Search results for ""Author Thomas Aiello""

Syndicated television and radio host. Serial liar. Pioneering journalist. Convicted criminal. Close ally of Malcolm X and Martin Luther King Jr. Publicity-seeking provocateur. Louis Lomax's life was a study in contradiction. In this biography, Thomas Aiello traces the complicated and fascinating arc of Lomax's life and career, showing how the contradictions, tumult, and inconsistencies that marked his life reflected those of 1960s America. Aiello takes readers from Lomax's childhood in the Deep South to his early confidence schemes to his emergence as one of the loudest and most influential voices of the civil rights movement. Regardless of what political position he happened to take at any given moment, Lomax preached “the art of deliberate disunity,” in which the path to democracy could only be achieved through a diversity of opinions. Engaging and broad in scope, The Life and Times of Louis Lomax is the definitive study of one of the civil rights era's most complicated, important, and overlooked figures.

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Syndicated television and radio host. Serial liar. Pioneering journalist. Convicted criminal. Close ally of Malcolm X and Martin Luther King Jr. Publicity-seeking provocateur. Louis Lomax's life was a study in contradiction. In this biography, Thomas Aiello traces the complicated and fascinating arc of Lomax's life and career, showing how the contradictions, tumult, and inconsistencies that marked his life reflected those of 1960s America. Aiello takes readers from Lomax's childhood in the Deep South to his early confidence schemes to his emergence as one of the loudest and most influential voices of the civil rights movement. Regardless of what political position he happened to take at any given moment, Lomax preached “the art of deliberate disunity,” in which the path to democracy could only be achieved through a diversity of opinions. Engaging and broad in scope, The Life and Times of Louis Lomax is the definitive study of one of the civil rights era's most complicated, important, and overlooked figures.

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Model Airplanes are Decadent and Depraved tells the story of the American glue-sniffing epidemic of the 1960s, from the first reports of use to the unsuccessful crusade for federal legislation in the early 1970s. The human obsession with inhalation for intoxication has deep roots, from the oracle at Delphi to Judaic biblical ritual. The discovery of nitrous oxide, ether, and chloroform in the late eighteenth and early nineteenth centuries and the later development of paint thinners, varnishes, lighter fluid, polishes, and dry-cleaning supplies provided a variety of publicly available products with organic solvents that could be inhaled for some range of hallucinogenic or intoxicating effect. Model airplane glue was one of those products, but did not appear in warnings until the first reports of problematic behavior appeared in 1959, when children in several western cities were arrested for delinquency after huffing glue. Newspaper coverage both provided the initial shot across the bow for research into the subject and convinced children to give it a try. This "epidemic" quickly spread throughout the nation and the world. Though the hobby industry began putting an irritant in its model glue products in 1969 to make them less desirable to sniff, that wasn't what stopped the epidemic. Just as quickly as it erupted, the epidemic stopped when the media coverage and public hysteria stopped, making it one of the most unique epidemics in American history. The nation's focus drifted from adolescent glue sniffing to the countercultural student movement, with its attendant devotion to drug use, opposition to the Vietnam War, southern race policies, and anti-bureaucracy in general. This movement came to embody a tumultuous era fraught with violence, civil disobedience, and massive sea changes in American life and law—glue sniffing faded by comparison.

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This book is a gem, and its reprinting highlights the contributions of one of the most creative and socially conscious wordsmiths in American history. — H. Samy Alim, UCLA, author of Roc the Mic Right This retro volume combines two brilliant and long out-of-print books, Dan Burley's Original Handbook of Harlem Jive (1944) and Diggeth Thou? (1959) by Dan Burley, with an introduction by Thomas Aiello. Burley was a journalist and sportswriter who worked for various African American newspapers and magazines, including the Chicago Defender, Chicago Crusader, New York New Amsterdam News, Jet, and Ebony in both Chicago and New York in the 1920s through the 1950s. Although he did not invent jive, throughout the 1940s Burley's Handbook fostered it, popularized it, and broadened its use beyond the cloister of the jazz community. Jive acted as an invisible conduit between the new urban linguistics and the inevitably square world. Burley's goal was to inform readers about this new language, as well as to entertain. Dan Burley's Original Handbook of Harlem Jive offers a history of and definition for jive, followed by examples of folktales, poetry, and Shakespeare "translated" into jive. The work also includes a jive glossary for easy reference. Burley followed up the success of the Handbook with Diggeth Thou?, which includes more stories told in jive. These rare books sparkle with wit and humor and offer a flashback to the world of New York's and Chicago's hepcats and chicks. Aiello's work will allow Burley's fascinating take on jive to reach a new generation of readers and scholars.

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Offers the first critical history of the influential Southern Newspaper Syndicate, from its roots in the 1930s through its end in the 1950s. At its heyday, more than 240 papers were associated with the Syndicate, making it one of the biggest organs of the black press during the period leading up to the classic civil rights era (1955-68).

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Traces the development and trajectory of the individual newspapers of the Scott Newspaper Syndicate, evaluating those with surviving issues, and presenting them as they existed in proximity to their Atlanta hub. In so doing, he emphasizes the thread of practical radicalism that ran through Syndicate editorial policy.

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Having skyrocketed from six to fourteen teams between 1966 and 1970, leaders of the National Hockey League had planned to wait a few more years before expanding any further. But as its rivalry with the World Hockey Association intensified, competition for markets rose, and the race for continued expansion became too urgent to ignore. Not to be outdone, the NHL introduced two new teams in 1971: one in Long Island, New York, and one in Atlanta, Georgia. For its own part, Atlanta had been watching as White residents left the city for the suburbs over the course of the 1960s. As the turn of the decade approached, city leadership was searching for ways to mitigate white flight and bring residents of the surrounding suburbs back to the city center. So when a stereotypically White sport came to the Deep South in 1971 in the form of the Atlanta Flames, ownership saw a new opportunity to appeal to White audiences. But the challenge would be selling a game that was foreign to most of Atlanta’s longtime sports fans. Filling a significant gap in scholarly literature concerning race and hockey within US history, White Ice: Race and the Making of Atlanta Hockey is a response to two simple questions: How did a cold-climate sport like hockey end up in a majority Black city in the Deep South? And why did it come when it did? Over seven chronological chapters, Thomas Aiello unpacks the history, culture, and context surrounding these questions, teasing out what the story of the Atlanta Flames can teach us about the NHL, Atlanta, race, and the business of professional sports expansion.

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