Search results for ""Author Thomas Middleton""
Nick Hern Books A Chaste Maid in Cheapside
Drama Classics: The World's Great Plays at a Great Little Price A delightfully lewd city comedy written in 1613 by the co-author of The Changeling. Thomas Middleton's A Chaste Maid in Cheapside is an intricately plotted play about unscrupulous people in search of wealth, marriage, or sex - and sometimes all three. Unpublished until 1630 and long-neglected afterwards, it is now considered among the best and most characteristic Jacobean comedies. This edition of the play in the Nick Hern Books Drama Classics series is edited and introduced by Emma French.
£6.24
Nick Hern Books Women Beware Women
Drama Classics: The World's Great Plays at a Great Little Price A Jacobean gore-fest of enforced seduction and ultimate revenge. Written in 1623, two years after The Changeling, Women Beware Women is the second of Thomas Middleton's two great tragedies. It is the story of the corruption of three young people, seduced and destroyed by the lust and treachery of the court of the Duke of Florence. This edition, in the Nick Hern Books Drama Classics series, is edited and Introduced by Colin Counsell.
£6.90
Nick Hern Books The Roaring Girl
A hilarious city comedy by the authors of A Mad World, My Masters and The Shoemaker's Holiday. Sebastian has a problem. He's in love with a girl but his father won't agree to their marriage. In desperation he turns to the one person who can help him, the fearless and feisty 'roaring girl' Moll Cutpurse. In a London fuelled by greed and desire, the charismatic, cross-dressing heroine Moll has the world wrapped around her little finger, and she has a plan. Cutting a joyously independent path through the underhand scheming and petty vendettas of the London underworld, Moll proves more than a match for any man. This Prompt Book edition of The Roaring Girl was published alongside the Royal Shakespeare Company's revival of the play in 2014, and features the text edited for the RSC production, and introductions by key members of its creative team.
£10.20
Nick Hern Books The Changeling
Drama Classics: The World's Great Plays at a Great Little Price Middleton and Rowley's masterpiece, a tale of murder, lust, seduction and blackmail in the seventeenth century. Alsemero has fallen in love with the beautiful Beatrice after a chance meeting in a church – but Beatrice has already been promised to another man. Unable to marry the man she loves, she employs the hated De Flores, her father's servant, to murder the man her father bids her marry. As payment, De Flores demands Beatrice. And then things get worse... Thomas Middleton and William Rowley's play The Changeling was mostly likely first performed in 1622. This edition of the play in the Nick Hern Books Drama Classics series is edited and introduced by Trevor Griffiths. Set Text >> The Changeling is a set text for AQA Drama and Theatre Studies A/AS Level, AQA English Literature A/AS Level, OCR English Literature A/AS Level and WJEC English Literature A/AS Level.
£6.90
Bloomsbury Publishing PLC Thomas Middleton: Four Plays: Women Beware Women, The Changeling, The Roaring Girl and A Chaste Maid in Cheapside
This New Mermaids anthology brings together the four most popular and widely studied of Thomas Middleton's plays - Women Beware Women; The Changeling; The Roaring Girl and A Chaste Maid in Cheapside - with a new introduction by William Carroll, examining the plays in the context of early modern theatre, culture and politics, as well as their language, characters and themes. On-page commentary notes guide students to a better understanding and combine to make this an indispensable student edition ideal for study and classroom use from A Level upwards.
£15.28
Stage Door Thomas Middleton - The Revenger's Tragedy: "He that climbs highest had the greatest fall."
£9.31
Oxford University Press A Mad World, My Masters and Other Plays
Thomas Middleton (1580-1627) was a writer of great versatility, and his career as a London dramatist spans the most productive, innovative, and exciting period of theatrical activity in the history of English drama. Best known for his tragedies, he also wrote many successful comedies of city life. This volume brings together the greatest among them: A Mad World, My Masters, Michaelmas Term, A Trick to Catch the Old One, and No Wit, No Help Like a Woman's. The first three plays, written between 1604 and 1606, are witty and rambunctious satires on the predatory life of the aspiring London citizen. Sex and money are the characters' obsessions; their caustic exposure Middleton's. In the later play, No Wit (1612), satire shades into romance, prose into verse. Together the four plays reveal the range and exuberance of Middleton's writing for the comic stage. Under the General Editorship of Michael Cordner of the University of York, the plays have been newly edited and are presented with modernized spelling and punctuation. In addition, there is a scholarly introduction and detailed annotation. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
£12.16
Oxford University Press Women Beware Women, and Other Plays
This volume contains the four plays by Thomas Middleton which have most impressed the modern world: "A Chaste Maid in Cheapside" is the most complex amd effective of the city comedies; "Women Beware Women" and "The Changeling" (with William Rowley) are two of the most powerful Jacobean tragedies outside of Shakespeare -- studies in lust, power, violence, and self-delusive psychology; "A Game at Chess" was the single most popular play of the whole Shakespearean era, a satirical exposé of Jesuit plotting and Anglo-Spanish politics which played tp pacifist houses at the Globe until King James and his ministers banned it. The best-value collection available with the most officially up-to-date introduction; all the play texts are newly edited with richly informative annotation. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
£12.16
Oxford University Press The Roaring Girl and Other City Comedies
Thomas Dekker: The Shoemaker's Holiday George Chapman, Ben Jonson, John Marston: Eastward Ho! Ben Jonson: Every Man In His Humour Thomas Middleton and Thomas Dekker: The Roaring Girl Oxford English Drama offers plays from the sixteenth to the early twentieth centuries in selections that make available both rarely printed and canonical works. The texts are freshly edited using modern spelling. Critical introductions, wide-ranging annotation, and informative bibliographies illuminate the plays' cultural contexts and theatrical potential for reader and performer alike. 'The series should reshape the canon in a number of significant areas. A splendid and imaginative project.' Professor Anne Barton, Cambridge University ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
£12.16
University of Nebraska Press The Changeling
A changeling is a fickle person, a waverer, a person posing as another person, or an idiot. The Changeling portrays them all. The play interchanges not only characters, but authors, too. Written in 1622, it is one of the most successful collaborations in the history of the theater. Two plots, each the work of one playwright, interweave and collide. Words, lines, episodes, and scenes mix double meanings. Rowley's tragic plot combines hypocricy and love. Middleton's comic plot mixes madness and educated fools. Deceits tie things together, suspicions tear them apart.
£11.70
WW Norton & Co The Roaring Girl: A Norton Critical Edition
This Norton Critical Edition of Thomas Middleton and Thomas Dekker’s The Roaring Girl is based on the text from English Renaissance Drama: A Norton Anthology. It is accompanied by generous explanatory annotations, five illustrations, and a detailed introduction. “Contexts” is thematically arranged to include almost all known documents from the period concerning Mary Frith (aka Moll Cutpurse), among them records of her court appearances, letters recounting the same, and her last will. Also reprinted are significant passages from her purported 1662 “autobiography,” The Life and Death of Mrs. Mary Frith. While of dubious veracity, the “autobiography” is useful for comparing the play’s portrayal of Moll with later developments in Moll Cutpurse lore, which the Norton Critical Edition traces through the eighteenth and nineteenth centuries. Perhaps most engaging for classroom discussion are substantial excerpts from the 1620 cross-dressing pamphlets—Hic Mulier; or, The Man-Woman and Haec Vir; or, The Womanish Man—which appear in annotated, modern-spelling versions. Together they give insight into how gender-bending trends in clothing, similar to those practiced by Moll, were understood in the early seventeenth century. A related passage from A Sermon of Apparel adds another perspective on cross-dressing practices. Fourteen critical essays chart the development of scholarly interest in The Roaring Girl, from the first half of the twentieth century, when the play received only passing reference, through the work on city comedy in the 1970s and 1980s, to the explosion of analyses in the late 1980s and 1990s, when the play became a major focus for early modern gender studies. The more recent critical essays move beyond a strict focus on gender and cross-dressing to explore The Roaring Girl’s depiction of other aspects of early modern London, including consumer culture and the contemporary fascination with the language of the criminal underworld. Contributors include, among others, T. S. Eliot, Alexander Leggatt, Mary Beth Rose, Jonathan Dollimore, Jean E. Howard, and Jonathan Gil Harris. A Selected Bibliography is also included.
£23.28
Broadview Press Ltd The Roaring Girl
The titular “Roaring Girl” of Thomas Middleton and Thomas Dekker’s comedy is Moll Cutpurse, a fictionalized version of Mary Frith, who attained legendary status in London by flouting gendered dress conventions, illegally performing onstage, and engaging in all manner of transgressive behavior from smoking and swearing to stealing. In the course of The Roaring Girl’s lively and complex plot of seduction and clever ruses, Moll shares her views on gender and sexuality, defends her honor in a duel, and demonstrates her knowledge of London’s criminal underworld. This edition of the play offers an informative introduction, thorough annotation, and a substantial selection of contextual materials from the period.
£20.66
Bloomsbury Publishing PLC The Roaring Girl
This Jacobean city comedy is a curiosity in that it presents a real-life character, the notorious cross-dresser Moll Frith, who probably was among the first audiences of 'her' play before she was taken up for public misconduct. Middleton and Dekker's 'roaring girl' may outrage her society with her pipe, bluster and swagger, but she turns out to be the moral centre of the play. Her code of honour leads her to call the bluff on rogues and conspicuous consumers, to thrash a hypocritical gallant in a duel, and to act as go-between for the young lovers thwarted by parental tyranny. This wry dramatisation of female deviancy exposing male ineffectuality is as much to the point today as it was in King James's England. An appendix helps the modern reader to appreciate the canting terms used by the low-life characters.
£19.16
Bloomsbury Publishing PLC The Changeling: Revised Edition
“The next good mood I find my father in, I’ll get him quite discarded” With these chillingly offhand words, Beatrice-Joanna, the spoilt daughter of a powerful nobleman, plots to get rid of the family servant who has crossed her once too often. The Changeling’s vivid tale of sexual appetite, repulsion, betrayal and lunacy remains one of the most compelling tragedies of the 17th century. Exposing the vexed relationship between servants and masters, setting notions of `change’ against the revelation of psychological ‘secrets’ as ways of explaining human behaviour, and exploring the idea of love as a `tame madness’, the play reveals the terrifying consequences of ungoverned sexual appetite and betrayal. Featuring the full and modernized play text, this revised edition includes incisive commentary notes which explain the nuances of the play’s vibrant, colloquial language and demonstrate its sly delight in the characters’ conscious and unconscious wordplay. Michael Neill’s illuminating introduction provides a firm grounding in the play’s socio-political context, demonstrates how careful close-reading can expand your enjoyment of the play, explains the play’s violent linkage of comic and tragic plots and gives theatrical life to the text via a discussion of its stage history, with a particular emphasis on the most interesting recent productions. The New Mermaids plays offer: · Modernized versions of the play text edited to the highest textual standards · Fully annotated student editions with obscure words explained and critical, contextual and staging insight provided on each page · Full Introductions analyzing context, themes, author background and stage history
£12.86
