Search results for ""Author Teske"

This volume continues Professor Roland Teske's translation of a series of important questions from Henry of Ghent's "Summa of Ordinary Questions" ("Summa quaestionum ordinarium"). It contains the Latin text of questions 25 through 30 (which treat of God's unity and simplicity), a close English translation, a philosophical introduction, and notes identifying all of Henry's sources. Moreover, there is a glossary of Henry's often complex technical terminology. The questions translated in this volume impressively reflect the changed intellectual climate in the last quarter of the thirteenth century, after the condemnations of 1277. To Henry, Aristotelianism is not a viable option for a Christian thinker. Reading the Philosopher "with greater historical accuracy than Thomas Aquinas," as Teske writes, Henry reaffirms the Catholic faith vigorously against the influence of a philosophy that, in his view, applies principles of Greek metaphysics to Christianity without sufficient discernment. Henry develops many of his positions in critical dialogue with Thomas Aquinas, whom he associates with the overly enthusiastic kind of Aristotelianism that he helped condemn in 1277.

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This volume contains Professor Roland Teske’s translation of William of Auvergne’s Divine Rhetoric along with the Latin text, introduction, and notes. The Latin text improves on that of the 1674 printed edition by the use of two early manuscripts of the work. William was a theologian at the University of Paris and bishop of Paris from 1228 until his death in 1249. He is mainly known for his huge Teaching on God in the Mode of Wisdom, in which he made extensive use of the works of Avicenna and Aristotle as they were becoming known through translations in order to come to some understanding of the Christian faith and philosophy. Although the majority of his writings focus upon the mysteries of the faith and philosophical questions about the nature of human beings, their God, and their world, William was also a bishop with a deep concern for his clergy and people. In his Divine Rhetoric he aimed to explain and illustrate for his priests and people the art of prayer or, as he put it in the subtitle, The Oratorical Art of Divine Eloquence. The work lists and explains seven characteristics or perfections of prayer, but it is perhaps best known for its application of Ciceronian rules of oratory to Christian oratory or prayer.

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"Die Wehrmacht im Kampf" Battles and Problems of the Second World War is a series originally edited by Hermann Teske and published in German in the 1950s and 1960s. Written by former members of the German Army in World War II, it provides valuable and historically significant information on the perspective of the German Army of many crucial campaigns and battles. Now being published in English for the first time, each volume has a modern introduction by Matthias Strohn, a lecturer at Sandhurst and The University of Buckingham and an expert on the German Army.This volume in the Die Wehrmacht im Kampf series examines the principles of mobile defensive operations by analysing examples of defensive combat that took place on the Eastern Front during the Second World War. It is written by Ferdinand Maria von Senger und Etterlin, a German officer in the panzer troops who fought in several defensive battles against the Russians.

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City Schools brings together a distinguished group of researchers and educators for an in-depth look at the nation's largest school system. Topics covered include the changing demographics of city schools, the impending teacher shortage, reading instruction, special education, bilingual education, school governance, charter schools, choice, school finance reform, and the role of teacher unions. The book also provides fresh and fascinating perspectives on Catholic schools, Jewish day schools, and historically black independent schools. Diane Ravitch, Joseph P. Viteritti, and their coauthors explore pedagogical, institutional, and policy issues in an urban school system whose challenges are those of American urban education writ large. The authors conclude that we know a lot more about how to provide effective educational services for a diverse population of urban school children than performance data would suggest. Contributors: Dale Ballou, University of Massachusetts, Amherst * Stephan F. Brumberg, Brooklyn College * Mary Beth Celio, University of Washington * Gail Foster, Toussaint Institute * Michael Heise, Case Western University * Clara Hemphill, Public Education Association * Paul T. Hill, University of Washington * William G. Howell, Harvard University * Pearl Rock Kane, Columbia University * Frank J. Macchiarola, Saint Francis College * Melissa Marschall, University of South Carolina * Thomas Nechyba, Duke University * Paul E. Peterson, Harvard University * Christine Roch, Georgia State University * Christine H. Rossell, Boston University * Marvin Schick, Avi Chai Foundation * Mark Schneider, SUNY, Stony Brook * Lee Stuart, South Bronx Churches * Paul Teske, SUNY, Stony Brook * Emanuel Tobier, New York University * Joanna P. Williams, Columbia University

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The pioneering account of West Coast assemblage art, featuring Bruce Conner, Jess, Jay DeFeo, Robert Duncan, Cameron and a cast of postwar countercultural icons This reprint of the now classic and much sought-after 2005 volume celebrates the circle of the quintessential visual artist of the Beat era, Wallace Berman (1926–76), who remains one of the best-kept secrets of the postwar era. A crucial figure in California's underground culture, Berman was a catalyst who traversed many different worlds, transferring ideas and dreams from one circle to the next. His larger community is the subject of Semina Culture, which includes previously unseen works by 52 artists. Anchoring this publication is Semina, a loose-leaf art and poetry journal that Berman published in nine issues between 1955 and 1964. Although printed in extremely short runs and distributed to only a handful of friends and sympathizers, Semina is a brilliant and beautifully made compendium of the most interesting artists and poets of its time, and is today a very rare collector's item. Showcasing the individuals that defined a still-potent strand of postwar counterculture, Semina Culture outlines the energies and values of this fascinating circle. Also reproduced here are works by those who appear in Berman's own photographs, approximately 100 of which were recently developed from vintage negatives, and which are seen here for the first time. These artists, actors, poets, curators, musicians and filmmakers include Robert Alexander, John Altoon, Toni Basil, Wallace Berman, Ray Bremser, Bonnie Bremser, Charles Britten, Joan Brown, Cameron, Bruce Conner, Jean Conner, Jay DeFeo, Diane DiPrima, Kirby Doyle, Bobby Driscoll, Robert Duncan, Joe Dunn, Llyn Foulkes, Ralph Gibson, Allen Ginsberg, George Herms, Jack Hirschman, Walter Hopps, Dennis Hopper, Billy Jahrmarkt, Jess, Lawrence Jordan, Patricia Jordan, Bob Kaufman, Philip Lamantia, William Margolis, Michael McClure, David Meltzer, Taylor Mead, Henry Miller, Stuart Perkoff, Jack Smith, Dean Stockwell, Ben Talbert, Russ Tamblyn, Aya (Tarlow), Alexander Trocchi, Edmund Teske, Zack Walsh, Lew Welch and John Wieners.

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Presents an introduction and English translation of five articles from Henry of Ghents Summa of Ordinary Questions. They examine theology as a science itself and in relation to other sciences, on the final and efficient causes of theology, and on the authority of sacred scripture.

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A book to help children and families cope with the loss of a baby. Matthew is excited about the new baby. But then, one day, something very sad happens. The doctor tells Matthew's mother that her baby isn't growing properly and it won't be strong enough to live outside her body. Matthew and his mother and father will always remember their baby. But as time goes by, they will not feel sad so often. The author wrote this story based on her own experience, to help her son cope with the loss of a baby. This child-centred book is intended to help children and families who experience miscarriage, stillbirth, perinatal death or Sudden Infant Death Syndrome (SIDS). A new edition of the first published book by Siobhán Parkinson, who later became Ireland's first Laureate na nÓg (Children's Laureate). It was writing this book that Parkinson found her voice as a children's writer, a gift she credits to the baby she lost all those years ago.

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The only form of monumental artistic expression practiced from antiquity to the Enlightenment, allegory evolved to its fullest complexity in Dante's Commedia and Spenser's Faerie Queene. Drawing on a wide range of literary, visual, and critical works in the European tradition, Gordon Teskey provides both a literary history of allegory and a theoretical account of the genre which confronts fundamental questions about the violence inherent in cultural forms. Approaching allegory as the site of intense ideological struggle, Teskey argues that the desire to raise temporal experience to ever higher levels of abstraction cannot be realized fully but rather creates a "rift" that allegory attempts to conceal. After examining the emergence of allegorical violence from the gendered metaphors of classical idealism, Teskey describes its amplification when an essentially theological form of expression was politicized in the Renaissance by the introduction of the classical gods, a process leading to the replacement of allegory by political satire and cartoons. He explores the relationship between rhetorical voice and forms of indirect speech (such as irony) and investigates the corporeal emblematics of violence in authors as different as Machiavelli and Yeats. He considers the large organizing theories of culture, particularly those of Eliot and Frye, which take the place in the modern world of earlier allegorical visions. Concluding with a discussion of the Mutabilitie Cantos, Teskey describes Spenser's metaphysical allegory, which is deconstructed by its own invocation of genealogical struggle, as a prophetic vision and a form of warning.

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A book to help children and families cope with the loss of a baby. Matthew is excited about the new baby. But then, one day, something very sad happens. The doctor tells Matthew's mother that her baby isn't growing properly and it won't be strong enough to live outside her body. Matthew and his mother and father will always remember their baby. But as time goes by, they will not feel sad so often. The author wrote this story based on her own experience, to help her son cope with the loss of a baby. This child-centred book is intended to help children and families who experience miscarriage, stillbirth, perinatal death or Sudden Infant Death Syndrome (SIDS). A new edition of the first published book by Siobhán Parkinson, who later became Ireland's first Laureate na nÓg (Children's Laureate). It was writing this book that Parkinson found her voice as a children's writer, a gift she credits to the baby she lost all those years ago.

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This open access book presents detailed pathways to achieve 100% renewable energy by 2050, globally and across ten geographical regions. Based on state-of-the-art scenario modelling, it provides the vital missing link between renewable energy targets and the measures needed to achieve them. Bringing together the latest research in climate science, renewable energy technology, employment and resource impacts, the book breaks new ground by covering all the elements essential to achieving the ambitious climate mitigation targets set out in the Paris Climate Agreement. For example, sectoral implementation pathways, with special emphasis on differences between developed and developing countries and regional conditions, provide tools to implement the scenarios globally and domestically. Non-energy greenhouse gas mitigation scenarios define a sustainable pathway for land-use change and the agricultural sector. Furthermore, results of the impact of the scenarios on employment and mineral and resource requirements provide vital insight on economic and resource management implications. The book clearly demonstrates that the goals of the Paris Agreement are achievable and feasible with current technology and are beneficial in economic and employment terms. It is essential reading for anyone with responsibility for implementing renewable energy or climate targets internationally or domestically, including climate policy negotiators, policy-makers at all levels of government, businesses with renewable energy commitments, researchers and the renewable energy industry.Part 2 of this title can be found at this Link: https://link.springer.com/book/10.1007/978-3-030-99177-7

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From the distinguished literary scholar Gordon Teskey comes an essay collection that restores Spenser to his rightful prominence in Renaissance studies, opening up the epic of The Faerie Queene as a grand, improvisatory project on human nature, and arguing—controversially—that it is Spenser, not Milton, who is the more important and relevant poet for the modern world.There is more adventure in The Faerie Queene than in any other major English poem. But the epic of Arthurian knights, ladies, and dragons in Faerie Land, beloved by C. S. Lewis, is often regarded as quaint and obscure, and few critics have analyzed the poem as an experiment in open thinking. In this remarkable collection, the renowned literary scholar Gordon Teskey examines the masterwork with care and imagination, explaining the theory of allegory—now and in Edmund Spenser’s Elizabethan age—and illuminating the poem’s improvisatory moments as it embarks upon fairy tale, myth, and enchantment.Milton, often considered the greatest English poet after Shakespeare, called Spenser his “original.” But Teskey argues that while Milton’s rigid ideology in Paradise Lost has failed the test of time, Spenser’s allegory invites engagement on contemporary terms ranging from power, gender, violence, and virtue ethics, to mobility, the posthuman, and the future of the planet. The Faerie Queene was unfinished when Spenser died in his forties. It is the brilliant work of a poet of youthful energy and philosophical vision who opens up new questions instead of answering old ones. The epic’s grand finale, “The Mutabilitie Cantos,” delivers a vision of human life as dizzyingly turbulent and constantly changing, leaving a future open to everything.

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The most famous Irish legend of all in an exciting and easily understood version. Read about the feats of the famous warrior Cuchulainn who singlehandedly defends Ulster against the army of Queen Maeve. War, peace, love, greed, fate are the stuff of an epic, and in The Táin they are present in full. Illustrated throughout by Donald Teskey.

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This Norton Critical Edition includes: The 1674 text of Paradise Lost, with emendations and adoptions from the first edition and from the scribal manuscript. Spelling and punctuation have been modernised for student readers. An illuminating introduction and abundant explanatory annotations by Gordon Teskey. Source and background materials, including Milton’s greatest prose work, Areopagitica, in its entirety and key selections from the Bible. Topically arranged commentaries and interpretations—seventy-eight in all, thirty-nine of them new to the Second Edition—from classic assessments to current scholarship. A glossary of names and suggestions for further reading.

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In this collection, esteemed poet and translator David R. Slavitt brings to life John Milton's Latin poetry with deft, imaginative modern English translations. While Milton is recognized as one of the most learned English poets in history, his Latin poetry is less well known. Slavitt's careful rendering brings Milton's Latin poems-many written in his late teens-into the present. He keeps true to the style of the originals, showing Milton's maturing poetic voice and the freedom he found working in Latin. On the Gunpowder PlotO, sly Guy Fawkes, you plotted against your king and the British lords, but did you intend to be kindand make up for your malice in this thing with at least a show of piety? Do we findan intention, perhaps, of sending the members of court up to the sky in a chariot made of firethe way Elijah traveled. Or do I distort the simple wickedness of your desire? Featuring an introduction by Gordon Teskey, this comprehensive English-language collection of Milton's Latin poems pays due respect to a master. Poetry lovers, Milton fans, and scholars of either will welcome, enjoy, and learn from this work.

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A remarkable story of growing up in extraordinary circumstances that will touch the hearts of all readers. Katie's whole world is turned upside down when her family's home is destroyed by fire. Everything they had is gone, and instead of pulling together it seems as though her family is falling apart. They move to a new house, to a school where nobody wants to know her, and Katie wonders just how many changes she can take. In her fight for acceptance and to keep the family together, she learns a lot about herself.

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Musing is a book of sonnets. Working within the frameworkof a classic poetic form, Jonathan Locke Hart embarks on an extendedmeditation on our rootedness in landscape and in the past. As sonnets,some of the poems are traditional, some innovative. Throughout, Hartdeftly imparts a European poetic flavour to a fundamentally NorthAmerican experience. The collection opens with a foreword by noted literary scholarGordon Teskey, who reflects on the themes that have marked theevolution of Hart’s poetry. Of Musings, Teskey writes:"These deeply thoughtful poems bring layered historicalconsciousness into the sonnet. They also touch and stir the heartthrough all its levels."

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This revised and enlarged Fourth Edition expands and improves on the strengths of the previous three editions. All selections are based on early and established texts, fully glossed, and carefully annotated. An Editor's Note follows each section. This new edition addresses the shifts in scholarly and critical interests in Spenser studies since 1993 as well as access provided by new technology. Notes reflect the information that Spenser’s best readers would have at their fingertips without spoiling the pleasure of reading Spenser for the first time. Mother Hubberds Tale from the 1591 Complaints is newly included. The Ruines of Rome, Spenser’s translation of Joachim Du Bellay’s Antiquitez, is also added to give readers the chance to see Spenser at work as a translator and to give the English perspective on Rome. Sixteen critical essays have been added to supplement fourteen earlier commentaries. Among the perspectives new to the Fourth Edition are those of C. S Lewis, Martha Craig, Gordon Teskey, Jeff Dolven, David Wilson-Okamura, and Jennifer Summit. In keeping with the last edition, critical pieces on the House of Busyrane, Spenser's pastoral, Muiopotmos, and Amoretti are grouped together to facilitate classroom discussion. New selections from Jane Grogan, Andrew D. Hadfield, Colin Burrow, Lynn Staley, Lauren Silberman, and A. E. B. Coldiron join the readings on House of Busyrane, and “Amoretti” grows with selections by A. Leigh DeNeef and Helena Mennie Shire. A Chronology of Spenser's life and an extensive Bibliography are also included.

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This is the first collection of essays devoted to Edmund Spenser’s Mutabilitie Cantos (1609), and it celebrates the 400th anniversary of the first publication of that intriguing, posthumously-published fragment of his unfinished epic, The Faerie Queene (1590-96). It brings together leading and emerging Spenser scholars from the US, UK, Ireland and India to asses and assert the significance of the Mutabilitie Cantos to Spenser’s work ad thought. All eleven essays are origional and specially commissioning for this substantial volume with contributions from James Nohrnberg, Gordon Teskey and Judith Anderson. Although broadly historical, in keeping the principles with The Manchester Spenser series, the collections encompasses an impressive variety of approaches and interests, ranging from historical allegory and material, political, philosophical and literary contexts of the Mutabilitie Cantos, as well as their commanding place in early modern English and Irish literature and history. The collection also includes a full bibliography of scholarly criticism of the Mutabilitie Cantos.This collection will be of interest to undergraduate and postgraduate students, to scholars of Spenser and scholars of renaissance studies

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Early Modern Histories of Time examines how a range of chronological modes intrinsic to the sixteenth and seventeenth centuries shaped the thought-worlds of those living during this time and explores how these temporally indigenous models can productively influence our own working concepts of historical period. This innovative approach thus moves beyond debates about where we should divide linear time (and what to call the ensuing segments) to reconsider the very concept of "period." Bringing together an eminent cast of literary scholars and historians, the volume develops productive historical models by drawing on the very texts and cultural contexts that are their objects of study. What happens to the idea of "period" when English literature is properly placed within the dynamic currents of pan-European literary phenomena? How might we think of historical period through the palimpsested nature of buildings, through the religious concept of the secular, through the demographic model of the life cycle, even through the repetitive labor of laundering? From theology to material culture to the temporal constructions of Shakespeare, and from the politics of space to the poetics of typology, the essays in this volume take up diverse, complex models of sixteenth- and seventeenth-century temporality and contemplate their current relevance for our own ideas of history. The volume thus embraces the ambiguity inherent in the word "contemporary," moving between our subjects' sense of self-emplacement and the historiographical need to address the questions and concerns that affect us today. Contributors: Douglas Bruster, Euan Cameron, Heather Dubrow, Kate Giles, Tim Harris, Natasha Korda, Julia Reinhard Lupton, Kristen Poole, Ethan H. Shagan, James Simpson, Nigel Smith, Mihoko Suzuki, Gordon Teskey, Julianne Werlin, Owen Williams, Steven N. Zwicker.

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With more than 26,000 works, the Samuel J. Wagstaff Jr. collection of photographs is the largest single group of artworks in any medium at the J. Paul Getty Museum. Wagstaff (1921-1987) amassed his extraordinary collection between 1973 and 1984, recognizing early that photography was an undervalued art form on which he might have a profound impact as a collector. He was mainly attracted to photographs that stimulated his imagination, and his taste ran toward the idiosyncratic-images that surprised him chiefly because he had never seen them before.In choosing the 147 works reproduced in this volume, Paul Martineau selected masterpieces as well as images from obscure sources: daguerreotypes, cartes-de-visite, and stereographs, plus mug shots, medical photographs, and works by unknown makers. The latter category contains some of the most outstanding objects in the collection, demonstrating Wagstaff's willingness to position unfamiliar images alongside works by established masters as well as underrepresented contemporary artists of the time, including Jo Ann Callis, William Garnett, and Edmund Teske.This book is published to accompany an eponymous exhibition on view at the J.Paul Getty Museum from March 15 to July 31, 2016; at the Wadsworth Atheneum in Hartford, CT, from September 10 to December 11, 2016; and at the Portland Museum of Art in Portland, ME, from February 1 to April 30, 2017.

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