Search results for ""Author Stephen Hoban""
Yale University Press François Morellet
This in-depth exploration of celebrated French artist François Morellet (1926–2016) showcases his diverse oeuvre, famous for infusing systematic and rigorous experimentation with humor and playfulness. Morellet’s interest in kinetic and optical effects spurred work that engages viewers’ perception and participation, ensuring an element of chance within his predetermined systems and challenging the convention of the artistic genius. This book features new scholarship by an international group of renowned art historians and curators. Essays explore topics such as the conceptual stakes of Morellet’s practice, the influence of Brazilian geometric abstraction and the Islamic decorative tradition, and the role of humor in his work. Also included is an extensive selection of previously untranslated writings by the artist himself. With striking new photography of the artworks—such as Morellet’s geometric paintings, neon works, and architectural interventions—this is the definitive book on a fascinating, multifaceted artist.Distributed for the Dia Art Foundation
£45.00
Yale University Press Robert Ryman
A comprehensive study highlighting the interplay of context and meaning in Robert Ryman’s work This remarkable volume, featuring new photography and original essays by a formidable array of scholars and curators, is the most expansive and thorough investigation of the work of American painter Robert Ryman in over two decades. Arguing that the relationships between his paintings are key to understanding his diverse output, the book offers more faithful reproductions and subtler details of the paintings than have previously been available, and attends closely to the artist’s own strategies of display. Ryman’s paintings are readily identified by their predominantly achromatic surfaces, but his exploration of the values and effects of white was never limited to paint. His experimentations with canvas, board, paper, aluminum, fiberglass, and Plexiglas have evolved into a material vocabulary as revolutionary as his use of white. The texts featured here reflect on the importance of Ryman’s practice to contemporary art: Robert Storr, curator of Ryman’s 1993 retrospective, places the painter in historical context while Courtney J. Martin, curator of his 2015–16 exhibition at Dia Chelsea, looks at Ryman’s three-dimensional works. Drawings scholar Allegra Pesenti investigates his drawing practice; music historian John Szwed traces the influence of jazz in Ryman’s early works; and artist Charles Gaines asks what, in a Ryman, is real.Published in association with Dia Art Foundation
£47.50
Dia Art Foundation,U.S. Artists on Bruce Nauman
In the late 1960s, while still a recent graduate with scant means, artist Bruce Nauman (born 1941) explored a trio of interwoven subjects: the studio, the daily practice of making art and the role of the artist. He outlined the latter, for example, in a memorable neon sign, alongside more commercial counterparts affixed to the exterior of his building. The work’s cool spiral letters traced the claim, at once ironic and heartfelt: “The true artist helps the world by revealing mystic truths.” Questioning the role of the spectator and channeling Nauman’s inquisitive attitude, this book features contributions by Judith Barry, William Kentridge, David Levine, Gedi Sibony, Gary Simmons, Charline von Heyl and Mark Wallinger.
£13.99
