Search results for ""Author Thomas Adès""

In Three Studies from Couperin, Thomas Adès empathetically reworks three pieces by the Baroque composer into music that is distinctively Adès without dismissing the source material. The basic structures of harmony and duration in ‘Les Amusemens’, ‘Les Tours de Passe-passe’, and ‘L’ me-en-Peine’ remain unchanged, but the retouching of rhythm, texture and orchestral colours reveals an enthralling music that could be no other composer. The Three Studies has earned critical praise and popularity, having received over 200 public performances in more than 20 countries since its 2006 premiere. ‘Three Studies from Couperin, looks at the music as if through a kaleidoscope, the shattered pieces of the original tumbling around like glinting fragments of coloured glass.’ Financial Times

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Thomas Adès composed the score for the 2019 film Colette starring Keira Knightley and Dominic West, which is based on the life of the French novelist Sidonie-Gabrielle Colette. The film explores her fight for creative ownership and resistance to the societal constraints of the early 20th century. This solo piano piece appears in the end credits, played by the composer himself, and appears as the track "Colette" on the soundtrack album.

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Thomas Adès’s The Tempest is one of the most striking and successful operas of recent years. It has been performed over 50 times since its premiere at the Royal Opera House in 2004 and continues to delight and inspire audiences all over the world. This paperback full score edition is perfect for use as a study score for conductors and musicians. A numbered and signed limited edition full score is also available. From the turbulent orchestral prelude with which it begins to Ariel’s stratospheric yet ethereal ‘Five fathoms deep’ and the radiant quintet of reconciliation in its final act, its composer conjures up a wholly compelling musical world. Responding to librettist Meredith Oakes’s clear, unfussy refashioning of Shakespeare into formalised rhyme schemes, Adès has created a new kind of tonal language that is both direct and communicative but also indelibly contemporary.

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Thomas Adès is feted from Los Angeles to London, from New York to Berlin, as the musician who has done more than any other living composer to connect contemporary music with wider audiences. But this celebrated composer, conductor and pianist is notoriously secretive about his creative process, about what lies behind his compositional impulse. Here, Adès opens up for the first time, in conversations with Tom Service, about how he creates his music, where it comes from, and what it means. In these provocative and challenging interviews, Adès connects his music with influences from a huge historical and cultural spectrum - from Sephardic Jewish folk music to 80s electronica, from the films of Luis Buñuel and pre-Columbian art to the soundtracks of Al-Qaeda training videos - and offers a unique insight into the crucible of composition.This edition is updated with a foreword on Adès's opera, Exterminating Angel.

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Ever since its premiere in 1994, Thomas Adès’ first string quartet, Arcadiana has been captivating audiences with its evocations of vanishing, vanished, and imaginary idylls. Of all the work’s movements it is O Albion that has most captured the imagination of listeners: seventeen sighing, devotissimo bars that, in only three minutes, conjure a whole emotional world. This arrangement for SSAATTBB voices was created by Jim Clements for vocal group Voces8, who recorded it for Decca in 2018. It sets a line from William Blake’s Visions of the Daughters of Albion: ‘The Daughters of Albion hear her woes, and echo back her sighs.’ A piano part is included for rehearsal.

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