Search results for ""Author T S Eliot""

Thomas Stearns Eliot (Sant Louis, Missouri, 1888-Londres, 1965) es el poeta que con más clarida y lucidez ha sabido interpretar las contradicciones del siglo XX, el que mejor supo expresar "la consciente desorientación de una época". Su poesía expresa un mundo de difíciles explicaciones y carente de significado en el que, tras la caída de los valores tradicionales, no hay esperanza de nuevas certezas: un mundo de muertos vivientes que Eliot expresa con fuerza mediante la simbología de la aridez y la desolación, y con peculiar lenguaje áspero, árido, cotidiano y misterioso. Eliot obtuvo el Premio Nobel de Literatura en 1948.

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Además de uno de los grandes poetas del XX, T. S. Eliot fue el crítico más ambicioso y exhaustivo de su generación. Desde la primera década del siglo pasado hasta su muerte en 1965, ejerció una rotunda autoridad en la literatura anglosajona que le llevó a revisar toda la literatura occidental, desde Virgilio, Dante y los isabelinos hasta Donne, los románticos y Yeats, con el secreto propósito de acreditar la revolución poética que llevó a cabo con La tierra baldía o Cuatro cuartetos. El presente volumen realiza un recorrido cronológico por los ensayos más importantes y menos divulgados en español que el poeta escribió entre 1919 y 1961. Dueño de una intimidante cultura, capaz de encararse a los más grandes aunque se llamen Shakespeare o Milton, inigualable lector del detalle, provocador insaciable, Eliot se muestra en estas páginas como el verdadero guía, señor y maestro de la modernidad.El señor Eliot es de los pocos que puede aportar un ritmo personal, una calidad al sonido identi

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T. S. Eliot is regarded as the most important poetcritic of modern times, the twentieth century's Man of Letters' whose reputation was forged not only on the strength of his verse, but on the enduring influence of his critical writings. The Collected Prose presents those works that Eliot allowed to reach print in the order of their final revision or printing. Publishing across four volumes, the series aims to provide an authoritative and clean-text record of Eliot's approved texts and their revisions, beginning with his formative observations, written while he was at high school, and concluding in his final major opus, To Criticize the Critic, published in the months after his death.This third volume collects Eliot's prose from 19351950, when his works The Idea of a Christian Society (1939) and The Music of Poetry (1942) would engage the seminal grounds of his Four Quartets, while his Notes Towards the Definition of Culture (1948) would appear at the moment he

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Included in Prufrock and Other Observations are the following poems:The Love Song of J. Alfred PrufrockPortrait of a LadyPreludesRhapsody on a Windy NightMorning at the WindowThe Boston Evening TranscriptAunt HelenCousin NancyMr. ApollinaxHysteriaConversation GalanteLa Figlia Che Piange

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April is the cruellest month, breedingLilacs out of the dead land, mixingMemory and desire, stirringDull roots with spring rain . . .Published in 1922, The Waste Land was the most revolutionary poem of its time, offering a devastating vision of modern civilisation which has lost none of its power as we enter a new century.

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The Confidential Clerk was first produced at the Edinburgh Festival in the summer of 1953.'The dialogue of The Confidential Clerk has a precision and a lightly felt rhythm unmatched in the writing of any contemporary dramatist.' Times Literary Supplement'A triumph of dramatic skill: the handling of the two levels of the play is masterly and Eliot's verse registers its greatest achievement on the stage - passages of great lyrical beauty are incorporated into the dialogue.' Spectator

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I once was a Pirate what sailed the 'igh seas-But now I've retired as a com-mission-aire:And that's how you find me a-takin' my easeAnd keepin' the door in a Bloomsbury Square.Join Cat Morgan, the swashbuckling pirate as he sails the Barbary Coast in this sixth picture book pairing from Arthur Robins and T. S. Eliot's Old Possum Cats.

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Poet, dramatist, critic and editor, T. S. Eliot was one of the defining figures of twentieth-century poetry. This edition of The Complete Poems and Plays, published for the first time in paperback, includes all of his verse and work for the stage, from Prufrock and Other Observations (1917) to Four Quartets (1943), and includes such literary landmarks as The Waste Land, Old Possum's Book of Practical Cats and Murder in the Cathedral.'Each year Eliot's presence reasserts itself at a deeper level, to an audience that is surprised to find itself more chastened, more astonished, more humble.' Ted Hughes

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This selection, which was made by Eliot himself, is intended as an introduction to the main body of his poetry prior to Four Quartets, which is available separately in Faber Paperbacks. The selection includes the whole of The Waste Land.

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THOMAS STEARNS ELIOT nació en Saint Louis, Missouri, en 1888. Se mudó a Inglaterra en 1914 y publicó su primer poemario en 1917. Recibió el Premio Nobel de Literatura en 1948. Murió en 1965. Esta edición canónica de los poemas de T. S. Eliot en dos volúmenes establece un nuevo texto distinto a la Poesía completa 1909-1962, corrigiendo erratas y omisiones que han perdurado desde el asombroso debut de Eliot, La canción de amor de J. Alfred Prufrock. Esta edición contiene no solo sus obras maestras, sino también la producción juvenil de Eliot que ha sido redescubierta décadas más tarde, otros textos que circularon privadamente en vida y los poemas de amor de sus últimos años, escritos para su mujer Valerie Eliot. Christopher Ricks y Jim McCue ofrecen en esta edición comentarios que iluminan la vida imaginativa de cada poema. Obtenidos de los escritos críticos de Eliot, de sus borradores, cartas y otros materiales, dichos comentarios ilustran no solo la amplitud de los intereses de Eliot y

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Eliot is called upon to become the completely public man. He gives talks, lectures, readings and broadcasts, and even school prize-day addresses. As editor and publisher, his work is unrelenting, commissioning works ranging from Michael Roberts's The Modern Mind to Elizabeth Bowen's anthology The Faber Book of Modern Stories. Other letters reveal Eliot's delight in close friends such as John Hayward, Virginia Woolf and Polly Tandy, and his colleagues Geoffrey Faber and Frank Morley, as well as his growing troupe of godchildren - to whom he despatches many of the verses that will ultimately be gathered up in Old Possum's Book of Practical Cats (1939). The volume covers his separation from first wife Vivien, and tells the full story of the decision taken by her brother, following the best available medical advice, to commit her to an asylum - after she had been found wandering in the streets of London. All the while these numerous strands of correspondence are being played out, Eliot struggles to find the time to compose his second play, The Family Reunion (1939), which is finally completed in 1938.

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T. S. Eliot's career as a successful stage dramatist gathers pace throughout the fascinating letters of this volume. Following his early experimentation with the dark comedy Sweeney Agonistes (1932), Eliot is invited to write the words of an ambitious scenario sketched out by the producer-director E. Martin Browne (who was to direct all of Eliot's plays) for a grand pageant called The Rock (1934). The ensuing applause leads to a commission from the Bishop of Chichester to write a play for the Canterbury Festival, resulting in the quasi-liturgical masterpiece of dramatic writing, Murder in the Cathedral (1935). A huge commercial success, it remains in repertoire after eighty years.Even while absorbed in time-consuming theatre work, Eliot remains untiring in promoting the writers on Faber's ever broadening lists - George Barker, Marianne Moore and Louis MacNeice among them. In addition, Eliot works hard for the Christian Church he has espoused in recent years, serving on committees for the Church Union and the Church Literature Association, and creating at Faber & Faber a book list that embraces works on church history, theology and liturgy. Having separated from his wife Vivien in 1933, he is anxious to avoid running into her; but she refuses to comprehend that her husband has chosen to leave her and stalks him across literary society, leading to his place of work at the offices of Faber & Faber. The correspondence draws in detail upon Vivien's letters and diaries to provide a picture of her mental state and way of life - and to help the reader to appreciate her thoughts and feelings.

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A cherished part of his oeuvre, the 'Ariel Poems' of T. S. Eliot were originally commissioned for a pamphlet series of the same name that first ran between 1927 and 1931. ('Nobody else seemed to want the title afterward,' said Eliot of the series, 'so I kept it for myself.') That pamphlet series inventively paired an unpublished poem by a leading writer of the day with new artwork from an eminent artist. Thomas Hardy, Siegfried Sassoon, Barnett Freedman and John Nash were among the contributors to the first set, which broadly carried a Christmas theme and which sold for one shilling. The publisher's hope was that the pamphlets might double-up as greeting cards, and Eliot himself sent them as festive gifts to the writers on Faber's poetry list. This handsome new publication brings together, for the first time in a single edition, the six poems that T. S. Eliot wrote for the series, and in so doing restores them to the company of the artworks that originally partnered them.

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A stunning new gift edition of this much-loved classic, with the celebrated black-and-white illustrations by Edward Gorey.Cats! Some are sane, and some are mad.Some are good, and some are bad . . .The whimsical 1982 Old Possum's illustrations have been lovingly restored and are showcased in this beautiful new poetry edition, perfect for children and Eliot aficionados alike. These lovable cat poems were written by T. S. Eliot for his godchildren and continue to delight children and grown-ups. The collection inspired the musical Cats!, and features Macavity, Mr Mistofelees and Growltiger!

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T. S. Eliot is regarded as the most important poetcritic of modern times, the twentieth century's Man of Letters' whose reputation was forged not only on the strength of his verse, but on the enduring influence of his critical writings. The Collected Prose presents those works that Eliot allowed to reach print in the order of their final revision or printing. Publishing across four volumes, the series aims to provide an authoritative and clean-text record of Eliot's approved texts and their revisions, beginning with his formative observations, written while he was at high school, and concluding in his final major opus, To Criticize the Critic, published in the months after his death.This first volume covers the years 19051928, a time of dramatic development for Eliot as both a poet and critic that saw the publication of Prufrock and Other Observations, The Waste Land and Journey of the Magi, and a gathering his seminal early essays

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'The term culture ... includes all the characteristic activities and interests of a people; Derby Day, Henley Regatta, Cowes, the twelfth of August, a cup final, the dog races, the pin table, the dart board, Wensleydale cheese, boiled cabbage cut into sections, beetroot in vinegar, 19th-century Gothic churches and the music of Elgar. The reader can make his own list ...'In this famous essay T. S. Eliot examines the principal uses of the word, and the conditions in which culture itself can flourish.'So rich in ideas that it is difficult to select two or three of them for comment ... it is a natural history of culture.' Sunday Times

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'That crown which he set on his lifetime's effort.' Ted HughesFour Quartets is the culminating achievement of T. S. Eliot's career as a poet. This edition is based on the design made by Giovanni Mardersteig for his letterpress edition of 1960 and marks the seventy-fifth anniversary of its first publication in the UK by Faber & Faber in 1944.'Throughout these poems there is also the invention of new rhythms, of unimagined possibilities in the movement of language . . . He is perhaps more original and inventive in rhythm than any other poet in English.' Delmore Schwartz'The most original contribution to poetry that has been made in our time.' Edwin Muir

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In this magisterial volume, first published in 1932, Eliot gathered his choice of the miscellaneous reviews and literary essays he had written since 1917 when he became assistant editor of The Egoist. In his preface to the third edition in 1951 he wrote: 'For myself this book is a kind of historical record of my interests and opinions.' The text includes some of his most important criticism, especially parts of The Sacred Wood, Homage to John Dryden, the essays on Elizabethan and Jacobean dramatists, For Lancelot Andrewes and Essays Ancient and Modern.

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'Each year Eliot's presence reasserts itself at a deeper level, to an audience that is surprised to find itself more chastened, more astonished, more humble.' Ted HughesPoet, dramatist, critic and editor, T. S. Eliot was one of the defining figures of twentieth-century poetry. This edition of Collected Poems 1909-1962 includes his verse from Prufrock and Other Observations (1917) to Four Quartets (1943), and includes such literary landmarks as The Waste Land and Old Possum's Book of Practical Cats.

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'Obviously something more than a successful play, it is the practical demonstration of a patently conceived theory of dramatic form, and as such of high historical interest.' Times Literary Supplement'Eliot has attempted here something very daring and well worth doing. He has taken the ordinary West End drawing room comedy convention - understatement, upper-class accents and all - and used it as a vehicle for utterly serious ideas.' Observer

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Admiro al poeta, pero detesto al hombre es fama que dijo José Emilio Pacheco refiriéndose a T. S. Eliot. Llevado de esa admiración, muchos años antes había empezado a traducir los " Cuatro cuartetos " en los que el poeta británico procuraba una recuperación a través de lo sagrado del sentimiento de integración del individuo que los convulsos comienzos del siglo XX habían liquidado. El empeño se convirtió en una labor obsesiva a la que el escritor mexicano aportó su erudición, su curiosidad, su lucidez poética y las complicidades con la historia, y en la que se estableció un diálogo de admiración y distanciamiento.La presente edición presenta por primera vez no sólo la última versión de la celebrada traducción de José Emilio Pacheco, sino también las notas y la cronología que fue elaborando paralelamente con esta labor, fruto de una dedicación de cuarenta años que sólo interrumpió la muerte. La impecable presentación de Luis García Montero ilumina a la perfección la magnitud y la com

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Este libro fue publicado por vez primera en 1939. A esa edición se ha ceñido la traductora, aunque en una posterior hay pocas y mínimas variantes. Iba dirigido a un público infantil, pues Eliot fue escribiendo los poemas, en principio, para regalárselos a los hijos de los Faber, dueños de la editorial en la que él era director. Su temática principal son los gatos, descritos de una manera humorística, que imita tipos humanos o literarios. El mérito principal de esta obra -de ahí sus escasas traducciones al español- radica en su ritmo y en sus rimas, a veces internas. Este ritmo da la sensación de un "joyful dance", un baile jubiloso, influido por la poesía "nonsense" de Edward Lear y Lewis Carroll. Valéry Eliot dijo que su marido repetía estos versos antes de dormirse. La imagen de Eliot sufre una seria mutilación si no se tienen en cuenta estos poemas, en los que da rienda suelta, más que en ninguna otra parte de su obra, a su faceta humorística.La traductora, Regla Ortiz (Madrid, 1

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Published in 1922, The Waste Land was the most revolutionary poem of its time, offering a devastating vision of modern civilization between the two World Wars.

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T. S. Eliot is regarded as the most important poetcritic of modern times, the twentieth century's Man of Letters' whose reputation was forged not only on the strength of his verse, but on the enduring influence of his critical writings. The Collected Prose presents those works that Eliot allowed to reach print in the order of their final revision or printing. Publishing across four volumes, the series aims to provide an authoritative and clean-text record of Eliot's approved texts and their revisions, beginning with his formative observations, written while he was at high school, and concluding in his final major opus, To Criticize the Critic, published in the months after his death.This second volume spans 19291934, a period in which Eliot's poetry was maturing into the reflective verse of Animula, Ash-Wednesday and Marina. It was also a moment that confirmed his critical reputation with the publication of Selected Essays

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This seminal book, Eliot's first collection of literary criticism, appeared in London in 1920, two years before The Waste Land. It contains some of his most influential early essays and reviews, among them 'Tradition and the Individual Talent', 'Hamlet and his Problems', and Eliot's thoughts on Marlowe, Jonson and Massinger, as well as his first tribute to Dante. Many of his most famous critical pronouncements come from the pages of The Sacred Wood.Reviewing his career as a critic in 1961 Eliot wrote that 'in my earlier criticism, both in my general affirmations about poetry and in writing about authors who influenced me, I was implicitly defending the sort of poetry that I and my friends wrote. This gave my essays a kind of urgency, the warmth of appeal of the advocate, which my later, more detached and I hope more judicial essays cannot claim.' This urgency is still apparent more than eighty years after the essays first appeared.

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Eliot's haunting verse play, set in a country house in the north of England, was performed at the Westminster Theatre in London in March 1939, six months before the outbreak of war.'What is wonderful is the marvellous opening out of consciousness, the flowering of meaning, which makes the play an account of a spiritual experience. There are passages of great poetic beauty, and statements which are the fruits of a lifetime devoted to poetry.' Listener

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Four Quartets is the culminating achievement of T.S. Eliot's career as a poet. While containing some of the most musical and unforgettable passages in twentieth-century poetry, its four parts, 'Burnt Norton', 'East Coker', 'The Dry Salvages' and 'Little Gidding', present a rigorous meditation on the spiritual, philosophical and personal themes which preoccupied the author. It was the way in which a private voice was heard to speak for the concerns of an entire generation, in the midst of war and doubt, that confirmed it as an enduring masterpiece.

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This volume covers the production of Eliot's play The Family Reunion; the publication of The Idea of a Christian Society; and the joyous versifying of Old Possum's Book of Practical Cats. After exhausting himself through nights of fire-watching in the London wartime blackout, he travels the country, attends meetings of The Moot, delivers talks, and advises a fresh generation of writers including Cyril Connolly, Keith Douglas, Kathleen Raine and Vernon Watkins. Major correspondents include W. H. Auden, George Barker, William Empson, Geoffrey Faber, John Hayward, James Laughlin, Hope Mirrlees, Mervyn Peake, Ezra Pound, Michael Roberts, Stephen Spender, Tambimuttu, Allen Tate, Michael Tippett, Charles Williams and Virginia Woolf. Four Quartets, Eliot's culminating masterpiece, is discussed in detail.

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T. S. Eliot is regarded as the most important poetcritic of modern times, the twentieth century's Man of Letters' whose reputation was forged not only on the strength of his verse, but on the enduring influence of his critical writings. The Collected Prose presents those works that Eliot allowed to reach print in the order of their final revision or printing. Publishing across four volumes, the series aims to provide an authoritative and clean-text record of Eliot's approved texts and their revisions, beginning with his formative observations, written while he was at high school, and concluding in his final major opus, To Criticize the Critic, published in the months after his death.This fourth and final volume from 19511966, covers a period of concluding productivity in Eliot's writing. Although his poetry was all but complete, his theatrical and critical work flourished through a decade that included such books as Poetry and Drama (1951)

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Murder in the Cathedral, written for the Canterbury Festival in 1935, was one of T. S. Eliot's first dramatic achievements, and it remains one of the great plays of the century. It takes as its subject matter the martyrdom of Thomas Becket, Archbishop of Canterbury, depicting the events that led to his assassination, in his own cathedral church, by the knights of Henry II in 1170. Like Greek drama, the play's theme and form are rooted in religion, ritual purgation and renewal, and it was this return to the earliest sources of drama that brought poetry triumphantly back to the English stage at the time. This anniversary edition marks 850 years since Becket's dramatic murder, and eighty-five years since Eliot's play was first performed.

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As a poet, editor and essayist, T. S. Eliot was one of the defining figures of twentieth century poetry. This selection, which was made by Eliot himself, includes many of his most celebrated works, including The Love Song of J. Alfred Prufrock and The Waste Land.Other volumes in this series: Auden, Betjemen, Plath, Hughes and Yeats.

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At long last, T. S. Eliot's prose, together in this definitive 8-volume collection.This monumental eight-volume edition of modern literature brings together, for the first time in print, all of the vastly influential prose writings of Nobel laureate T. S. Eliot, the poet and dramatist whose theories and criticism shaped twentieth-century thought and literature around the world. This complete collection provides access to over 6,000 pages of Eliot's nonfiction prose writings on literature, philosophy, religion, cultural theory, world politics, and other topics of urgent and enduring import. It includes all of the essays that he collected in his lifetime, but also more than 1,000 uncollected, unrecorded, or unpublished items, many of which were missing or inaccessible for decades. From the formative "Interpretation of Primitive Ritual" (1913), written in graduate school at Harvard, to the summative "To Criticize the Critic" (1961), the Complete Prose offers readers full access to the immense scope and variety of Eliot's works in their biographical, historical, and cultural context. The individual volumes have received the highest praise from prominent scholars: volume II won the Modernist Studies Association's 2015 Book Prize for an Edition, Anthology, or Essay Collection, while volumes V and VI were jointly awarded the 2017 Prize for a Scholarly Edition by the Modern Language Association. They display "uniform excellence," wrote the Awards Committee: "Their thorough textual introductions, sophisticated annotations merging intelligent commentary with brevity and completeness, make the volumes a pleasure to read . . . and enlarge our understanding of Eliot as the public intellectual at work." Together with recent editions of the Poems, the eight volumes of Letters, and the sensational opening in 2020 of Eliot's letters to Emily Hale, the Complete Prose brings us to the threshold of a new age for the study of Eliot and the modernist writers of his day.Project MUSE is home to the fully searchable online edition of The Complete Prose of T. S. Eliot.Volume 1: Apprentice Years, 1905–1918, edited by Jewel Spears Brooker and Ronald SchuchardVolume 2: The Perfect Critic, 1919–1926, edited by Anthony Cuda and Ronald SchuchardVolume 3: Literature, Politics, Belief, 1927–1929, edited by Frances Dickey, Jennifer Formichelli, and Ronald SchuchardVolume 4: English Lion, 1930–1933, edited by Jason Harding and Ronald SchuchardVolume 5: Tradition and Orthodoxy, 1934–1939, edited by Iman Javadi, Ronald Schuchard, and Jayme StayerVolume 6: The War Years, 1940–1946, edited by David E. Chinitz and Ronald SchuchardVolume 7: A European Society, 1947–1953, edited by Iman Javadi and Ronald SchuchardVolume 8: Still and Still Moving, 1954–1965, edited by Jewel Spears Brooker and Ronald Schuchard

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When the New York Public Library announced in October 1968 that its Berg Collection had acquired the original manuscript of The Waste Land, one of the most puzzling mysteries of twentieth-century literature was solved. The manuscript was not lost, as had been believed, but had remained among the papers of John Quinn, Eliot's friend and adviser, to whom the poet had sent it in 1922.If the discovery of the manuscript was startling, its content was even more so, because the published version of The Waste Land was considerably shorter than the original. How it was reduced and edited is clearly revealed on the manuscript through the handwritten notes of Ezra Pound, of Eliot's first wife, Vivien, and of Eliot himself.In order that this material might be widely available for study, the poet's widow Mrs Valerie Eliot prepared the present edition, in 1971, in which each page of the original manuscript was reproduced in facsimile, with a clear transcript facing pages. Mrs Eliot also included an illuminating introduction, explanatory notes and cross-references, together with the text of the first published version of The Waste Land, thus completing the evolution of the most influential poem in modern literature.To mark the centenary of the original poem, and celebrate fifty years of the facsimile, Eliot's original pages are published here in the startling vivacity of full colour for the first time. The present edition reissues, with corrections, of the text of the 1980 reprint, and includes an appendix of original materials not previously made available.

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Cats! Some are sane and some are mad and some are good and some are bad.Meet magical Mr Mistoffelees, sleepy Old Deuteronomy and curious Rum Tum Tugger. But you'll be lucky to meet Macavity because Macavity's not there!In 1925 T. S. Eliot became co-director of Faber & Faber, who remain his publishers to this day. Throughout the 1930s he composed the now famous poems about Macavity, Old Deuteronomy, Mr Mistoffelees and many other cats, under the name of 'Old Possum'. In 1981 Eliot's poems were set to music by Andrew Lloyd Webber as Cats, which went on to become the longest-running Broadway musical in history and is now a film starring Taylor Swift, Idris Elba, Judi Dench, Ian McKellen, Rebel Wilson, Jennifer Hudson, Jason Derulo, Francesca Hayward and James Corden. With illustrations by Rebecca Ashdown.The Christmas, you will believe!

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'Literary criticism is a distinctive activity of the civilised mind.' With Eliot's dictum in mind, Professor Kermode has selected from the whole range of his critical writings, some of them dating back to before 1918. There are essays of generalisation, appreciations of individual writers, and a section of his social and religious criticism. All the famous and most influential essays are drawn upon, with extracts from many others, and there is an important Introduction by Professor Kermode, with valuable notes.

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T.S. Eliot - editor, poet, critic and publisher - was the greatest poet of his generation. The winner of the 1948 Nobel Prize for Literature, virtually every English language poet since owes him a debt of gratitude. Voted as Britain's favourite poet in a 2009 BBC poll, Eliot selected and designed this collection himself in 1954 as an introduction to his work for new readers.Containing 'The Waste Land' and 'The Love Song of J. Alfred Prufrock', Selected Poems is the perfect way to begin with one of the defining figures of the twentieth century. This edition also features an introductory essay by Seamus Heaney.

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Mungojerrie and Rumpelteazer were a very notorious couple of cats.As knockabout clowns, quick-change comedians, tight-rope walkers and acrobats.And when you heard a dining-room smashThen the family would say: 'It's that horrible cat!It was Mungojerrie! and Rumpelteazer!' - And there's nothing at all to be done about that!Join the cat-burglars Mungojerrie and Rumpleteazer in the fifth picture-book pairing from Arthur Robins and T. S. Eliot's Old Possum's cats, as they steal meat from the oven and pearls from the drawers.

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