Search results for ""Author Thierry Davila""
Distributed Art Publishers Tatiana Trouvé
“Trouvé’s evident investment in tricks of the eye—and of the mind—paint her … as a 21st-century surrealist” –Artforum MAMCO’s collections include the complete set of Italian artist Tatiana Trouvé’s (born 1968) archive of drawings, as well as a room, Prepared Space, painted blindingly white and transected by tiny thread-width gashes seemingly held open by pieces of bronze and wood wedged into the cuts, somewhat resembling the lines on an ancient map. The goal of this volume, which is based around these two bodies of work, is to highlight the importance of drawing in the artist’s work—the way in which it structures both her vision and her sculpture. Each corpus is described in detail, but is also situated within Trouvé’s oeuvre in a comprehensive way, thus opening up various possible readings of her work. This affordable introduction to Trouvé’s oeuvre contains 30 color images of her work and commentary by MAMCO’s curators.
£21.59
Distributed Art Publishers Franz Erhard Walther: 1. Werksatz
Franz Erhard Walther’s pioneering Werksatz series of wearable fabric sculptures In 1991, as MAMCO Geneva was preparing to open, founder and museum director Christian Bernard asked several artists to think about how they would like to sum up their practice for presentation in the museum. German artist Franz Erhard Walther (born 1939) proposed a “Werklager”—a storeroom containing works produced between 1961 and 1972. Walther’s “Werklager” has been on display at MAMCO Geneva almost without interruption since the museum opened more than 20 years ago. At the heart of this collection is Walther’s 1. Werksatz, or First Work Set, series of wearable fabric objects from 1963–69. Walther described these objects as “instruments for processes”; activated by bodies (pulled through openings, connected by straps, tied and fastened in) or while they lay dormant, they constitute a form of participatory minimal sculpture. Emphasizing process and activation, these pieces circumvent “the seemingly inviolable contract that a work is an object produced by an artist,” as the artist put it. “I started conceiving my work out of an action, out of an act.” Franz Erhard Walther: 1. Werksatz, copublished with the Franz Erhard Walther Foundation, focuses on this groundbreaking series.
£24.30
Distributed Art Publishers Sylvie Fleury: Bedroom Ensemble II
A comprehensive examination of the Swiss artist’s colorful homage to Oldenberg’s soft sculpture installations Swiss mixed-media artist Sylvie Fleury (born 1961) has long been interested in depicting the juncture of materialism and materiality in contemporary consumer culture. Her 1998 installation Bedroom Ensemble II draws directly from soft sculpture artist Claes Oldenberg, who also created bedroom installations under the same title; through inconsistent scale and unusual textures, Oldenberg’s bedroom suggests a disconnect from reality that becomes more apparent the longer one studies the piece. Fleury’s piece amplifies and subverts such ideas with her own vocabulary of textures and colors. While Oldenberg’s bedroom is a particularly cold example of 1960s interior design, Fleury’s piece bursts with vitality, practically begging viewers to touch the colorful faux fur that covers every stick of furniture in the installation. This book is the first comprehensive study of Bedroom Ensemble II and its relationship to the other Fleury pieces in MAMCO Geneva’s collection.
£23.39
Distributed Art Publishers Martin Kippenberger: MOMAS Projekt
A history of Kippenberger’s museum on a Greek island—both a parody and a site of creative camaraderie Not quite a “real” museum and not quite an installation piece of its own, the Museum of Modern Art Syros (MOMAS) was created in 1993 by German artist Martin Kippenberger (1953–97) as a private artists’ space that poked fun at the institutional value of museums. Kippenberger claimed the cement ruins of an abandoned building on the Greek island of Syros as the perfect site for his museum—the fact that there were no walls on which to hang any art did not matter to him, because no art was ever actually displayed. For seven years, Kippenberger assumed the role of museum director and annually invited a small group of friends to work on and exhibit their art in MOMAS. This publication provides the first comprehensive study of the project with Kippenberger’s original plans and interviews with the artists who attended MOMAS.
£23.39
Distributed Art Publishers Gordon Matta-Clark: Open House
A new publication spotlights Gordon Matta-Clark’s only extant architectural piece In 1972, Gordon Matta-Clark (1943–78) installed a dumpster on the street between 98 and 112 Greene Street in New York’s SoHo neighborhood, an architectural artwork he called Open House. Matta-Clark used discarded, scavenged materials—old pieces of wood, doors—to subdivide the space inside the dumpster, creating corridors and small rooms within the container. Dancers and artists moved around the space, their pedestrian movements activating the sculpture and captured in a Super-8 film of the piece. Matta-Clark is best known for his building cuts and architectural interventions. Because of the nature of this work and its context—sited in spaces abandoned or slated for demolition—Matta-Clark’s “anarchitecture” was almost necessarily ephemeral, surviving as only documentation and sculptural sections. Open House (1972) is the only still-extant architectural piece by Matta-Clark. Gordon Matta-Clark: Open House is the first publication to focus on this crucial piece by the artist, using it as a way into his complex body of work. Featuring contributions from Sophie Costes, Thierry Davila and Lydia Yee, this volume takes a historical and theoretical approach to Open House and Matta-Clark’s entire oeuvre.
£24.30
Hatje Cantz Marco Godinho (Bilingual edition): Written by Water
"It is no longer we who cross the land, the border, the sea; they are the ones who cross us." The 2019 Biennale di Venezia offered a special experience: not only was the Luxembourg pavilion assigned its first new location on the Arsenale grounds, but Marco Godinho’s exhibition Written by Water, which was shown there, was an all-the-more impressive research how we move today in a world engaged with current migration issues and its relation with the sea. The sea may have fascinated for centuries, with its endless legends, adventures survived, and voyages of discovery that have further connected mankind. But behind the romantic façade, a complex geopolitical dimension with a far darker chapter has been hidden since the early twenty-first century at the latest. Waves of failed attempts at migration are still occurring today. Written by Water is a geopoetic odyssey that takes the reverse path of today’s migratory routes across the Mediterranean, the cradle of modern society and birthplace of founding narratives that underpin our common heritage. The documentation of the exhibition is accompanied by seven essays, which are just as thought-provoking and a wide range of singular works and recent exhibitions of the last fifteen years. Languages: English and French
£36.00
Distributed Art Publishers The Apartment
A legendary Parisian collection of minimalist and conceptual art, and its evocative installation in the home of collector Ghislain Mollet-Viéville This book documents the scrupulous recreation, inside MAMCO Geneva, of a flat owned between 1975 and 1992 by Parisian collector and self-described agent d’art Ghislain Mollet-Viéville. Mollet-Viéville’s apartment on the rue Beauborg showcased his incredible collection of minimalist and conceptual art; the flat served flexibly as home, gallery and crossroads of international contemporary art. Featuring works by Victor Burgin, Dan Flavin, Donald Judd, Carl Andre, Claude Rutault, Art & Language, John McCracken and Lawrence Weiner, Mollet-Viéville’s collection, and its display in his apartment, defined a radical approach to collecting and played an important role in publicizing the work of these artists in France. MAMCO acquired Mollet-Viéville’s groundbreaking collection in 2017; The Apartment is the first publication to celebrate and study Mollet-Viéville’s collection and its faithful reinstallation at MAMCO Geneva as a “period room” of contemporary art history. The Apartment features an analysis of each work included in the installation, an interview with Mollet-Viéville conducted by Lionel Bovier and Thierry Davila, and an essay by Patricia Falguières.
£24.30
