Search results for ""Author Stewart Brown""

The Guyanese poet Martin Carter was without question one of the major poets of the English language of our time. In the Caribbean, Carter has long been regarded as one of the great poets who chronicled the journey from colonialism to independence, alongside such figures as Aime Cesaire, Derek Walcott, Nicholas Guillen and Kamau Brathwaite. While his earlier poems have become classics of socialist literature, translated into many languages, and are among the foundation stones of Caribbean poetry, they have hardly been acknowledged in more general accounts of poetry in English. It was too easy for lazy critics and anthologists to dismiss him as 'merely' a political poet, one who swore, as he put it in one poem, to use his shirt as 'a banner for the revolution.'In fact, looking at Carter's work overall it is hard to think of a contemporary poet writing in English who showed more concern for craft, who measured his utterance with greater care. His later work, while it never lost its political edge, was more oblique and cerebral than the overtly political poems of his youth. It sits comfortably alongside that of fellow South American poets Valejo, Neruda and Paz. They are his contemporaries in every sense; his work is of that originality, stature and elemental force.This book sets out to celebrate Martin Carter's life and work and to establish a context for reading his poetry. It locates the several facets of Carter's work in the historical and cultural circumstances of his time, in Guyana, in the Caribbean. It includes essays by many leading academics and scholars of Caribbean literature and history. It is distinguished particularly by a collection of responses to Carter's work by other creative writers, both his contemporaries and a younger generation for whom Carter's work and commitment has been a powerful influence on their own thinking and practice. As well as demonstrating the profound respect in which he is held as a writer, what emerges most strongly from this group of essays and poems from his fellow writers is the extent to which he was loved and admired as a man who - despite the turmoil Guyana has experienced over the last fifty years - remained true to his fundamental belief in the dignity of humankind.Contributors include John Agard, Edward Baugh, Kamau Brathwaite, Stewart Brown, Jan Carew, David Dabydeen, Fred D'Aguiar, Kwame Dawes, Michael Gilkes, Stanley Greaves, Wilson Harris, Roy Heath, Kendel Hippolyte, Louis James, Linton Kwesi Johnson, Eusi Kwayana, George Lamming, Ian McDonald, Mark McWatt, Mervyn Morris, Grace Nichols, Ken Ramchand, Gordon Rohlehr, Rupert Roopnaraine, Andew Salkey and many others."All Are Involved is a difficult book to review. Its contents are so packed, so vital, the statements so well made that paraphrasing them becomes an act of egregious violence. Here is Martin Carter, that "gifted, paradoxical man" (p.45), that "friendly, dreamful, dangerous man" (p.370), analysed, extolled, lavished with the recognition which eluded him in life because of the politics of his poetry, and the poignant truth and moral force of that politics. This book demonstrates how wrong we were to have neglected Carter's voice, how diminished. All Are Involved is a treasure so empowering, a tribute we pay through Martin Carter to all that is human in us. It is a most enduring legacy."Niyi Osundare, World Literature TodayStewart Brown is the editor of several major anthologies as well as critical studies of Derek Walcott, Kamau Brathwaite and Martin Carter.

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Stewart Brown has been described as "one of the most exciting and original poets currently writing" and praised by Fred D'Aguiar for the "peculiar chameleon-like power of his imagination to belong anywhere and to any experience without becoming compromised". The poems in this collection encompass Africa, the Caribbean, Wales and England; and range from the sweep of imperial history and its painful aftermath, to the intimacies of domestic life. He writes of Africa and the Caribbean with a rare combination of sympathy, honesty and inwardness, while never pretending to be other than an Englishman abroad. He writes affectionately but without sentiment of 'ordinary' English life from the perspective of one who has been elsewhere, in ways which allow us to see it afresh.But if these poems have a passionate concern with love, politics, history and the natural world, they are no less concerned with the shaping power of art, both as a subject and in the poems' own formation.Elsewhere brings together, frequently in much revised form, the best work from his earlier much praised collections (Mekin Foolishness, Zinder and Lugard's Bridge) with many new poems. The long sequence 'Elsewhere', which brings Brown's painterly eye and witty humanity to the experience of living in the Caribbean, and 'Elmina', a moving and imaginative meditation on an Englishman's sense of complicity in the history of the slave trade, will further enhance his reputation.Stewart Brown is the editor of several major anthologies as well as critical studies of Derek Walcott, Kamau Brathwaite and Martin Carter.

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This isn't a conventional book of academic essays, though these pieces on Caribbean, African, British and American poets are always scholarly and intellectually rigorous. They are particularly rewarding as the work of a practicing poet writing about those of his peers whose work he admires. There are essays on major Caribbean figures, on Walcott, Brathwaite and Martin Carter, and on the major African poets Niyi Osundare, Jack Mapanje and Femi Oyebode, but there are also pieces on less well-known poets such as Frank Collymore, Ian McDonald and James Berry that, without any agenda, bring to view work that ought to be taken far more seriously. As the editor of major anthologies of Caribbean poetry, Stewart Brown is more than usually aware of the new directions that Caribbean poetry has taken, and pieces on Olive Senior, Linton Kwesi Johnson and Kwame Dawes indicate some of these.How other societies are perceived has long been a preoccupation of Stewart Brown's own poetry and critical writing, and essays on the work of poets who have travelled frame this collection. Here he explores his own and other writers' work to make distinctions between the discourses of tourist, traveller and troublemaker.One subtext of the collection is a mistrust of the academic industry of postcolonial criticism. Here it is always the poem that matters (although the essays are alert to social, political and cultural contexts) and the emphasis is on close and sensitive reading rather than theory. A good many of these essays began as papers for oral delivery. One of their great pleasures is that they retain a flavour of the speaking voice: enthusiastic, generous and respectful of the presence of listeners, and now readers.Stewart Brown is the editor of several major anthologies as well as critical studies of Derek Walcott, Kamau Brathwaite and Martin Carter.

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The Caribbean is the source of one of the richest, most accessible, and yet technically adventurous traditions of contemporary world literature. This collection of Caribbean short stories is pan-Caribbean, including stories from the four main languages of the region: English, Spanish, French, and Dutch. Stories by major figures in the English language tradition such as V. S. Naipaul, Sam Sevlon, and Jean Rhys are set alongside their Spanish- and French-speaking contemporaries like Alejo Carpentier, Jan Bosh, and Gabriel Garcia Marquez. Their work, in all its diversity of style, theme, and linguistic energy, provides a context for the work of an exciting new generation of Caribbean writers like Edwidge Danticat, Robert Antoni, Astrid Roemer, and Jamaica Kincaid. A celebration of regional creativity, the collection contains sufficient surprises to keep even the most avid student of West Indian writing turning the pages, while reminding readers that the Caribbean is a multilingual, multicultural space.

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