Search results for ""Author Thomas S. Hischak""
Scarecrow Press Boy Loses Girl: Broadway's Librettists
Whenever the distinguished Broadway songwriter Stephen Sondheim is asked what comes first, the music or the lyrics, he always answers, "the book." All theater lovers know that Irving Berlin wrote the score for Annie Get Your Gun, that Rodgers and Hammerstein did the songs for The Sound of Music, and that Frank Loesser penned the musical numbers for Guys and Dolls. But who wrote the librettos for these Broadway classics? The libretto is the script of a musical, what the characters say and do when they are not singing or dancing. It is the backbone of every musical play yet too few theatergoers know who these important librettists are. Boy Loses Girl is the first book to look at the careers, works and characteristics of Broadway's most important libretto writers during the past one hundred years. Here are all the major authors, from George M. Cohan, who wrote the librettos for all his musicals, to Mel Brooks and Thomas Meehan who scripted The Producers. Meet Otto Harback, Alan Jay Lerner, Dorothy Fields, Abe Burrows, Peter Stone, George S. Kaufman, Guy Bolton, Dorothy Donnelly, Joseph Fields, Betty Comden, Adolph Green, Arthur Laurents, George Abbot and others. Current and up-and-coming writers like Terrence McNally, Lynn Ahrens, William Finn, and Michael John LaChiusa are also covered. One hundred years of libretto writing are explored as the growth and changes in the Broadway musical are charted through the work of these important writers. Boy Loses Girl presents a whole new perspective for looking at the American musical theater. For scholars and enthusiasts of the American musical theatre; frequent theater goers.
£82.86
Rowman & Littlefield Publishers Theatre as Human Action
This book engages studentsâparticularly those who may not be very familiar with many playsâin the theatre experience by focusing on just four plays: the tragedy Macbeth, the landmark African American drama A Raisin in the Sun, the American comedy classic You Can't Take It with You, and the contemporary hip-hop musical Hamilton.
£48.72
Rowman & Littlefield Theatre as Human Action
Theatre as Human Action: An Introduction to Theatre Arts, Third Edition is designed for the college student who may be unacquainted with many plays and has seen a limited number of theatre productions. Focusing primarily on four plays, this textbook aims to inform the student about theatre arts, stimulate interest in the art form, lead to critical thinking about theatre, and prepare the student to be a more informed and critical theatregoer.The four plays central to this book are the tragedy Macbeth, the landmark African American drama A Raisin in the Sun, the American comedy classic You Can't Take It with You, andnew to this editionthe contemporary hip-hop musical Hamilton. At the beginning of the text, each play is described with plot synopses (and suggested video versions), and then these four representative works are referred to throughout the book. In addition to looking at both the theoretical and practical aspects of theatre artsfrom the nature of theatre and drama to how it ref
£89.10
Rowman & Littlefield Theatre as Human Action: An Introduction to Theatre Arts
Theatre as Human Action is the ideal textbook to introduce students to the various aspects of theatre, especially for those who may have little or no theatergoing experience. Seven diverse plays are described to the reader from the start, and then returned to throughout the book so that students can better understand the concepts being discussed. Both the theoretical and practical aspects of theatre are explored, from the classical definition of theatre to today’s most avant-garde theatre activities. Types of plays, the elements of drama, and theatre criticism are presented, as well as detailed descriptions of the different jobs in theatre, such as actor, playwright, director, designer, producer, choreographer, and more. The book concludes with a look at where and how theatre is evolving in America and the latest changes and innovations today.This fourth edition has been greatly expanded and updated, including: The introduction of four new plays—Sweeney Todd: The Demon Barber of Fleet Street; Fences; Angels in America; and Hadestown—in addition to Macbeth, You Can’t Take It With You, and Hamilton A discussion of the rise of social media in raising awareness and replacing traditional review outlets An entirely new, enhanced section on diversity and inclusion in theatre An updated selection of playwrights featured, including Terrence McNally, Lynn Nottage, Tony Kushner, and Lin-Manuel Miranda, to better reflect the diversity of those writing for the theatre today. Featuring full-color photographs, updated learning guides, and suggested topics for discussion and research, the fourth edition of Theatre as Human Action is an invaluable resource to introduce students to the world of theatre.
£85.00
Taylor Trade Publishing The Disney Song Encyclopedia
Songs written for Disney productions since the 1930s to the present day have become a potent part of American popular culture. Since most Americans first discovered these songs in their youth, the songs have a special place in one's consciousness. Songwriters and original singers are identified, as well as the source of the song and other venues in which it has been used over the years. This volume also contains a glossary of song terms, a songwriter’s directory, a guide to recordings and DVDs of Disney productions, and a listing of Academy Award nominees and winners.
£16.00
Rowman & Littlefield Theatre as Human Action: An Introduction to Theatre Arts
Theatre as Human Action is the ideal textbook to introduce students to the various aspects of theatre, especially for those who may have little or no theatergoing experience. Seven diverse plays are described to the reader from the start, and then returned to throughout the book so that students can better understand the concepts being discussed. Both the theoretical and practical aspects of theatre are explored, from the classical definition of theatre to today’s most avant-garde theatre activities. Types of plays, the elements of drama, and theatre criticism are presented, as well as detailed descriptions of the different jobs in theatre, such as actor, playwright, director, designer, producer, choreographer, and more. The book concludes with a look at where and how theatre is evolving in America and the latest changes and innovations today.This fourth edition has been greatly expanded and updated, including: The introduction of four new plays—Sweeney Todd: The Demon Barber of Fleet Street; Fences; Angels in America; and Hadestown—in addition to Macbeth, You Can’t Take It With You, and Hamilton A discussion of the rise of social media in raising awareness and replacing traditional review outlets An entirely new, enhanced section on diversity and inclusion in theatre An updated selection of playwrights featured, including Terrence McNally, Lynn Nottage, Tony Kushner, and Lin-Manuel Miranda, to better reflect the diversity of those writing for the theatre today. Featuring full-color photographs, updated learning guides, and suggested topics for discussion and research, the fourth edition of Theatre as Human Action is an invaluable resource to introduce students to the world of theatre.
£42.00
Rowman & Littlefield Noel, Tallulah, Cole, and Me: A Memoir of Broadway's Golden Age
An important figure during the golden age of Broadway, John C. Wilson staged such famous productions as Kiss Me, Kate and Gentlemen Prefer Blondes. He also worked with many of the greatest actors, playwrights, producers, and other artists from the 1920s through the 1950s, including Alfred Lunt, Lynn Fontanne, Laurence Olivier, Vivien Leigh, Carol Channing, and Tennessee Williams. In his twenties, Wilson met Noel Coward and became both his lover and manager. Following Wilson’s marriage to Russian princess Natalie Paley in 1937, he remained close friends with Coward until John’s death in 1961. In Noel, Tallulah, Cole, and Me: A Memoir of Broadway’s Golden Age, producer-director Wilson provides an eye witness account of a never-to-be-seen-again period in American theatre and culture. The narrative covers Wilson’s youth, his education at Yale, his experience working in silent films, and details of his professional and personal relationship with Coward. Wilson also recounts his theatrical career on Broadway and in London, his marriage to Paley, and life within international high society. The people Wilson befriended—Tallulah Bankhead, Cecil Beaton, Claudette Colbert, Cole Porter, and Richard Rodgers, among others—are described with affection, candor, and colorful panache. Wilson also shares behind-the-scenes stories about such landmark theatre productions as Private Lives, Blithe Spirit, Gentlemen Prefer Blondes, and Kiss Me, Kate. Completed in 1958, just three years before his death, Wilson’s autobiography sat idle for decades. Wilson’s great nephew Jack Macauley and theatre historian Thomas Hischak have edited the original manuscript and added commentary to help guide the reader through the myriad names and productions that are mentioned. From his long-term relationship with Coward to his enduring marriage to Paley, Wilson’s life was as charmed as it was celebrated. Featuring nearly forty photos, Noel, Tallulah, Cole, and Me is an engaging account of one of the most important periods in Broadway’s history, as well as a fascinating look into the lives of the glamorous men and women of the era.
£65.00
