Search results for ""Author Ted Hughes""

Right from the start he is dressed in his best - his blacks and his whites.Little Fauntleroy - quiffed and glossy,A Sunday suit, a wedding natty get-up,Standing in dunged strawFor older readers than the first two volumes of Collected Animal Poems, animal life is seen afresh through the diversity and imaginative energy of this collected volume.

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Originally the medieval bestiary or book of animals set out to establish safe distinctions - between them and us - but Hughes's poetry works always in a contrary direction: showing what man and beast have in common, the reservoir from which we all draw. Alice Oswald's selection is arranged chronologically, with an eye to different books and styles, but equally to those poems that embody animals, rather than just describe them. Some poems are here because, although not strictly speaking animal, they become so in the process of writing; and in keeping with the bestiary tradition there are plenty of imaginary animals - all concentratedly coming about their business.The resulting selection is subtly responsive to a central aspect of Hughes's achievement, while offering room to some wonderful overlooked poems, and to 'those that have the wildest tunes.'

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Newly re-jacketed, this is the strange tale of a vampire who longs to be human.Ffangs lives with the other vampires on Vampire Island, but he is different from the rest - he can't stand the sight of blood!When he arrives in London, everyone is too frightened to listen when he explains that he only wants to be human. And soon he finds himself alone in Buckingham Palace to face Thomas the Vampire Hunter . . .

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'The Calder valley, west of Halifax, was the last ditch of Elmet, the last British Celtic kingdom to fall to the Angles. For centuries it was considered a more or less uninhabitable wilderness, a notorious refuge for criminals, a hide-out for refugees. Then in the early 1800s it became the cradle for the Industrial Revolution in textiles, and the upper Calder became "the hardest-worked river in England". Throughout my lifetime, since 1930, I have watched the mills of the region and their attendant chapels die. Within the last fifteen years the end has come. They are now virtually dead, and the population of the valley and the hillsides, so rooted for so long, is changing rapidly.' Ted Hughes, Preface to Remains of Elmet (1979)Ted Hughes's remarkable 'pennine sequence' celebrates the area where he spent his early childhood. It mixes social, political, religious and historical matter - a tapestry rich in the personal and poetic investment of a landscape that both creates and is inured to its people, whose moors 'Are a stage for the performance of heaven. / Any audience is incidental.' Remains of Elmet is one of Hughes's most personal and enduring achievements.

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This enthralling tour de force of literary criticism, unprecedented in Shakespeare studies for its scope and daring, is nothing less than an attempt to show the Complete Works - dramatic and poetic - as a single, tightly integrated, evolving organism. Hughes supports his thesis with erudition and a painstakingly close analysis of language, plots and characters. A multitude of dazzling insights, such as only one great poet can offer into the work of another, is generated in the process, and our entire understanding of Shakespeare, his art and imagination, is radically transformed. '[This] huge study of Shakespeare, more than ten years in the making, is an unprecedented act of critical witness.' London Review of Books

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This multi-award winning collection, the first from Ted Hughes, has at its heart the mixture of beauty and violence in the natural world. Dedicated to Sylvia Plath, Hawk in the Rain is a stunning collection of poems on the themes of competition and the struggle for survival. Hughes would go on to become Britain's Poet Laureate in 1984 until his death in 1998.Including many of Hughes' best-known poems, such as 'The Jaguar', 'The Thought-Fox' and 'Wind' - now stapes of British poetry anthologies - Hawk in the Rain is the foundation of Hughes' reputation as one of the twentieth-century's greatest poets.

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First published in 1983, River celebrates fluvial landscapes, their creatures and their regenerative powers.Inspired by Hughes's love of fishing and by his environmental activism, the poems are a deftly and passionatelyattentive chronicle of change over the course of the seasons. West Country rivers predominate ('The West Dart'and 'Torridge'), but other poems imagine or recall Japanese rivers or Celtic rivers, and 'The Gulkana' exploresan ancient Alaskan watercourse. At its core the sequence rehearses, in various settings, from winter to winter,the life-cycle of the salmon.All this, too, is stitched into the torn richness,The epic poiseThat holds him so steady in his wounds, so loyal to his doom,so patientIn the machinery of heaven.from 'October Salmon'

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Ted Hughes's Birthday Letters are addressed, with just two exceptions, to Sylvia Plath, the American poet to whom he was married. They were written over a period of more than twenty-five years, the first a few years after her suicide in 1963, and represent Ted Hughes's only account of his relationship with Plath and of the psychological drama that led both to the writing of her greatest poems and to her death. The book became an instant bestseller on its publication in 1998 and won the Forward Prize for Poetry in the same year. 'To read [Birthday Letters] is to experience the psychic equivalent of "the bends". It takes you down to levels of pressure where the undertruths of sadness and endurance leave you gasping.' Seamus Heaney 'Even if it were possible to set aside its biographical value . . . its linguistic, technical and imaginative feats would guarantee its future. Hughes is one of the most important poets of the century and this is his greatest book.' Andrew Motion

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This multi-award winning collection, the first from Ted Hughes, has at its heart the mixture of beauty and violence in the natural world. The Hawk in the Rain is a stunning collection of poems on the themes of competition and the struggle for survival. Hughes would go on to become Britain's Poet Laureate in 1984 until his death in 1998. Including many of Hughes' best-known poems, such as 'The Jaguar', 'The Thought-Fox' and 'Wind' - now staples of British poetry anthologies - The Hawk in the Rain is the foundation of Hughes' reputation as one of the twentieth-century's greatest poets.This beautifully designed edition forms part of a series of ten titles celebrating Faber's publishing over the decades.

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This collection brings together the poems Ted Hughes wrote for children throughout his life. They are arranged by volume, beginning with those for reading aloud to the very young, progressing to the poems in Under the North Star and What is the Truth? and ending with Season Songs, which Hughes remarked was written 'within hearing' of children. Raymond Briggs brings to the collection two hundred original drawings that capture the wit, gentleness and humanity of these poems and make this a book any reader - child and adult - will return to again and again.

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The Iron Wolf, the Iron WolfStands on the world with jagged fur.The rusty Moon rolls through the sky.The iron river cannot stir.The iron wind leaks out a cryAnimals of air, land and sea are brilliantly imagined in this perfect introduction for young readers to the work of Ted Hughes. Part of Hughes's Collected Animal Poems, The Iron Wolf is for the youngest readers, both to listen to and explore themselves. Chris Riddell's delightful line illustrations add to the journey of discovery.

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Why is itThe roustabout Rooster, raging at the dawnWakes us so early?A warrior king is on fire!His armour is all crooked daggers and scimitarsAnd it's shivering red-hot - with rage!First published in 1984, this book of prose-linked animal poems won both the Guardian Children's Fiction Award and the Signal Poetry Award. This new, illustated edition remains 'a very beautiful book: God and his son go to visit mankind and ask a few simple questions . . . the poems are pure enchantment' (The School Librarian).

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Ted Hughes wrote a series of stories for children from the early 1960s through until 1995 about how the world, and the creatures in it, came into being. They are collected here in one volume for the first time.These are richly told tales of sparkling intensity about animals finding their form, and God's struggle to understand what he has created. Meet the Polar Bear whose obsession with her snowy white fur is so great that she can only live in a landscape surrounded by her own reflection; the Whale, growing in God's garden beside the carrots; King Leo, who began life because God was hungry for his sausages; poor Parrot's painful defeat in the marriage song contest at the wedding of Man and Woman; and Sparrow's heroic battle against the bird-swallowing Black Hole.There are stories here to suit children from four to fourteen, whether for reading aloud or alone.

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Alcestis is the story of a king, Admetus, who is able to escape death because his wife, Alcestis, has volunteered to die in his place. Ted Hughes's version goes beyond translation to an inspired rethinking of the story in terms of his own vision of human suffering.Although he started working on this piece in 1993, he did not finish until a few months before his death in 1998. It is the culmination of an extraordinarily productive period of work, which saw the publication of Tales from Ovid (1997), Birthday Letters (1998) and The Oresteia (1999).

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An adaptation by the Poet Laureate of Racine's play of the same name. Phedre burns with passion for Hippolytus, her stepson. His father, Theseus, is made to believe that it is Hippolytus who is lusting after Phedre, and begs Neptune to kill his son, which he does before discovering the truth.

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When Michael Hofmann and James Lasdun's ground-breaking anthology After Ovid (also Faber) was published in 1995, Hughes's three contributions to the collective effort were nominated by most critics as outstanding. He had shown that rare translator's gift for providing not just an accurate account of the original, but one so thoroughly imbued with his own qualities that it was as if Latin and English poet were somehow the same person. Tales from Ovid, which went on to win the Whitbread Prize for Poetry, continued the project of recreation with 24 passages, including the stories of Phaeton, Actaeon, Echo and Narcissus, Procne, Midas and Pyramus and Thisbe. In them, Hughes's supreme narrative and poetic skills combine to produce a book that stands, alongside his Crow and Gaudete, as an inspired addition to the myth-making of our time.

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From the trembling new-born calf in Season Songs to the gently sleeping one recorded in Moortown Diary, animal life as observed in the pages of Flowers and Insects, Elmet, River, Lupercal and Hawk in the Rain is seen afresh through the diversity and imaginative energy of this collected volume.

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Ted Hughes has written a series of pieces on writers as diverse as Emily Dickinson, Isaac Bashevis Singer, T. S. Eliot and Sylvia Plath; and on his deep-rooted concern over education, the environment and the arts.

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In 1984 Ted Hughes was made Poet Laureate. Since then, he has fulfilled his duties by writing a number of poems celebrating important royal occasions. These are major works, calling on the Laureate's full powers and embodying a complete vision of royalty and nationhood. Rain-Charm for the Duchy collects these poems for the first time. It also contains a section of notes, throwing light on the context and genesis of each poem.

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'The poem we are told was originally intended as a film scenario. Ted Hughes has that sure poetic instinct that heads implacably for the particular instances rather than ideas or abstraction; he has an especial talent for evoking the visual particular . . . Ted Hughes has produced a strange bastard form that [works] because he has such an acute sense of the suggestive power of specific visual images and the ability to evoke them in words.' Oliver Lyne, Times Literary Supplement

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What has happened to the lost art of memorising poems? Why do we no longer feel that it is necessary to know the most enduring, beautiful poems in the English language 'by heart'? In his introduction Ted Hughes explains how we can overcome the problem by using a memory system that becomes easier the more frequently it is practised. The collected 101 poems are both personal favourites and particularly well-suited to the method Hughes demonstrates. Spanning four centuries, ranging from Shakespeare and Keats through to Thomas Hardy and Seamus Heaney, By Heart offers the reader a 'mental gymnasium' in which the memory can be exercised and trained in the most pleasurable way. Some poems will be more of a challenge than others, but all will be treasured once they have become part of the memory bank.This edition is part of a series of anthologies edited by poets such as Don Paterson and Simon Armitage and features an attractive new design to complement an anthology of classic poems.

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Crow was Ted Hughes's fourth book of poems for adults and a pivotal moment in his writing career. In it, he found both a structure and a persona that gave his vision a new power and coherence. A deep engagement with history, mythology and the natural world combine to forge a work of impressive and unsettling force. 'English poetry has found a new hero and nobody will be able to read or write verse now without the black shape of Crow falling across the page.' Peter Porter

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Lupercal, Ted Hughes's second book, contains many of the unsettling and vivid animal poems for which Hughes is so rightly celebrated, including 'The Bull Moses', 'Hawk Roosting' and 'Pike'.

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The Oresteia comprises three of the greatest plays of all time: Agamemnon, The Cheophori and The Eumenides. Concerned with the immediate aftermath of the Trojan War as it affects the accursed royal house of Atreus, it follows a singularly harrowing course, from the bloodiest domestic discord to divine intervention and reconciliation. Ted Hughes's translation was written in his most pared-down and powerfully driven verse, at once equal to Aeschylus's tragic vision and speaking directly to modern audiences and readers. The plays were first performed at the National Theatre in 1999 under the direction of Katie Mitchell.

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Lupercal was Ted Hughes's second collection, containing some of his most brilliant animal poetry. It confirmed his reputation as a major talent in British poetry. 'Hughes has found his own voice, created his own artistic world and has emerged as a poet of the first importance . . . What Ted Hughes has done is to take a limited, personal theme and, by an act of immensely assured poetic skill, has broadened it until it seems to touch upon nearly everything that concerns us.' Al Alvarez, Observer, 27 March, 1960In language that is by now utterly distinctive, the poems both describe and deliver a kind of psychic shock. Hughes's singularity of vision provides a ready symbiosis between theme and subject - the brute survival instinct of 'Hawk Roosting' or 'Pike', for instance; the rapturous attention bestowed upon 'An Otter' or 'The Bull Moses'; the pervasive legacy of human history that can be seen to saturate a Hughesian landscape.Lupercal is as vital and urgent today as it was when it was first published, its edict, implicit in every poem: to wake up, to pay attention.

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Originally published in 1979, Moortown Diary is the updated version of Ted Hughes's acclaimed Devon farming sequence, written over a period of several years during which he was spending almost every day outside, either gardening or farming. The introduction and notes (added in 1989) sketch in the background from which these remarkable poems emerged as an improvised verse journal, sparely edited, coalescing spontaneously on the page. 'Moortown Diary keeps its eye firmly on the creatures behind the language. It's written in the style of Hughes's play translations: very swift and bright and urgent and speakable . . . Hughes strips away the protective layers - the soundproofed ears, the double-glazed eyes - that prevent us making contact with anything outside ourselves. Right now, I can't think of anything more important than that kind of poem. Because we're not just here to think about literature. We're here to try to wake up.' Alice Oswald, The Guardian'It grips your heart, and your intestines, like a vice from the first page. He makes language as physical as a bruise, and in these poems beauty and tenderness blend with violence.' John Carey, Sunday Times'The Moortown sequence includes some of Hughes's finest poems . . . They are like no other poems I have read, with a degree of intensity, sanity and grace that he has never equalled.' Anthony Thwaite, Times Literary Supplement

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Published in 1957, Hawk in the Rain was Ted Hughes's first collection of poems. It won the New York Poetry Centre First Publication Award, for which the judges were W. H. Auden, Stephen Spender and Marianne Moore, and the Somerset Maugham Award, and it was acclaimed by every reviewer from A. Alvarez to Edwin Muir. When Robin Skelton wrote, 'All looking for the emergence of a major poet must buy it', he was right to see in it the promise of what many now regard as the most important body of work by any poet of the twentieth century.

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A stunning, new, limited edition version of a much-loved children's classic.Part modern fairy tale, part science fiction myth, The Iron Man describes the unexpected arrival in England of a mysterious giant "metal man" who wreaks havoc on the countryside by attacking the neighbouring farms and eating all their machinery. A young boy called Hogarth befriends him and he and the extraordinary being end up defending and saving the earth when it is attacked by a fearsome "space-bat-angel-dragon" from outer space. This children's classic, with its message of peace and hope, is known and loved all over the UK and is here presented as part of an exciting new collaboration between Walker Books and Faber and Faber.

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Stunning illustrations by Chris Mould make this one of the most exciting editions of The Iron Man to be published.The Iron Man came to the top of the cliff.Where had he come from? Nobody knows.How was he made? Nobody knows.Mankind must put a stop to the dreadful destruction by the Iron Man and set a trap for him, but he cannot be kept down. Then, when a terrible monster from outer space threatens to lay waste to the planet, it is the Iron Man who finds a way to save the world.'Stunning.' WRD Magazine'Whether you're already a fan of this classic children's story or a new reader, this wonderful new version is a real treat.' BookTrust'Gripping . . a classic.' Phillip Pullman'A visionary tale.' Michael Morpurgo'One of the greatest of modern fairy tales.' Observer

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Sylvia Plath is one of the defining voices in twentieth-century poetry. This classic selection of her work, made by her former husband Ted Hughes, provides the perfect introduction to this most influential of poets. The poems are taken from Sylvia Plath's four collections Ariel, The Colossus, Crossing the Water and Winter Trees, and include many of her most celebrated works, such as 'Daddy', 'Lady Lazarus' and 'Wuthering Heights'.

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A beautiful new gift edition of Ted Hughes's The Iron Woman, the incredible sequel to The Iron Man.The streaming shape reared . . . like a sudden wall of cliff, pouring cataracts of black mud and clotted, rooty lumps of reeds.Mankind for has polluted the seas, lakes and rivers. The Iron Woman has come to take revenge.Lucy understands the Iron Woman's rage and she too wants to save the water creatures from their painful deaths. But she also wants to save her town from total destruction.She needs help. Who better to call on but Hogarth and the Iron Man . . . ?A sequel and companion volume to Ted Hughes' The Iron Man, this new, child-friendly setting will be treasured by a new generation of readers.'A beautiful new edition . . . wonderfully imagined, hugely challenging, modern myth.' Carousel

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In this series, a contemporary poet selects and introduces a poet of the past. By their choice of poems and by the personal and critical reactions they express in their prefaces, the editors offer insights into their own work as well as providing an accessible and passionate introduction to some of the greatest poets in our literature.Emily Dickinson (1830-86) was born in Amherst, Massachussetts, where she lived most of her life as a recluse, seldom leaving the house or receiving visitors. She published just a handful of poems in her lifetime, her first collection appearing posthumously in 1890.

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This comprehensive volume contains all Sylvia Plath's mature poetry written from 1956 up to her death in 1963. The poems are drawn from the only collection Plath published while alive, The Colossus, as well as from posthumous collections Ariel, Crossing the Water and Winter Trees.The text is preceded by an introduction by Ted Hughes and followed by notes and comments on individual poems. There is also an appendix containing fifty poems from Sylvia Plath's juvenilia.This collection was awarded the 1981 Pulitzer Prize for poetry.'For me, the most important literary event of 1981 has been the publication, eighteen years after her death, of Sylvia Plath's Collected Poems, confirming her as one of the most powerful and lavishly gifted poets of our time.' A. Alvarez in the Observer

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'Other folks get so well known,And nobody knows about my own,'Have you met my sister Jane? She's a great big crow! My Grandpa is an owler and Grandma knits jerseys for wasps! And my other Granny is an octopus...Meet Aunt Flo, Brother Bert and more extraordinary family members in Ted Hughes' irresistible Meet My Folks, his first book for children, illustrated beautifully by George Adamson.

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A companion to The Rattle Bag, The School Bag is an engaging and authoritative selection for the classroom.Seamus Heaney and Ted Hughes have chosen an eclectic range of poets read in today's schools, but also those poems that the editors themselves read at school, or those from which they learned the most. Balancing the canon with more personal selections, The School Bag is an exhilarating introduction for any student of poetry.

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Edited by Seamus Heaney and Ted Hughes, and conceived of as a collection of their own favourite poems, The Rattle Bag has established itself as the classic anthology of our time. Heaney and Hughes have brought together an inspired and diverse selection, ranging from undisputed masterpieces to rare discoveries, as well as drawing upon works in translation and traditional poems from oral cultures. In effect, this anthology has transformed the way we define and appreciate poetry, and it will continue to do so for years to come. Including writers from Shakespeare and Blake to Sylvia Plath and T. S. Eliot, The Rattle Bag is eclectic, instructive and inspiring at the same time.

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At the outset of his career Ted Hughes described letter-writing as 'excellent training for conversation with the world', and he was to become a prolific master of this art which combines writing and talking. This selection begins when Hughes was seventeen, and documents the course of a life at once resolutely private but intensely attuned to other lives (including a readership comprising both adults and children); a life pared down to essentials and yet eventful, peripatetic, at times publicly controversial.

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For the first time, the vast canon of Ted Hughes's poetry together in one beautiful and collectable paperback edition.The Collected Poems spans fifty years of work, from Hawk in the Rain to the best-selling Birthday Letters. It also includes the complete texts of such seminal publications as Crow and Tales from Ovid as well as those children's poems that Hughes felt crossed over into adult poetry. Most significantly it also includes small press publications and editions that, until now, remain uncollected and have never before been available to a general readership. Ted Hughes - former Poet Laureate and the winner of the Whitbread and Forward Prizes - here demonstrates his presiding importance in English and twentieth-century poetry.'A guardian spirit of the land and language.' Seamus Heaney

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A very ordinary boy. Nobody noticed him, he was just like everyone else.But Fred knew he was different.He just didn't know quite how different.And when he did....Well, what then?

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Ted Hughes's remarkable sequence of twenty-four tales from Ovid's Metamorphoses won the Whitbread Book of the Year in 1997 and was celebrated in The Times by Michael Hofmann as 'one of the great works of the century'. Tim Supple and Simon Reade have taken ten tales from Hughes's version of the greatest poem of classical inspiration and transformed them for the stage. Erotic, elegant, violent and magical, this dramatisation of Tales from Ovid realises the immense power of Hughes's original text, which is already recognised as a literary landmark.

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Nessie, the Loch Ness Monster, is tired of being told that she doesn't exist. In this crackling, lolloping story in verse, Ted Hughes describes how she sets out on the road to London for an audience with the Queen...

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This anniversary edition celebrates fifty years since the original publication of Crow (1970) - the vital, shape-shifting collectionby Ted Hughes. Its context, including the integral role of the American artist Leonard Baskin and the significance of Hughes' own lived tragedies, is illuminated in a new foreword by Marina Warner, as is the influence of ancient forms, legends and beliefs. The result underscores the work's rough music and organic energy, as we encounter the enigmatic, unforgettable, 'hulking, metamorphic beast-bird' itself.'These scraps, spoken by a crow, took poetry to a new beginning. They are the bones of poems - made of mere lines: rude, surreal, gleeful, desolate poems - which for all their bleakness transmit a flash of hope. I would exchange much of English literature for their dark courage.' Alice Oswald

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This volume replaced Ted Hughes's Selected Poems 1957-1981. It contains a larger selection from the same period, to which are added poems from more recent books, uncollected poems from each decade of Ted Hughes's writing life, and some new work. Another notable feature is the inclusion of poems from his books for younger readers, What is the Truth? and Season Songs.

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This collection of eleven evocative, accessible and funny stories for children of 5+ tells how a particular animal came to be as it is now. The Whale grew up in God's vegetable patch but was banished to sea when he became too large and crushed all His carrots; the Polar Bear was lured to the North Pole by the other animals who were jealous that she always won the annual beauty contest; the Hare has asked the moon to marry him but can never stretch his ears high enough to hear her reply; the Bee must sip honey all day long to sweeten the bitter demon that runs through his veins . . . each story is a delight for reading alone or aloud.

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In this series, a contemporary poet selects and introduces a poet of the past. By their choice of poems and by the personal and critical reactions they express in their prefaces, the editors offer insights into their own work as well as providing an accessible and passionate introduction to the most important poets in our literature.Keith Douglas (1920-1944) began writing when he was at school at Christ's Hospital School, London, continued at Oxford, and thereafter in the army and in the Middle East. By the time he was killed in Normandy, aged only twenty-four, in June 1944, he had achieved a body of work that singled him out as the most brilliant and promising English poet of the Second World War. The present pioneering selection of Keith Douglas's work, by Ted Hughes, was first published in 1964.

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