Search results for ""Author Thomas More""

Utopia is a fascinating novel that tells the story of a visitor to a distant island home to a community that has established an ideal society. Based on harmony, justice, rationality, virtue, equality and the pursuit of happiness, it presents a sharp contrast with sixteenth century England. This remarkable novel is complex, insightful and far-sighted, and has, for centuries, been of great interest to scholars, politicians, writers and readers who have sought to untangle its mysteries and bring to life their own utopias.ABOUT THE SERIES: The Arcturus Classics series brings together high-quality paperback editions of classics works, presented with contemporary graphic cover designs. Together they make a wonderful collection which is perfect for any home library.

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In the history of political thought few works have been more influential than Utopia, and few more misunderstood. First published in 1516, "Utopia" depicts an imaginary society free of private property, sexual discrimination and religious intolerance. Its radical humanism has had a dramatic effect on modern history and the challenge of its vision is as persistent today as it was in the Renaissance.

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In Utopia, Thomas More gives us a traveller's account of a newly discovered island where the inhabitants enjoy a social order based on natural reason and justice, and human fulfilment is open to all. As the traveller, Raphael, describes the island to More, a bitter contrast is drawn between this rational society and the custom-driven practices of Europe. So how can the philosopher try to reform his society? In his fictional discussion, More takes up a question first raised by Plato and which is still a challenge in the contemporary world. In the history of political thought few works have been more influential than Utopia, and few more misunderstood.

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Wootton's translation brings out the liveliness of More's work and offers an accurate and reliable version of a masterpiece of social theory. His edition is further distinguished by the inclusion of a translation of Erasmus's 'The Sileni of Alcibiades,' a work very close in sentiment to Utopia, and one immensely influential in the sixteenth century. This attractive combination suits the edition especially well for use in Renaissance and Reformation courses as well as as for Western Civilization survey courses. Wootton’s Introduction simultaneously provides a remarkably useful guide to anyone’s first reading of More’s mysterious work and advances an original argument on the origins and purposes of Utopia which no one interested in sixteenth-century social theory will want to miss.

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In Utopia Thomas More painted a fantastical picture of a distant island where society is perfected and people live in harmony, yet its title means 'no place', and More's hugely influential work was ultimately an attack on his own corrupt, dangerous times, and on the failings of humanity. Throughout history, some books have changed the world. They have transformed the way we see ourselves - and each other. They have inspired debate, dissent, war and revolution. They have enlightened, outraged, provoked and comforted. They have enriched lives - and destroyed them. Now Penguin brings you the works of the great thinkers, pioneers, radicals and visionaries whose ideas shook civilization and helped make us who we are.

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'It remains astonishingly radical ... one of Utopia's most striking aspects is its contemporaniety' Terry EagletonIn Utopia, Thomas More gives us a traveller's account of a newly-discovered island where the inhabitants enjoy a social order based on natural reason and justice, and human fulfilment is open to all. As the traveller describes the island, a bitter contrast is drawn between this rational society and the practices of Europe. How can the philosopher reform his society? In his discussion, More takes up a question first raised by Plato and which is still a challenge in the contemporary world. In the history of political thought few works have been more influential than Utopia, and few more misunderstood.Translated and introduced by Dominic Baker-Smith

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Thomas More: Utopia/ Francis Bacon: New Atlantis/Henry Neville: The Isle of Pines With the publication of Utopia (1516), Thomas More introduced into the English language not only a new word, but a new way of thinking about the gulf between what ought to be and what is. His Utopia is at once a scathing analysis of the shortcomings of his own society, a realistic suggestion for an alternative mode of social organization, and a satire on unrealistic idealism. Enormously influential, it remains a challenging as well as a playful text. This edition reprints Ralph Robinson's 1556 translation from More's original Latin together with letters and illustrations that accompanied early editions of Utopia. Utopia was only one of many early modern treatments of other worlds. This edition also includes two other, hitherto less accessible, utopian narratives. New Atlantis (1627) offers a fictional illustration of Francis Bacon's visionary ideal of the role that science should play in the modern society. Henry Neville's The Isle of Pines (1668), a precursor of Defoe's Robinson Crusoe, engages with some of the sexual, racial, and colonialist anxieties of the end of the early modern period. Together these texts illustrate the diversity of the early modern utopian imagination, as well as the different purposes to which it could be put. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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With an Introduction by Mishtooni Bose. More’s Utopia is a complex, innovative and penetrating contribution to political thought, culminating in the famous ’description’ of the Utopians, who live according to the principles of natural law, but are receptive to Christian teachings, who hold all possessions in common, and view gold as worthless. Drawing on the ideas of Plato, St Augustine and Aristotle, Utopia was to prove seminal in its turn, giving rise to the genres of utopian and dystopian prose fiction whose practitioners include Sir Francis Bacon, H.G. Wells, Aldous Huxley and George Orwell. At once a critique of the social consequences of greed and a meditation on the personal cost of entering public service, Utopia dramatises the difficulty of balancing the competing claims of idealism and pragmatism, and continues to invite its readers to become participants in a compelling debate concerning the best state of a commonwealth.

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Wootton's translation brings out the liveliness of More's work and offers an accurate and reliable version of a masterpiece of social theory. His edition is further distinguished by the inclusion of a translation of Erasmus's 'The Sileni of Alcibiades,' a work very close in sentiment to Utopia, and one immensely influential in the sixteenth century. This attractive combination suits the edition especially well for use in Renaissance and Reformation courses as well as as for Western Civilization survey courses. Wootton’s Introduction simultaneously provides a remarkably useful guide to anyone’s first reading of More’s mysterious work and advances an original argument on the origins and purposes of Utopia which no one interested in sixteenth-century social theory will want to miss.

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This volume includes the full text of More’s 1516 classic, Utopia, together with a wide range of background contextual materials. For this edition the G.C. Richards translation has been substantially revised and modernized by William P. Weaver of Baylor University.As with other volumes in this series, the text and annotations in this edition are taken from The Broadview Anthology of British Literature, acclaimed as “the new standard” in the field. Appendices include illustrations from early editions; relevant passages from the Bible and from Plato; excerpts from More’s 1534 Dialogue of Comfort against Tribulation that have been cited for their alleged relevance to the debate over whether or not More himself espoused the “communist” principles of the Utopia he imagined.

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This is a fully revised edition of one of the most successful volumes in the Cambridge Texts in the History of Political Thought series. Incorporating extensive updates to the editorial apparatus, including the introduction, suggestions for further reading, and footnotes, this third edition of More's Utopia has been comprehensively re-worked to take into account scholarship published since the second edition in 2002. The vivid and engaging translation of the work itself by Robert M. Adams includes all the ancillary materials by More's fellow humanists that, added to the book at his own request, collectively constitute the first and best interpretive guide to Utopia. Unlike other teaching editions of Utopia, this edition keeps interpretive commentary - whether editorial annotations or the many pungent marginal glosses that are an especially attractive part of the humanist ancillary materials - on the page they illuminate instead of relegating them to endnotes, and provides students with a uniquely full and accessible experience of More's perennially fascinating masterpiece.

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Five hundred years since its first publication, Thomas More's Utopia remains astonishingly radical and provocative. More imagines an island nation where thousands live in peace and harmony, men and women are both educated, and property is communal. In a text hovering between fantasy, satire, blueprint and game, More explores the theories and realities behind war, political conflicts, social tensions and redistribution, and imagines the day-to-day lives of a citizenry living free from fear, oppression, violence and suffering.But there has always been a shadow at the heart of Utopia. If this is a depiction of the perfect state, why, as well as wonder, does it provoke a growing unease?In this quincentenary edition, published in conjunction with Somerset House, More's text is introduced by multi-award-winning author China Miéville and accompanied by four essays from Ursula K. Le Guin, today's most distinguished utopian writer and thinker.

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More's Latin reply to Bugenhagen (1526), given here with a facing English translation, is a comparatively brief but intense rebuttal of the principal points of Lutheran teaching concerning scripture ant tradition, faith and works, grace and free will, clerical celibacy, and the sacraments. It presents arguments elaborated at much greater length in More's other polemical works. Supplication of Souls (1529) refutes A Supplication for the Beggars, an anticlerical pamphlet by Simon Fish which Henry VIII seems to have regarded with some favor. More places his response in the mouths of the souls in purgatory. In the first book, he contemptuously demolished Fish's loose railery with accurate statistics and historical analysis. In the second, he defends the traditional doctrine of purgatory with brief arguments drawn from reason and a detailed analysis of scriptural passages. Letter against Frith (1532) answers John Frith's Zwinglian arguments against the physical presence of Christ in the more. Written to an unknown correspondent, it is the briefest and mildest of More's polemical works and anticipates arguments presented moer elaborately in More's The Answer to a Poisoned Book (1533). Besides full introductions and commentaries, a glossary, and an index, this volume contains seven appendices giving the works to which More is replying and other thematic, historical, and bibliographical matter closely related to the three works by More.

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The first comprehensive one-volume collection of St.Thomas More’s writing“[A] tremendous scholarly undertaking. . . . Accessible and transparent to both scholars and the general audience.”—Renaissance and Reformation In this book, Wegemer and Smith assemble More’s most important English and Latin works for the first time in a single volume. This volume reveals the breadth of More’s writing and includes a rich selection of illustrations and artwork. The book provides the most complete picture of More’s work available, serving as a major resource for early modern scholars, teachers, students, and the general reader.

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What we can learn from a Renaissance nowhere In 1516, a book was published in Latin with the enigmatic Greek-derived word as its title. Utopia—which could mean either "good-place" or "no-place"—gives a traveler's account of a newly discovered island somewhere in the New World where the inhabitants enjoy a social order based purely on natural reason and justice. As the traveler describes the harmony, prosperity, and equality found there, a dramatic contrast is drawn between the ideal community he portrays and the poverty, crime, and often frightening political conditions of 16th century Europe. Written by Sir Thomas More (1477–1535)—then a rising intellectual star of the Renaissance and ultimately the advisor and friend of Henry VIII who was executed for his devoutly Catholic opposition to the king—Utopia is as complex as its author. In the form of a Platonic dialogue, Utopia explores topics such as money, property, crime, education, religious tolerance, euthanasia, and feminism. Claimed as a paean to communism (Lenin had More's name inscribed on a statue in Moscow) as often as it has been seen as a defense of traditional medieval values, Utopia began the lineage of utopian thinkers who use storytelling to explore new possibilities for human society—and remains as relevant today as when it was written in Antwerp 500 years ago. Explore the issues like feminism, euthanasia, and equality through Renaissance eyes Early communist tract or a defense of medieval values? You decide. Peer inside the enigmatic mind of the man who dared stand up to Henry VIII Appreciate the postmodern possibilities of Platonic dialogue Part of the bestselling Capstone Classics series edited by Tom Butler-Bowdon, this edition features an introduction from writer, economist, and historian Niall Kishtainy.

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Based on Thomas More’s penetrating analysis of the folly and tragedy of the politics of his time and all times, Utopia (1516) is a seedbed of alternative political institutions and a perennially challenging exploration of the possibilities and limitations of political action. This Norton Critical Edition is built on the translation that Robert M. Adams created for it in 1975. For the Third Edition, George M. Logan has carefully revised the translation, improving its accuracy while preserving the grace and verve that have made it the most highly regarded modern rendering of More’s Renaissance Latin work. “Backgrounds” includes a wide-ranging selection of the major secular and religious texts—from Plato to Amerigo Vespucci—that informed More’s thinking, as well as a selection of the responses to his book by members of his own humanist circle and an account by G. R. Elton of the condition of England at the time More wrote. “Criticism” now offers a more comprehensive survey of modern scholarship, adding excerpts from seminal books by Frederic Seebohm, Karl Kautsky, and Russell Ames, as well as selections from stimulating and influential recent readings by Dominic Baker-Smith and Eric Nelson. In the final section, on “Utopia’s Modern Progeny,” the opening chapter of Aldous Huxley’s Brave New World is now complemented by excerpts from another great work in the complex tradition of utopian and dystopian fiction, Ursula K. Le Guin’s The Left Hand of Darkness. Throughout the Third Edition, the editorial apparatus has been thoroughly revised and updated. An updated Selected Bibliography is also included.

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