Search results for ""Author Thomas McCarthy""

The first part of Thomas McCarthy's book collects his recent short lyrics. Part Two daringly recreates a forgotten period in the Anglo-Irish world: a Big House in the years between the World Wars, a FitzGerald ('Geraldine') family that has tilled the soil of County Waterford, absorbed its language and history, and sent young men back to British regiments, particularly the Irish Guards. Focusing on his Gaelic-speaking soldier-poet, Sir Gerald FitzGerald, and his man-servant, Paax Foley, McCarthy creates a fully imagined landscape of men escaped from Irish neutrality to fight against Fascism. Moving from ballad to prose poem, from mid-century Gaelic verse to County Waterford recipes, McCarthy mixes competing loyalties and readings of Irish history to create a single Irish narrative of exile and bereavement, of battles won and love lost and found.

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Written in the wake of Ireland's 2008 economic collapse, Thomas McCarthy's Pandemonium moves between lament and protest in search of a meaningful response in language. Many of the poems were written during a period of retreat along Ireland's south-west coast, a landscape that imbues McCarthy's politics with geological intensity. The Atlantic horizon 'where the sun lies down in the west to die' is mirrored inland by corruption and rot, a modern Ireland beset, in the poet's eyes, by financial and moral pandemonium. McCarthy's subtle satiric wit and understated lyricism preserve raw outrage as historical document. His poems register the moral ire of many during a pivotal era of Irish history, leading with the poet's only weapon, the word - 'the ink trail that pain makes on the page'.

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Following his acclaimed Pandemonium, Thomas McCarthy’s Prophecy dwells on childhood memory, romantic love and the varieties of human attachment. Still embodying his distinctive voice and craft, in these poems McCarthy risks more prophetic moods and themes. There are poems on illness and recovery, ageing and creativity. From the community well of his childhood home in County Waterford to the holy well and pilgrim site of St Gobnait’s in County Cork, the poet finds that the act of remembering is an act of making and understanding. `All this / Metaphor and trauma and formal technique / I place in my canvas travel bag’, he writes, beginning his poetic journeys into formal Irish Gardens of Remembrance, field hospitals of the great War, the 1970s university campus of Iowa. `Along with Paul Muldoon,’ suggested Dennis O’Driscoll, McCarthy is `the most important Irish poet of his generation.’

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In 'Merchant Prince' Thomas McCarthy presents two groups of poems, set largely in Cork, and a novella set in Italy, in the period from 1769 and 1831. They tell the story of Nathaniel Murphy: his training for the priesthood, the loss of his virginity and vocation, his flight from Italy, and later his happy marriage and successful career as a Cork merchant. The unusual mixture of verse and prose and the meticulously imagined history - replete with portraits of such great figures as the painter James Barry, and four Italian poets who are strangely reminiscent of certain contemporary Irish poets - gives the book a compelling flavour. Poems and prose combine in a poetic fiction which is, among other things, a meditation on the craft of verse and the artistic calling, and a restoration project on a kind of Irishness overwritten by later history.

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Memory, love, history and ideas: Thomas McCarthy has a uniquely direct and engaged approach both to the private and the public, which are inseparable in his poetry. His special blend of wit and lyricism is shown to the full in this selection which draws on his five previous books and adds a large group of new poems.

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Philosophical controversies within contemporary critical theory arise largely from questions about the nature, scope and limits of human reason. As the linguistic turn in twentieth-century philosophy has increasingly given way to a sociocritical turn, traditional ideas of 'pure' reason have been left further and further behind. There is however considerable disagreement about what that shift entails for enlightenment ideals of self-consciousness, self-determination, and self-realization. In this book two prominent philosophers bring these disagreements into focus around a set of familiar philosophical issues concerning reason and the rational subject, truth and representation, knowledge and objectivity, identity and difference, relativism and universalism, the right and the good. But these "perennial problems" are resituated within the context of critical theory as it has developed from the work of the Frankfurt School in the 1930's and 1940's to the multiplicity of contemporary approaches: genealogical, hermeneutic, neopragmatist, deconstructive, and reconstructive.

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This study offers a systematic reconstruction of the theoretical foundations and framework of critical social theory. It is Habermas' "magnum opus", and it is regarded as one of the most important works of modern social thought. In this second and final volume of the work, Habermas examines the relations between action concepts and systems theory and elaborates a framework for analyzing the developmental tendencies of modern societies. He discusses in detail the work of Marx, Durkheim, G.H. Mead and Talcott Parsons, among others. By distinguishing between social systems and what he calls the "life-world", Habermas is able to analyze the ways in which the development of social systems impinges upon the symbolic and subjective dimensions of social life, resulting in the kind of crises, conflicts and protest movements which are characteristic of advanced capitalist societies in the late-20th century.

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The Philosophical Discourse of Modernity: Twelve Lectures. Introduction by Thomas McCarthy, translated by Frederick Lawrence.

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