Search results for ""Author Stephen K. White""

This study is unique in its analysis of the aesthetic dimensions of Burke′s writings and for the understanding of his thought that an exposition of an aesthetic language provides. This interpretation of Burke begins with particular attention to the circumstances in which he lived and wrote. The outline of Burke′s life forms the basis for the more specific insights developed in the following chapters. White asks:`If we identify Burke′s wisdom with his critique of revolutionary radicalism and nationalism, then do we not have to admit that his significance as a political thinker recedes in the late 20th century as the threat [of revolution] itself recedes?′ White seeks to broaden Burke′s significance and discover ways in which he might still speak directly to us after the collapse of communism in the Soviet Union and Eastern Europe.

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Edmund Burke: Modernity, Politics, and Aesthetics examines the philosophy of Burke in view of its contribution to our understanding of modernity. Burke's relevance, until recently, has lain in how his critique of the French Revolution bolstered arguments against revolutionary communism. As that threat recedes, should we allow Burke's significance to recede as well? Stephen K. White argues that Burke remains important because he shows us how modernity engenders an implicit forgetfulness of human finitude. White illustrates this theme by showing how Burke's political thought, his judgment of the "modern system of morality and policy," and its taste for a "false sublime" are structured by his aesthetics. In the late 20th century, an undemocratic thinker such as Burke may not have answers to our problems, but we might do well to let him deepen the questions that we ask.

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In light of many recent critiques of Western modernity and its conceptual foundations, the problem of adequately justifying our most basic moral and political values looms large. Without recourse to traditional ontological or metaphysical foundations, how can one affirm--or sustain--a commitment to fundamentals? The answer, according to Stephen White, lies in a turn to "weak" ontology, an approach that allows for ultimate commitments but at the same time acknowledges their historical, contestable character. This turn, White suggests, is already underway. His book traces its emergence in a variety of quarters in political thought today and offers a clear and compelling account of what this might mean for our late modern self-understanding. As he elaborates the idea of weak ontology and the broad criteria behind it, White shows how these are already at work in the thought of contemporary writers of seemingly very different perspectives: George Kateb, Judith Butler, Charles Taylor, and William Connolly. Among these thinkers, often thought to be at odds, he exposes the commonalities that emerge around the idea of weak ontology. In its identification of a critical turn in political theory, and its nuanced explanation of that turn, his book both demonstrates and underscores the strengths of weak ontology.

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Edmund Burke: Modernity, Politics, and Aesthetics examines the philosophy of Burke in view of its contribution to our understanding of modernity. Burke's relevance, until recently, has lain in how his critique of the French Revolution bolstered arguments against revolutionary communism. As that threat recedes, should we allow Burke's significance to recede as well? Stephen K. White argues that Burke remains important because he shows us how modernity engenders an implicit forgetfulness of human finitude. White illustrates this theme by showing how Burke's political thought, his judgment of the 'modern system of morality and policy,' and its taste for a 'false sublime' are structured by his aesthetics. In the late 20th century, an undemocratic thinker such as Burke may not have answers to our problems, but we might do well to let him deepen the questions that we ask.

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The democratic imagination is facing significant challenges. These challenges involve not only philosophical questions about the core values of democratic life, but also pressing practical issues related to how we should understand and confront current threats to democracy. Those who want to defend democracy against anti-democratic forces are at odds: some want a politics that puts vehement conflict at the center of democratic strategies, while others assert the necessity of more civil and deliberative strategies. What should our stance be as defenders of democratic life? In The Two Faces of Democracy, Mary F. (Molly) Scudder and Stephen K. White present an analysis of these two stances, the deliberative and agonistic models of democracy, arguing that neither is adequate on its own. The deliberative model emphasizes reasoned discussion, but some worry that this discounts structures of injustice that distort civil deliberation. The agonistic model prioritizes contestation and conflict, but this prime orientation to defeating political antagonists risks corroding our commitment to normative democratic restraints, like fairness. In developing an understanding of the moral core of democracy, Scudder and White show that these two faces of democratic life each have a significant, but constrained, role to play in a more capacious comprehension of what our democratic commitments require of us. An original and timely contribution to democratic theory, Scudder and White illuminate the tensional congruence of these two faces of democracy, and, in doing so, argue for the importance of both models in the current struggle for a healthy democratic future.

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