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MONKEY New Writing from Japan is an annual anthology that showcases the best of contemporary Japanese literature. Volume 2 celebrates TRAVEL -- we may not be able to travel much during this second year of the pandemic, but we can travel in our imaginations. MONKEY offers short fiction and poetry by writers such as Mieko Kawakami, Haruki Murakami, Hideo Furukawa, Hiromi Kawakami, Aoko Matsuda, and Kyohei Sakaguchi; new translations of modern classics; a graphic narrative by Satoshi Kitamura; and contributions from American writers such as Brian Evenson and Laird Hunt.

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Reconciliation, published here for the first time in the English language, is an understated masterpiece of the Japanese 'I novel' tradition (a confessional literary form). Naoya Shiga's novella is a quietly devastating reflection on all kinds of reconciliation: from his own familial reunion, to the universal need to reconcile ourselves to the inevitability of ageing, loss and death.

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For fans of Japanese literature (Haruki Murakami and more) and readers who want to be introduced to exciting new writers. MONKEY New Writing from Japan is an annual anthology that showcases the best of contemporary Japanese literature. Volume 4 celebrates MUSIC, as we welcome the post-pandemic flourishing of artistic expression. MONKEY offers short fiction and poetry by writers such as Hideo Furukawa, Mieko Kawakami, Haruki Murakami, Hiromi Kawakami, Aoko Matsuda, and Hiroko Oyamada; graphic stories by Satoshi Kitamura; new translations of modern classics; and contributions from American authors Stuart Dybek, Kevin Brockmeier, and more.

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For readers who want to be introduced to exciting contemporary Japanese writers, especially women (Mieko Kawakami, Aoko Matsuda, and more).MONKEY New Writing from Japan is an annual anthology that showcases the best of contemporary Japanese literature. Volume 3 celebrates CROSSINGS: Transitioning Out of the Pandemic, we are inspired by stories of transformation and the joyful play between Japanese and Western literatures. MONKEY offers short fiction and poetry by writers such as Mieko Kawakami, Haruki Murakami, Hiromi Kawakami, and Aoko Matsuda; a graphic narrative by Satoshi Kitamura; and contributions from Stuart Dybek and Matthew Sharpe.

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Words have power. Yet that power must be rooted in truth and justice. Words must never stand apart from those principles.'You end this collection…vowing to never let life, or writing, get so complicated again' GuardianReaders who have long wondered where the mysterious novelist gets his ideas and what inspires his beautifully surreal worlds will be fascinated by this highly personal look at the craft of writing.In this engaging book, the internationally best-selling author shares with readers what he thinks about being a novelist; his own origins as a writer; and his musings on the sparks of creativity that inspire other writers, artists, and musicians.'Murakami is like a magician who explains what he's doing as he performs the trick and still makes you believe he has supernatural powers' New York Times Book Review'A fascinating glimpse of the peculiar writerly life' Sunday Times** A TIMES, SUNDAY TIMES and NEW STATESMAN BOOK OF THE YEAR**

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'The interlinking short stories in this collection are fairy tales in the best Brothers Grimm tradition: naïf, magical and frequently veering into the macabre' Financial Times From the best-selling author of Strange Weather in Tokyo, here is a collection of darkly playful Japanese micro-fiction. In Kawakami's super short 'palm of the hand' stories the world is never quite as it should be: a small child lives under a sheet near his neighbour's house for thirty years; an apartment block leaves its visitors with strange afflictions, from fast-growing beards to an ability to channel the voices of the dead; an old man has two shadows, one docile, the other rebellious; two girls named Yoko are locked in a bitter rivalry to the death. Small but mighty, you'll find strange delight in spending time with the people in this neighbourhood. 'Offers a delicious combination of intrigue, magic and comedy, like an unusual but satisfying snack. Kawakami continues to show off her prowess as a sharp-witted writer with a keen eye for the unexplored mysteries of humanity' Japan Times

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Fully illustrated and beautifully designed, this is a unique and wonderfully creepy tale that is sure to delight Murakami fans. 'All I did was go to the library to borrow some books'. On his way home from school, the young narrator of The Strange Library finds himself wondering how taxes were collected in the Ottoman Empire. He pops into the local library to see if it has a book on the subject. This is his first mistake. Led to a special 'reading room' in a maze under the library by a strange old man, he finds himself imprisoned with only a sheep man, who makes excellent donuts, and a girl, who can talk with her hands, for company. His mother will be worrying why he hasn't returned in time for dinner and the old man seems to have an appetite for eating small boy's brains. How will he escape?'The best novelist on the planet' Observer

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Discover Haruki Murakami's first two novels.'If you're the sort of guy who raids the refrigerators of silent kitchens at three o'clock in the morning, you can only write accordingly. That's who I am.' Hear the Wind Sing and Pinball, 1973 are Haruki Murakami's earliest novels. They follow the fortunes of the narrator and his friend, known only by his nickname, the Rat. In Hear the Wind Sing the narrator is home from college on his summer break. He spends his time drinking beer and smoking in J's Bar with the Rat, listening to the radio, thinking about writing and the women he has slept with, and pursuing a relationship with a girl with nine fingers. Three years later, in Pinball, 1973, he has moved to Tokyo to work as a translator and live with indistinguishable twin girls, but the Rat has remained behind, despite his efforts to leave both the town and his girlfriend. The narrator finds himself haunted by memories of his own doomed relationship but also, more bizarrely, by his short-lived obsession with playing pinball in J's Bar. This sends him on a quest to find the exact model of pinball machine he had enjoyed playing years earlier: the three-flipper Spaceship.

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A unique look at the craft of writing from a bestselling master of storytelling. In this engaging book, the internationally best-selling author shares with readers what he thinks about being a novelist; his thoughts on the role of the novel in our society; his own origins as a writer; and his musings on the sparks of creativity that inspire other writers, artists, and musicians.Readers who have long wondered where the mysterious novelist gets his ideas and what inspires his strangely surreal worlds will be fascinated by this highly personal look at the craft of writing.'An insightful collection of essays on his work and methods... You end this collection of beautiful essays vowing to never let life, or writing, get so complicated again' Guardian'Murakami is like a magician who explains what he's doing as he performs the trick and still makes you believe he has supernatural powers' New York Times Book Review'A fascinating glimpse of the peculiar writerly life' Sunday Times** A TIMES, SUNDAY TIMES and NEW STATESMAN BOOK OF THE YEAR**

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DISCOVER THE SHORT STORY COLLECTION THAT GAVE THE WORLD DRIVE MY CAR, THE BAFTA AND OSCAR WINNING FILMA dazzling Sunday Times bestselling collection of short stories from the beloved internationally acclaimed Haruki Murakami. Across seven tales, Haruki Murakami brings his powers of observation to bear on the lives of men who, in their own ways, find themselves alone. Here are vanishing cats and smoky bars, lonely hearts and mysterious women, baseball and the Beatles, woven together to tell stories that speak to us all. Marked by the same wry humour that has defined his entire body of work, in this collection Murakami has crafted another contemporary classic. 'Supremely enjoyable, philosophical and pitch-perfect new collection of short stories...Murakami has a marvelous understanding of youth and age' Observer 'Murakami at his whimsical, romantic best' Financial Times

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