaconda Verlag Bekenntnisse eines englischen Opiumessers
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Alianza Editorial Confesiones de un inglés comedor de opio
De vida solitaria, bohemia, azarosa y, en ocasiones, trágica, Thomas De Quincey (1785-1859) colaboró en varias revistas de la época, entre ellas el London Magazine, en cuyos números de octubre y noviembre de 1821 aparecieron sus " Confesiones de un inglés comedor de opio " . El enorme éxito de esas entregas facilitó su publicación en forma de libro un año más tarde (edición con la que se corresponde la presente edición y que es considerada superior a la impresa en 1856). La obra refleja la actitud ambivalente del escritor hacia el opio (cadena inexorable, llave del paraíso), sustancia que comenzó a utilizar en 1804 a fin de aliviar unos fuertes dolores y de cuyos efectos nunca lograría prescindir por completo. Otras obras de Thomas De Quincey en esta colección: " Del asesinato considerado como una de las bellas artes " , " Suspiria de profundis " y " La rebelión de los tártaros " .
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Oxford University Press Confessions of an English Opium-Eater and Other Writings
'I took it: - and in an hour, oh! Heavens! what a revulsion! what an upheaving, from its lowest depths, of the inner spirit! what an apocalypse of the world within me!' Thomas De Quincey's Confessions of an English Opium-Eater (1821) launched a fascination with drug use and abuse that has continued from his day to ours. In the Confessions De Quincey invents recreational drug taking, but he also details both the lurid nightmares that beset him in the depths of his addiction as well as his humiliatingly futile attempts to renounce the drug. Suspiria de Profundis centres on the deep afflictions of De Quincey's childhood, and examines the powerful and often paradoxical relationship between drugs and human creativity. In 'The English Mail-Coach', the tragedies of De Quincey's past are played out with horrifying repetitiveness against a backdrop of Britain as a Protestant and an imperial power. This edition presents De Quincey's finest essays in impassioned autobiography, together with three appendices that are highlighted by a wealth of manuscript material related to the three main texts. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
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Oxford University Press On Murder
'For if once a man indulges himself in murder, very soon he comes to think little of robbing; and from robbing he comes next to drinking and Sabbath-breaking, and from that to incivility and procrastination' Thomas De Quincey's three essays 'On Murder Considered as One of the Fine Arts' centre on the notorious career of the murderer John Williams, who in 1811 brutally killed seven people in London's East End. De Quincey's response to Williams's attacks turns morality on its head, celebrating and coolly dissecting the art of murder and its perfections. Ranging from gruesomely vivid reportage and brilliantly funny satiric high jinks to penetrating literary and aesthetic criticism, the essays had a remarkable impact on crime, terror, and detective fiction, as well as on the rise of nineteenth-century decadence. The volume also contains De Quincey's best-known piece of literary criticism, 'On the Knocking at the Gate in Macbeth', and his finest tale of terror, 'The Avenger', a disturbing exploration of violence, vigilantism, and religious persecution. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
£9.31
Penguin Books Ltd Confessions of an English Opium Eater
A masterpiece of autobiography, and perhaps the first literary memoir of an addict, the Penguin Classics edition of Thomas De Quincey's Confessions of an English Opium-Eater is edited with an introduction by Barry Milligan.Confessions is a remarkable account of the pleasures and pains of worshipping at the 'Church of Opium'. Thomas De Quincey consumed daily large quantities of laudanum (at the time a legal painkiller), and this autobiography of addiction hauntingly describes his surreal visions and hallucinatory nocturnal wanderings through London, along with the nightmares, despair and paranoia to which he became prey. The result is a work in which the effects of drugs and the nature of dreams, memory and imagination are seamlessly interwoven, describing in intimate detail the mind-altering pleasures and pains unique to opium. Confessions of an English Opium-Eater forged a link between artistic self-expression and addiction, paving the way for later generations of literary addicts from Baudelaire to James Frey, and anticipating psychoanalysis with its insights into the subconscious. This edition is based on the original serial version of 1821, and reproduces two 'sequels', 'Suspiria de Profundis' (1845) and 'The English Mail-Coach' (1849). It also includes a critical introduction discussing the romantic figure of the addict and the tradition of confessional literature, and an appendix on opium in the nineteenth century.Thomas De Quincey (1785-1859) studied at Oxford, failing to take his degree but discovering opium. He later met Coleridge, Southey and the Wordsworths. From 1828 until his death he lived in Edinburgh and made his living from journalism.If you enjoyed Confessions of an English Opium-Eater, you might like William S. Burroughs' Junky, available in Penguin Modern Classics.'De Quincey was one of the first great autobiographers'Jonathan Bate
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Broadview Press Ltd Confessions of an English Opium-Eater
Confessions of an English Opium-Eater remains its author’s most famous and frequently-read work and one of the period’s central statements about both the power and terror of imagination. De Quincey describes the intense “pleasures” and harrowing “pains” of his opium use in lyrical and dramatic prose. A notorious success since its 1821 publication, the work has been an important influence on philosophers, theorists, and psychologists, as well as literary writers, of the nineteenth and twentieth centuries. But Confessions is only one part of a larger confessional project conceived by De Quincey over the course of his writing career. Gathered together in this edition, these texts provide a fascinating glimpse of early nineteenth-century British aesthetic, medical, psychological, political, philosophical, social, racial, national, and imperialist attitudes. This edition includes the 1821 text of Confessions, its important sequel Suspiria de Profundis (1845), and its sequel, The English Mail-Coach (1849), as well as extensive appendices.
£21.64