Search results for ""Author Terry Tempest Williams""

A new edition of an exquisitely crafted homage to the Massachusetts coast In this new edition of Between Land and Sea: The Great Marsh (first published by Braziller in 2007), the award-winning, Ipswich, MA–based landscape photographer Dorothy Kerper Monnelly conveys the surprising, ever-changing drama of the vast tidal wetlands known as the Great Marsh. For over 40 years, Monnelly has come to know this region intimately, one of the last unspoiled wilderness areas in the urban Northeast. Her timeless, visionary photographs are joined in this edition by an essay from acclaimed author Terry Tempest Williams reflecting on our relationship to liminal spaces like the marsh. Although salt marshes are among the most productive ecosystems on earth, these wetlands are threatened throughout the world by human activity and have disappeared from much of the American seacoast. The Great Marsh, despite threats from development, pollution, and now rising seas, is a pristine remnant of this ancient coastal environment.

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Terry Tempest Williams is one of our most impassioned defenders of public lands. A naturalist, fervent activist, and stirring writer, she has spoken to us and for us in books like The Hour of Land: A Personal Topography of America's National Parks and Refuge: An Unnatural History of Family and Place. In these new essays, Williams explores the concept of erosion: of the land, of the self, of belief, of fear. She wrangles with the paradox of desert lands and the truth of erosion: What is weathered, worn, and whittled away through wind, water, and time is as powerful as what remains. Our undoing is also our becoming. She looks at the current state of American politics: the dire social and environmental implications of recent choices to gut Bears Ears National Monument, sacred lands to Native People of the American Southwest, and undermine the Endangered Species Act. She testifies that climate change is not an abstraction, citing the drought outside her door and at times, within herself. Images of extraction and contamination haunt her: "oil rigs lighting up the horizon; trucks hauling nuclear waste on dirt roads now crisscrossing the desert like an exposed nervous system." But beautiful moments of relief and refuge, solace and spirituality come-in her conversations with Navajo elders, art, and, always, in the land itself. She asks, urgently: "Is Earth not enough? Can the desert be a prayer?"

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"I am leaving you all my journals, but you must promise me you won't look at them until after I'm gone." This is what Terry Tempest Williams' mother, the matriarch of a large Mormon clan in northern Utah, told her a week before she died. It was a shock to Williams to discover that her mother had kept journals. But not as much of a shock to discover that the three shelves of journals were all blank. In fifty-four short chapters, Williams recounts memories of her mother, ponders her own Mormon faith, and contemplates the notion of absence in art and in our world. When "Women Were Birds" is a carefully crafted kaleidoscope that keeps turning around the question: What does it mean to have a voice?

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A stunning portrait of the nocturnal moths of Central and South America by famed American photographer Emmet Gowin American photographer Emmet Gowin (b. 1941) is best known for his portraits of his wife, Edith, and their family, as well as for his images documenting the impact of human activity upon landscapes around the world. For the past fifteen years, he has been engaged in an equally profound project on a different scale, capturing the exquisite beauty of more than one thousand species of nocturnal moths in Bolivia, Brazil, Ecuador, French Guiana, and Panama. These stunning color portraits present the insects--many of which may never have been photographed as living specimens before, and some of which may not be seen again--arrayed in typologies of twenty-five per sheet. The moths are photographed alive, in natural positions and postures, and set against a variety of backgrounds taken from the natural world and images from art history. Throughout Gowin's distinguished career, his work has addressed urgent concerns. The arresting images of Mariposas Nocturnas extend this reach, as Gowin fosters awareness for a part of nature that is generally left unobserved and calls for a greater awareness of the biodiversity and value of the tropics as a universally shared natural treasure. An essay by Gowin provides a fascinating personal history of his work with biologists and introduces both the photographic and philosophical processes behind this extraordinary project. Essential reading for audiences both in photography and natural history, this lavishly illustrated volume reminds readers that, as Terry Tempest Williams writes in her foreword, "The world is saturated with loveliness, inhabited by others far more adept at living with uncertainty than we are."

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This Is Dinosaur was first published in 1955, in the midst of a bitter controversy over the proposed construction of dams at Echo Park. The outcome of the controversy--a congressional vote to prohibit the dams--"set in brass the principle that any part of the national park system should be immune from any sort of intrusion and damage," wrote Wallace Stegner in the 1985 edition of the book. Reprinted with new color photographs, This Is Dinosaur still stands as a classic introduction to the historic, scenic, archeological, and biological resources of the Monument by an impressive array of writers. Contains the following essays: ·"The Marks of Human Passage" by Wallace Stegner ·"Geological Exhibit" by Eliot Backwelder ·"The Natural World of Dinosaur" by Olaus Murie and Joseph W. Penfold ·"The Ancients of the Canyons" by Robert Lister ·"Fast Water" by Otis "Dock" Marston ·"A Short Look at Eden" by David Bradley ·"The National Park Idea" by Alfred A. Knopf

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“On a bend, I will see it, a piece of ground off to the side. I will know the feel of this place: the leaves stir slowly on the trees, dry air smells like dust, birds dart and the trails are made by beasts living free.”When award-winning author Charles Bowden died in 2014, he left behind a trove of unpublished manuscripts. Dakotah marks the landmark publication of the first of these texts, and the fourth installment in his acclaimed “Unnatural History of America.” Bowden uses America’s Great Plains as a lens—sometimes sullied, sometimes shattered, but always sharp—for observing pivotal moments in the lives of anguished figures, including himself.In scenes that are by turns wrenching and poetic, Bowden describes the Sioux’s forced migrations and rebellions alongside his own ancestors’ migrations from Europe to Midwestern acres beset by unforgiving winters. He meditates on the lives of his resourceful mother and his philosophical father, who rambled between farm communities and city life. Interspersed with these images are clear-eyed, textbook-defying anecdotes about Lewis and Clark, Daniel Boone, and, with equal verve, twentieth-century entertainers “Pee Wee” Russell, Peggy Lee, and other musicians. The result is a kaleidoscopic journey that penetrates the senses and redefines the notion of heartland. Dakotah is a powerful ode to loss from one of our most fiercely independent writers.

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This volume of John Muir's selected writings chronicles the key turning points in his life and study of the American wilderness. The Story of My Boyhood and Youth is Muir's account of his childhood on a Wisconsin farm, where his interest in nature was first piqued; in The Mountains of California, The Yosemite, and Travels in Alaska we follow him on long journeys into stunning mountain ranges and valleys, where he records native flora and fauna and finds proof of his theories of the effect of glaciers on landscape formation. These four full-length works--along with a selection of important essays also included here--helped galvanize American naturalists, leading to the founding of the Sierra Club and several national parks. In these pages, written with meticulous thoroughness and an impassioned lyricism, we witness Muir's awakening to the incredible beauty of our planet, and the honing of an eye turned as acutely toward the scientific as the spiritual.

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“But hell, I do like to write letters. Much easier than writing books.” And write letters Edward Abbey—“the Thoreau of the American West” (Washington Post)—did. At once incendiary and insightful, cantankerous and profoundly perceptive, Abbey was a singular American writer and cult hero, as famous for books like Desert Solitaire and The Monkey Wrench Gang as he was infamous for the persona of “Cactus Ed.” A true iconoclast with a rich sense of humor, his polemics and salvos—Wallace Stegner once likened Abbey to the “stinger of a scorpion”—were not limited to any one arena. Abbey’s postcards and letters, legendary during his lifetime, convey the fullness of the man and reveal, along with his wisdom and savage wit, a tender side seldom seen before. For readers new to Abbey, this collection is an awe-inspiring introduction to the man and his works. And for devoted fans, the letters chronicle his evolution as an authentic American voice in the wilderness.

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Viewing Mni Wiconi (Sacred Water of Life) and the No Dakota Access Movement as an isolated happening without acknowledging historical, cultural, and systematic circumstances leading up to it makes no sense. We cannot erase this past nor change it. In order to move forward in a better way, however, we must acknowledge the truthful foundation and recurring practices complicating what to some feel like isolated incidences. The pervasive and growing presence of extreme economic inequality in America is a worsening condition. Few situations reveal this inequality more than the conditions that Native Americans live under within their own homeland. This book raises awareness of Water Protectors for those who were not at Standing Rock and honoring those who were, through experiences at the Oceti Sakowin Camp, the indigenous-led resistance movement by the Standing Rock Sioux Tribe against the Energy Transfer Partners project to build the Dakota Access Pipeline on sacred land. The goal is to acknowledge and better understand the dedication of the Water Protectors, as they chose to be called, standing up for the health of Mni Wiconi and so many other related causes for the seven generations representing the past, present, and future health of all. People throughout the world, including members from between 240–300 indigenous tribes, were attracted to the cause and came to Standing Rock in full support of the protests. Even American military veterans, distressed by what they saw, came by the thousands determined to stand between the Water Protectors and police in defense of the rights for non-violent expression of resistance. The book’s powerful photographs by John Willis are complimented by many Lakota voices and those of other allies through interviews, poetry, Lakota artwork, music through a downloadable CD, and historical ephemera. And essays by Terry Tempest Williams and Shaunna Oteka-McCovey provide new insights into age-old problems facing native people.

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