Search results for ""Author Thomas Betteridge""

Thomas More is a complex and controversial figure who has been regarded as both saint and persecutor, leading humanist and a representative of late medieval culture. His religious writings, with their stark and at times violent attacks on what More regarded as heresy, have been hotly debated. In Writing Faith and Telling Tales, Thomas Betteridge sets More's writings in a broad cultural and chronological context, compares them to important works of late fourteenth- and fifteenth-century vernacular theology, and makes a compelling argument for the revision of existing histories of Thomas More and his legacy. Betteridge focuses on four areas of More's writings: politics, philosophy, theology, and devotion. He examines More's History of King Richard III as a work of both history and political theory. He discusses Utopia and the ways in which its treatment of reason reflects More's Christian humanism. By exploring three of More's lesser known works, The Supplication of Souls, The Confutation, and The Apology, Betteridge demonstrates that More positioned his understanding of heresy within and against a long tradition of English anti-heretical writing, as represented in the works of Hoccleve, Lydgate, and Love. Finally, Betteridge focuses on two key concepts for understanding More's late devotional works: prayer and the book of Christ. In both cases, Betteridge claims, More seeks to develop a distinctive position that combines late medieval devotionalism with an Augustinian emphasis on the ethics of writing and reading. Writing Faith and Telling Tales poses important questions concerning periodization and confessionalization and will influence future work on the English Reformation and humanist writing in England.

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Part of "The Apple-Zimmerman Series in Early Modern Culture", "Tudor Court Culture" is an interdisciplinary volume that examines the cultural history of the court and its possible interpretations from the early 1500s to the end of the reign of Elizabeth I. The history of Tudor court culture during the sixteenth century is a movement of the court beyond its physical confines out into the country so that courtliness becomes more a state of mind, a way of behaving, a language, and a symbol. The first part of this collection investigates issues in relation to the court of Henry VIII: the ongoing negotiation of the discrepancies between the ideal and the real, desired and granted, imagined and perceived. The second part explores the changing conditions of the court and assesses the extent of the centrifugal influence of the court culture during the reign of Elizabeth I. The collection includes essays by Thomas Betteridge, Stefani Brusberg-Kiermeier, Jessica Malay, Ayako Kawanami, Aysha Pollnitz, Anna Riehl, Peter Sillitoe, and Sam Wood. Thomas Betteridge is a Reader in English Literature 1550-1750 at Oxford Brookes University. Anna Riehl is an Assistant Professor of English at Auburn University.

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