Search results for ""Author The American Society of Magazine Editors""

In a time of reckoning, this year’s National Magazine Awards finalists and winners focus on abuse of power in many forms. Ronan Farrow’s Pulitzer Prize–winning revelation of Harvey Weinstein’s depredations (New Yorker), along with Rebecca Traister’s charged commentary for New York and Laurie Penny’s incisive Longreads columns, speak to the urgency of the #MeToo moment. Ginger Thompson’s reporting on the botched U.S. operation that triggered a cartel massacre in Mexico (National Geographic/ProPublica) and Azmat Khan and Anand Gopal’s New York Times Magazine investigation of the civilian casualties of drone strikes in Iraq amplify the voices of those harmed by U.S. actions abroad. And Alex Tizon’s “My Family’s Slave” (Atlantic) is a powerful attempt to come to terms with the cruelty that was in plain sight in his own upbringing.Responding to the overt racism of the Trump era, Ta-Nehisi Coates’s “My President Was Black” (Atlantic) looks back at the meaning of Obama. Howard Bryant (ESPN the Magazine) and Bim Adewunmi (Buzzfeed) offer incisive columns on the intersections of pop culture, sports, race, and politics. In addition, David Wallace-Wells reveals the coming disaster of our climate-change-ravaged future (New York); Don Van Natta Jr. and Seth Wickersham’s ESPN the Magazine reporting exposes the seamy sides of the NFL; Nina Martin and Renee Montagne investigate America’s shameful record on maternal mortality (NPR/ProPublica); Ian Frazier asks “What Ever Happened to the Russian Revolution?” (Smithsonian); and Alex Mar considers “Love in the Time of Robots” (Wired with Epic Magazine). The collection concludes with Kristen Roupenian’s viral hit short story “Cat Person” (New Yorker).

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Chosen by the American Society of Magazine Editors, the stories in this anthology include National Magazine Award-winning works of public interest, reporting, feature writing, and fiction. This year's selections include Pamela Colloff (Texas Monthly) on the agonizing, decades-long struggle by a convicted murderer to prove his innocence; Dexter Filkins (The New Yorker) on the emotional effort by an Iraq War veteran to make amends for the role he played in the deaths of innocent Iraqis; Chris Jones (Esquire) on Robert A. Caro's epic, ongoing investigation into the life and work of Lyndon Johnson; Charles C. Mann (Orion) on the odds of human beings' survival as a species; and Roger Angell (The New Yorker) on aging, dying, and loss. The former infantryman Brian Mockenhaupt (Byliner) describes modern combat in Afghanistan and its ability both to forge and challenge friendships; Ta-Nehisi Coates (The Atlantic) reflects on the complex racial terrain traversed by Barack Obama; Frank Rich (New York) assesses Mitt Romney's ambiguous candidacy; and Dahlia Lithwick (Slate) looks at the current and future implications of an eventful year in Supreme Court history. The volume also includes an interview on the art of screenwriting with Terry Southern from The Paris Review and an award-winning short story by Stephen King published in Harper's magazine.

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The Best American Magazine Writing 2010 proves that print journalism is as vital as ever, offering information, amusement, connection, and perspective to those who love to lose themselves in a good read. This year's selections, chosen from National Magazine Awards finalists and winners, include David Grann's article from the New Yorker on the execution of a possibly innocent man; Sheri Fink's report from the New York Times Magazine on the alleged euthanization of patients during Hurricane Katrina; and Fareed Zakaria's compelling take from Newsweek on Iran's weakening regime. The Best American Magazine Writing 2010 also includes absorbing profiles, arresting interviews, personal essays, and entrancing fiction. Esquire's Mike Sager recounts a promising quarterback's shocking descent into drugs; Vanity Fair's Bryan Burrough shares the confessions of the year's other major Ponzi schemer, and, from McSweeney's Quarterly, Wells Tower weaves a transporting tale of elemental desire. GQ's Tom Carson offers his critique of America's current vampire craze; Mitch Albom rediscovers Detroit's indomitable spirit in Sports Illustrated; and Garrison Keillor sings an ode to the homegrown joys of state fairs in National Geographic. Additional contributors include Atul Gawande, Megan McArdle, and many others commenting on a range of issues, from health care and the national debt to war movies and the controversy over circumcision. Altogether the writing collected here proves the rich pleasures waiting in the best magazines.

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More and more readers turn to The Best American Magazine Writing for their annual fix of the year's most captivating essays, columns, reporting, and criticism. Chosen from the winners and finalists of the 2009 National Magazine Awards, this year's selections include the haunting story by Chris Jones (Esquire) of an American soldier's final journey home; James Wood's brilliant critique of the award-winning novelist Marianne Robinson (The New Yorker); a compelling column by Naomi Klein (The Nation) on the return of class consciousness in America; two biting reviews of recent books on feminism by Sandra Tsing Loh (The Atlantic); and a moving and insightful account by David Lipsky (Rolling Stone) of David Foster Wallace in his final days. Also featured are a fascinating report by Ryan Lizza (The New Yorker) on the political making of Barack Obama; an unforgettable profile by Hanna Rosin (The Atlantic) of a transgendered child struggling to be normal in rural America; absorbing reflections by Tom Chiarella (Esquire) on apprenticing as a butcher in an Indianapolis meat market; and an unusual look by Sean Flynn (GQ) at the legacy of the late singer and unstoppable personality, James Brown. Chris Anderson, popular commentator and author of the best-selling book The Long Tail adds his own, not-to-be-missed introduction. "Take a break from the screen and dive in," he writes. "I think you'll emerge, many pages later, no longer worrying about the future of print."

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With the work of journalists under fire around the world, this year's anthology of National Magazine Awards finalists and winners is a timely reminder of the power of journalism. These pieces from writers driven to explore America's fault lines include Shane Bauer's harrowing "My Four Months as a Private Prison Guard" (Mother Jones), a visceral portrait of the abuses of the carceral system, and Sarah Stillman's account of the havoc wreaked on young people's lives when they are put on sex-offender registries (The New Yorker). In two different considerations of parenting, Nikole Hannah-Jones looks for a school for her daughter in a rapidly changing, racially divided Brooklyn (New York Times Magazine) and Michael Chabon takes his thirteen-year-old son to Fashion Week in Paris (GQ). Pamela Colloff explores how the 1966 University of Texas Tower mass shooting changed the course of one survivor's life (Texas Monthly), and Siddhartha Mukherjee depicts the art and agony of oncology (New York Times Magazine). Other selections take up the shocks of the election, including Matt Taibbi's irreverent dispatches from the campaign trail (Rolling Stone) and George Saunders's transfixing account of Trump's rallies (The New Yorker). Jeffrey Goldberg talks through Obama's foreign-policy legacy with the president (The Atlantic), Andrew Sullivan fears for the future of democracy (New York), and Gabriel Sherman relates how the women of Fox News brought to light Roger Ailes's predations (New York). Joining them are Rebecca Solnit's wide-ranging Harper's commentary, Becca Rothfeld's pondering women waiting from The Odyssey to Tinder (Hedgehog Review), and bold expeditions into nature: David Quammen ventures to Yellowstone to consider the future of wild places (National Geographic), and Mac McClelland sets off for Cuba in search of the ivory-billed woodpecker (Audubon).

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Our annual anthology of finalists and winners of the National Magazine Awards 2014 includes Max Chafkin's oral history of Apple from Fast Company, Joshua Davis's intimate portrait of tech pioneer John McAfee's personal and public breakdown from Wired; Kyle Dickman's haunting investigation into the preventable death of nineteen firemen battling an Arizona wildfire; and Ariel Levy's emotional account of extreme travel to a remote land-while pregnant-from The New Yorker. Other essays include Wright Thompson's bittersweet profile of Michael Jordan's fifty-something second act (ESPN the Magazine); Jean M. Twenge's revealing look at fertility myths and baby politics (The Atlantic); Janet Reitman's controversial study of the Boston Marathon bomber Dzhokhar Tsarnaev (Rolling Stone); Luke Mogelson's harrowing experience accompanying asylum seekers on a potentially deadly sea voyage to Australia (New York Times Magazine); Lisa Miller's poignant report from Newtown, Connecticut, as the town tries to cope with the aftermath of one of the nation's worst mass shootings (New York); Emily Nussbaum's critiques of gender and politics on television (The New Yorker); and Witold Rybczynski's poetic engagement with modern architecture (Architect). The collection concludes with the award-winning poem "Elegies" by Kathleen Ossip (Poetry) and "The Embassy of Cambodia," a short story by Zadie Smith (The New Yorker).

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This year's selection includes William Langewiesche's probing investigation in Vanity Fair of the slaughter of twenty-four Iraqis in Haditha; C. J. Chivers's chilling account in Esquire of the 2004 hostage crisis in Beslan, which killed 331 people, 186 of them children; Susan Casey's revelation in Best Life of a virtually unknown, Texas-sized garbage dump resting at the bottom of the Pacific ocean; and Andrew Corsello's harrowing portrait in GQ of Robert Mugabe's mad rule and two men-a white farmer and a fiery black priest-who strive for forgiveness instead of hate. The collection also includes Vanessa Grigoriadis's hilarious portrait of fashion icon Karl Lagerfeld in New York Magazine; Christopher Hitchens's profile of survivors of Agent Orange in Vanity Fair; Sandra Tsing Loh's coverage of the stay-at-home-mommy debate in the Atlantic Monthly; Paul Theroux's thoughts on the dangers of anthropomorphism and our misconceptions about birds in the Smithsonian; Janet Reitman's unraveling of the mysteries of Scientology in Rolling Stone; and the work of nine other exceptional writers.

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Chosen from the 2012 National Magazine Awards finalists and winners, this anthology is filled with compelling features and profiles, eye-opening reporting, and incisive criticism and analysis of contemporary culture and society. Written by today's leading journalists, the selections cover a range of developments in politics, international affairs, culture, and business-from the increasingly short shelf lives of celebrity marriages to the ongoing fallout from Wall Street's financial malpractice, from the insidious effects of the lingering wars in Iraq and Afghanistan to the resurgent battle over issues pertaining to women's safety and health. Always engaging and informative, Best American Magazine Writing 2012 is an incomparable resource for the most noteworthy journalism and literary achievements of the year. Essays include Lawrence Wright (The New Yorker) on the history of Scientology and recent challenges to its mission and methods; Matthieu Aikins (The Atlantic) on the shady dealings and shifting sands of the war in Afghanistan; the late Christopher Hitchens (Vanity Fair) on the physical and emotional toll of cancer; and Joel Stein (Time) on the propensity for politicians and other popular figures to get into trouble on the Internet. John Jeremiah Sullivan (GQ) immerses himself in David Foster Wallace's curious legacy; Tim Crothers (ESPN) follows the inspiring story of Phiona Mutesi, a chess prodigy from the slums of Uganda; Chris Ballard (Sports Illustrated) recounts Dewayne Dedmon's struggle to reconcile his faith with a career in sports; Wesley Yang (New York) explores the pressure on Asian Americans to succeed and the psychological and cultural consequences when they don't; and Luke Dittrich (Esquire) shares the raw experiences of those who survived one of 2011's worst natural disasters: the tornado that hit Joplin, Missouri. The sparkling dialogue and vividly imagined, eccentric characters of Karen Russell's award-winning short story, "The Hox River Window" (Zoetrope: All-Story), rounds out the collection.

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The Best American Magazine Writing 2010 proves that print journalism is as vital as ever, offering information, amusement, connection, and perspective to those who love to lose themselves in a good read. This year's selections, chosen from National Magazine Awards finalists and winners, include David Grann's article from the New Yorker on the execution of a possibly innocent man; Sheri Fink's report from the New York Times Magazine on the alleged euthanization of patients during Hurricane Katrina; and Fareed Zakaria's compelling take from Newsweek on Iran's weakening regime. The Best American Magazine Writing 2010 also includes absorbing profiles, arresting interviews, personal essays, and entrancing fiction. Esquire's Mike Sager recounts a promising quarterback's shocking descent into drugs; Vanity Fair's Bryan Burrough shares the confessions of the year's other major Ponzi schemer, and, from McSweeney's Quarterly, Wells Tower weaves a transporting tale of elemental desire. GQ's Tom Carson offers his critique of America's current vampire craze; Mitch Albom rediscovers Detroit's indomitable spirit in Sports Illustrated; and Garrison Keillor sings an ode to the homegrown joys of state fairs in National Geographic. Additional contributors include Atul Gawande, Megan McArdle, and many others commenting on a range of issues, from health care and the national debt to war movies and the controversy over circumcision. Altogether the writing collected here proves the rich pleasures waiting in the best magazines.

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The Best American Magazine Writing 2011 contains award-winning features, exposes, and profiles along with extraordinary commentary, fiction, and poetry from America's leading magazines. This year's selections include stories that not only covered the news but also made news, including Michael Hastings's "The Runaway General," which forced the resignation of General Stanley McChrystal, the U.S. commander in Afghanistan, days after being published in Rolling Stone. Readers will also find Jane Mayer's "Covert Operations" (The New Yorker), which exposed the Koch brothers' campaign against the Barack Obama presidency, turning the duo into a powerful symbol of modern, corporatized politics. The anthology contains Scott Horton's investigation into inmate suicides at Guantanamo Bay prison (Harper's Magazine); Christopher Hitchens's wryly moving take on the politics of cancer (Vanity Fair); Jonathan Van Meter's eye-opening portrait of Joan Rivers and her transgressive comedic genius (New York Magazine); and Jonah Weiner's extraordinary musical biography of Kanye West, assembled from the artist's tweets and blog posts (Slate). John Donvan and Caren Zucker describe the world's first autism case in The Atlantic; Atul Gawande shares the modern medical profession's poignant struggle with death and dying in The New Yorker; and Paul Theroux spins a thrilling tale in the Virginia Quarterly Review of a mad collector who acquires works of art only to destroy them. Read together or one at a time, these pieces exemplify the wholly immersive experience of well-crafted magazine writing.

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This year's Best American Magazine Writing features outstanding writing on contentious issues including incarceration, policing, sexual assault, labor, technology, and environmental catastrophe. Selections include Paul Ford's ambitious "What Is Code?" (Bloomberg Businessweek), an innovative explanation of how programming works, and "The Really Big One," by Kathryn Schulz (The New Yorker), which exposes just how unprepared the Pacific Northwest is for a major earthquake. Joining them are Meaghan Winter's expose of crisis pregnancy centers (Cosmopolitan) and a chilling story of police prejudice that allowed a serial rapist to run free (the Marshall Project in partnership with ProPublica). Also included is Shane Smith's interview with Barack Obama about mass incarceration (Vice). Other selections demonstrate a range of long-form styles and topics across print and digital publications. The imprisoned hacker and activist Barrett Brown pens hilarious dispatches from behind bars, including a scathing review of Jonathan Franzen's fiction (The Intercept). "The New American Slavery" (Buzzfeed) documents the pervasive exploitation of guest workers, and Luke Mogelson explores the purgatorial fate of an undocumented man sent back to Honduras (New York Times Magazine). Joshua Hammer harrowingly portrays Sierra Leone's worst Ebola ward as even the staff succumb to the disease (Matter). And in "The Friend," Matthew Teague's wife is afflicted with cancer, his friend moves in, and the result is a devastating narrative of relationships and death (Esquire). The collection concludes with Jenny Zhang's "How It Feels," an unconventional meditation on the intersection of teenage cruelty and art (Poetry).

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This year's Best American Magazine Writing features articles on politics, culture, sports, sex, race, celebrity, and more. Selections include Ta-Nehisi Coates's intensely debated "The Case For Reparations" (The Atlantic) and Monica Lewinsky's reflections on the public-humiliation complex and how the rules of the game have (and have not) changed (Vanity Fair). Amanda Hess recounts her chilling encounter with Internet sexual harassment (Pacific Standard) and John Jeremiah Sullivan shares his investigation into one of American music's greatest mysteries (New York Times Magazine). The anthology also presents Rebecca Traister's acerbic musings on gender politics (The New Republic) and Jerry Saltz's fearless art criticism (New York). James Verini reconstructs an eccentric love affair against the slow deterioration of Afghanistan in the twentieth century (The Atavist); Roger Angell offers affecting yet humorous reflections on life at ninety-three (The New Yorker); Tiffany Stanley recounts her poignant experience caring for a loved one with Alzheimer's (National Journal); and Jonathan Van Meter takes an entertaining look at fashion's obsession with being a social-media somebody (Vogue). Brian Phillips describes his surreal adventures in the world of Japanese ritual and culture (Grantland), and Emily Yoffe reveals the unforeseen casualties in the effort to address the college rape crisis (Slate). The collection concludes with a work of fiction by Donald Antrim, exploring the geography of loss. (The New Yorker).

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