Search results for ""Author Ted Kooser""

Ted Kooser describes with exquisite detail and humor the place he calls home in the rolling hills of southeastern Nebraska—an area known as the Bohemian Alps. Nothing is too big or too small for his attention. Memories of his grandmother’s cooking are juxtaposed with reflections about the old-fashioned outhouse on his property. When casting his eye on social progress, Kooser reminds us that the closing of local schools, thoughtless county weed control, and irresponsible housing development destroy more than just the view. In the end, what makes life meaningful for Kooser are the ways in which his neighbors care for one another and how an afternoon walking with an old dog, or baking a pie, or decorating the house for Christmas can summon memories of his Iowa childhood. This writer is a seer in the truest sense of the word, discovering the extraordinary within the ordinary, the deep beneath the shallow, the abiding wisdom in the pithy Bohemian proverbs that are woven into his essays.

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"No other poet seems better suited to represent the United States as its Laureate in this era than Ted Kooser, and The Poetry Home Repair Manual should enhance his grip on our slumbering Republic."—Larry Woiwode, Poet Laureate of North Dakota, in North Dakota QuarterlyMuch more than a guidebook to writing and revising poems, this manual has all the comforts and merits of a long and enlightening conversation with a wise and patient old friend—a friend who is willing to share everything he’s learned about the art he’s spent a lifetime learning to execute so well.Ted Kooser has been writing and publishing poetry for more than forty years. In the pages of The Poetry Home Repair Manual, Kooser brings those decades of experience to bear. Here are tools and insights, the instructions (and warnings against instructions) that poets—aspiring or practicing—can use to hone their craft, perhaps into art. Using examples from his own rich literary oeuvre and from the work of a number of successful contemporary poets, the author schools us in the critical relationship between poet and reader, which is fundamental to what Kooser believes is poetry’s ultimate purpose: to reach other people and touch their hearts.

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Delightfully universal, Raft by Pulitzer Prize-winner Ted Kooser travels the Midwest landscape, attuned to life’s shared experiences and emotions—illness, aging, beauty, and love.Raft is our fourth collection of poetry from Pulitzer Prize-winner and former U.S. Poet Laureate, Ted Kooser. Open in his desire to write for the everyday reader, these poems maintain the open-handed and accessible style that thousands have come to love. Yet, deeply imagistic and metaphorically rich, Raft shows us that even the simplest of objects, the simplest of actions, can become a portal. A boy feeding a goldfish becomes a meditation on loneliness. Scraps of gauze open the door to a study on happiness. Both local and delightfully universal, Raft travels the Midwest landscape, attuned to the shared experiences and emotions of life&

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2023 Midwest Book Award finalist “Poems dipped out of the air” describes the manner in which Ted Kooser composed the poems in Cotton Candy, the result of his daily routine of getting up long before dawn, sitting with coffee, pen, and notebook, and writing whatever drifts into his mind. Whether those words and images are serious or just plain silly, Kooser tries not to censor himself. His objective is to catch whatever comes to him, to snatch it out of the air in words, rhythms, and cadences, the way a cotton candy vendor dips an airy puff out of a cloud of spun sugar and hands it to his customer. Poems written in fun and now shared with the reader, Kooser’s playful and magical confections charm and delight.

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Like the yellow, pink, and blue irises that had been transplanted from house to house over the years, the stories of poet Ted Kooser’s family had been handed down until, as his mother lay ill and dying, he felt an urgency to write them down. With a poet’s eye for detail, Kooser captures the beauty of the landscape and the vibrancy of his mother’s Iowa family, the Mosers, in precise, evocative language. The center of the family’s love is Kooser’s uncle, Elvy, a victim of cerebral palsy. Elvy’s joys are fishing, playing pinochle, and drinking soda from the ice chest at his father’s roadside Standard Oil station. Kooser’s grandparents, their kin, and the activities and pleasures of this extended family spin out and around the armature of Elvy’s blessed life. Kooser has said that writing this book was the most important work he has ever undertaken because it was his attempt to keep these beloved people alive against the relentless erosion of time.

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Gerald Costanzo, long known as one of the best contemporary poets of satire, focuses specifically on American themes that, though presented as parables, fables, jokes, and put-ons, remain darkly serious in tone. His subject is the mythic landscape of America itself: the transitory, popular, consumer culture of late twentieth- and early twenty-first-century life. Costanzo evokes a sense of having arrived on the scene too late, of having missed the heyday of American innocence and possibility, and now—in the present—is forced to live with diminished experience. He mourns a culture where genuine emotion cannot be found but where its semblance can be endlessly marketed. Regular Haunts is a retrospective collection of Costanzo’s work that also includes nearly thirty new poems.

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For decades a restorer of old homes, Connie Wanek shows us that poetry is everywhere, encountered as easily in the waterways, landscapes, and winters of Minnesota, as in the old roofs and darkened drawers of a home long uninhabited. Rival Gardens includes more than thirty unpublished poems, along with poems selected from three previous books—all in Wanek’s unmistakable voice: plainspoken and elegant, unassuming and wise, observant and original. Many of her new poems focus on the garden, beginning with the Garden of Eden. A deep feeling for family and for the losses and gains of growing into maturity mark the tone of Rival Gardens, with Wanek always attending to the telling detail and the natural world.

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Joyce Sutphen’s evocations of life on a small farm, coming of age in the late 1960s, and traveling and searching for balance in a very modern world are both deeply personal and familiar. Readers from Maine to Minnesota and beyond will recognize themselves, their parents, aunts and uncles, and neighbors in these poems, which move us from delight in keen description toward something like wisdom or solace in the things of this world. In addition to poems selected from the last twenty-five years, Carrying Water to the Field includes more than forty new poems on the themes of luck, hard work, and the ravages of time—erasures that Sutphen attempts to ameliorate with her careful attention to language and lyrical precision.

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2022 High Plains Book Award Winner in Poetry Marjorie Saiser’s strong, clear language makes the reader feel at home in her poems. Dealing with all the ways love goes right and wrong, this collection honors the challenges of holding firm to who we really are, as well as our connections to the natural world.The Track the Whales Make includes poems from Saiser’s seven previous books, along with new ones. Her poetry originates from the everyday things we might overlook in the hurry of our daily routines, giving us a chance to stop and appreciate the little things, while wrapped in her comforting diction. Because the poems come from ordinary life, there is humor alongside happiness and sadness, the mixed bag we survive or create, day by day.

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In this captivating collection of poetry, celebrated poets Ted Kooser and Connie Wanek, along with illustrator Richard Jones, explore the wonders of nature in a spirited and magical way – and invite our imaginations out to play.This stunning gift-book contains thirty exquisite poems by celebrated US poets Ted Kooser and Connie Wanek, beautifully illustrated by artist Richard Jones. A freewheeling romp through the world of imagery and metaphor, this quietly startling collection is framed by the four elements and divided into thoughtfully-curated sections, exploring art and reality, fact and fancy. Look around: what do you see? A clown balancing a pie in a tree, or an empty nest perched on a leafless branch? This charming compendium of the fleeting and unexpected turns the everyday – towering trees and tiny tadpoles; roaring fires, lazy afternoons, and pillowy white marshmallows – into poetic gold. A brilliant and timeless collaboration that evokes both the mystery and grandeur of the natural world and the cosy, mundane moments of daily life, this wonderfully illustrated collection is the go-to gift book of the season for poetry fans of all ages.

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The Great Plains were once among the greatest grasslands on the planet. But as the United States and Canada grew westward, the Plains were plowed up, fenced in, overgrazed, and otherwise degraded. Today, this fragmented landscape is the most endangered and least protected ecosystem in North America. But all is not lost on the prairie. Through lyrical photographs, essays, historical images, and maps, this beautifully illustrated book gets beneath the surface of the Plains, revealing the lingering wild that still survives and whose diverse natural communities, native creatures, migratory traditions, and natural systems together create one vast and extraordinary whole. Three broad geographic regions are covered in detail in Great Plains, evoked in the unforgettable and often haunting images taken by Michael Forsberg. Between the fall of 2005 and the winter of 2008, he traveled roughly 100,000 miles across twelve states and three provinces, from southern Canada to northern Mexico, to complete the photographic fieldwork for this project, underwritten by the Nature Conservancy. Complementing his images and firsthand accounts are essays by Great Plains scholar David Wishart and acclaimed writer Dan O'Brien. Each section of the book begins with a thorough overview by Wishart, while O'Brien - a wildlife biologist and rancher as well as a writer - uses his powerful literary voice to put the Great Plains into a human context, connecting their natural history with man's uses and abuses. The Great Plains are a dynamic but often forgotten landscape - overlooked, undervalued, misunderstood, and in desperate need of conservation. This book helps lead the way forward, informing and inspiring readers to recognize the wild spirit and splendor of this irreplaceable part of the planet.

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The poems in Produce Wagon explore the vast and varied circumstances of the human experience. Roy Scheele delves into his love for his wife in “Remembrances,” the opening poem from his first chapbook, and “Driving after Dark”; his fascination with the natural world in poems such as “How the Fox Got Away” and “Late Autumn Woods”; his appreciation of his family in “A Kitchen Memory” and “The Long Rise”; and his fondness for stories in “The Carny Circuit” and “In the Clear.” In these and the other poems in the collection, Scheele uses a variety of traditional verse forms as well as free verse and syllabics, carefully fitting the form of each poem to his subject matter. Though most of the poems are set in Nebraska and neighboring states, there is a universality to the subjects Scheele addresses. In these poems anywhere is everywhere.

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The Woods Are On Fire is Fleda Brown’s deeply human and intensely felt poetic explorations of her life and world. Her account includes her brain-damaged brother, a rickety family cottage, a puzzling and sometimes frightening father, a timid mother, and the adult life that follows with its loves, divorces, and serious illnesses. Visually and emotionally rich, Brown’s poems call on Einstein, Shakespeare, Sophocles, Law and Order, Elvis, and Beethoven. They stand before the Venus de Milo as well as the moon, as they measure distances between what we make as art and who we are as humans. In wide-ranging forms—from the sestina to prose poems—they focus on the natural world as well as the Delaware legislature and the inauguration of William Jefferson Clinton.The Woods Are On Fire includes nearly fifty new poems, along with poems selected from seven previous books, showcasing an influential American poet’s work over the last few decades.

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For nearly half a century Jared Carter has been quietly mapping the American heartland. Line by line, his poetry has shown us the landscape, sounded the voices, conjured the music, and tested the silence of the ever-changing and yet ever-constant Midwest that figures so prominently in the American story. And yet what we find in Carter’s poetry is endlessly new. Here, in poems selected from his first five books, is the summer-long buzz of the cicada and the crack of the cue ball, the young rebel on his big Harley, and the YMCA secretary who backstrokes her way across the indoor pool. Here, too, are thirty new poems in fixed form that illustrate Carter’s continued quest for a poetry of “universal interest.” Taken together, these selections are, truly, poetry in the American grain.

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Unforgettable people. Beloved places. Enduring memories. From its beginning in 1869 as a land-grant institution on the edge of the prairie, the University of Nebraska–Lincoln has expanded the frontiers of opportunity for nearly three hundred thousand graduates. This lavishly illustrated volume celebrates Nebraska’s first 150 years with a look back at the alumni, faculty, and staff whose work has made an enduring impact on the world, from Willa Cather’s Pulitzer Prize–winning literature to James Van Etten’s groundbreaking research in virology. This book also highlights the iconic buildings and landmarks on campus and the activities and experiences of students, from the East Campus Dairy Store and the Daily Nebraskan to a celebration of the Big Red sensation of Husker athletics, recognizing outstanding coaches and student-athlete achievements.Dear Old Nebraska U highlights creative inventions and groundbreaking research, from Charles Bessey’s botany classes to the Jeffrey S. Raikes School of Computer Science and Management. The University will continue to have a profound influence on the state of Nebraska and the rest of the global community for generations to come. For instance, initiatives such as Nebraska Innovation Campus—a site dedicated to ambitious research and technology ventures, including the Nebraska Food for Health Center and the Daugherty Water for Food Global Institute—are working to improve the health and well-being of people worldwide. The Center for Plant Science Innovation similarly provides research leadership in the use of biomass as an energy resource, and the National Strategic Research Institute partners with U.S. Strategic Command to strengthen our national security. The University’s official motto is “Literis Dedicata et Omnibus Artibus” (Dedicated to Letters and All the Arts). Nebraska has fulfilled that aspirational motto and will continue to be a place of pride for Huskers everywhere. There is no place like our dear old Nebraska U.

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