Search results for ""Author Stephen Chan""

The world is troubled and full of misunderstandings. It seems a new world order of fundamentalist violence and meaningless atrocity is upon us, whilst civilised instruments for cooperation and compromise are becoming increasingly ineffective. In this timely book, Stephen Chan explores the historical and philosophical roots of difference and discord in the international system. He begins with the introduction of the Westphalian system, showing how, throughout the 20th century, new states - from the Middle East, Asia and Africa - entered that system with reservations, preconditions, and great efforts to introduce new forms of concerts and congresses but without seriously challenging the international status-quo. By contrast, the 21st century has brought turmoil and change in the form of militant Islam - be it the Taleban, Al Qaeda, or ISIS - whose varied roots and fluid emergence have so far prevented the West from being able to understand and combat it. Developing Kissinger's suspicion of Saudi Arabia as an Islamic state in Westphalian dress, Chan argues that what is at stake today is not the development of a new Caliphate or an old radicalism - but the effort to supplant and replace the Westphalian system itself. This is the complex and challenging reality to which a truly modern and persuasively relevant plural international relations must now adapt. Whether it can do so remains to be seen.

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African liberation is often seen in terms of heroism, but seldom in terms of thought. Even Sartre, in his preface to Frantz Fanon’s seminal The Wretched of the Earth, wrote of the ‘native’ with his coiled muscles about to explode into rebellion. The African and the black person are denied the condition of philosophy, apparently driven only by frustration and anger. Stephen Chan’s new book charts the long history of African political thought, from the years of North American slavery, through the development of modern African nationalism and the difficulties of governing new states, to Africa’s political philosophy today, taking on the world as an equal. He dwells at length on major figures from Marcus Garvey and Kwame Nkrumah’s postcolonial generation to Biko, Mandela and Ellen Johnson Sirleaf. He shows their leadership to be inseparable from their ideas, and from those of literary giants including Fanon, W.E.B. Du Bois and Ngũgĩ wa Thiong’o. This is no hagiography: Chan critically examines his thinkers, who also include Mugabe and Mobutu, and expresses concern for the future of Pan-Africanism. But his fascinating account reveals a thoughtful continent that has made complex, significant contributions to the world’s intellectual commons–yet continues to seek freedom.

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With the seeming defeat of ISIS, has jihadism disappeared from world politics? In this startling new book, Stephen Chan uncovers the ideological foundations that allow ISIS and other jihadi groups to survive, as they propagate terror by sophisticated means online and continue thrusting their spear at the West. Far from presenting simple-minded, black-clad fighters, Chan describes an elaborate process of online recruitment, which is, in its own terrible way, meaningful and thoughtful. He examines the foundations of this thought and the step-by-step methods of jihadi indoctrination, exposing the lack of IT knowledge among Western world leaders and urging the 'moderate' Islamic community in the West to challenge jihadi ideology with a courageous, non-violent ideology of its own. Without a counter-ideology, Chan argues, alienated Muslim youth are drawn not only to glamorised dreams of violence, but also to the pull of a totalising system of politics and theology. Spear to the West picks apart the fallacy of 'thoughtless' jihadi carnage, arguing that—dangerous and gruesome as it might be—there is more thought behind this phenomenon of destruction than meets the eye.

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The world is troubled and full of misunderstandings. It seems a new world order of fundamentalist violence and meaningless atrocity is upon us, whilst civilised instruments for cooperation and compromise are becoming increasingly ineffective. In this timely book, Stephen Chan explores the historical and philosophical roots of difference and discord in the international system. He begins with the introduction of the Westphalian system, showing how, throughout the 20th century, new states - from the Middle East, Asia and Africa - entered that system with reservations, preconditions, and great efforts to introduce new forms of concerts and congresses but without seriously challenging the international status-quo. By contrast, the 21st century has brought turmoil and change in the form of militant Islam - be it the Taleban, Al Qaeda, or ISIS - whose varied roots and fluid emergence have so far prevented the West from being able to understand and combat it. Developing Kissinger's suspicion of Saudi Arabia as an Islamic state in Westphalian dress, Chan argues that what is at stake today is not the development of a new Caliphate or an old radicalism - but the effort to supplant and replace the Westphalian system itself. This is the complex and challenging reality to which a truly modern and persuasively relevant plural international relations must now adapt. Whether it can do so remains to be seen.

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Since the 1960s, Hong Kong cinema has helped to shape one of the world’s most popular cultural genres: action cinema. Hong Kong action films have proved popular over the decades with audiences worldwide, and they have seized the imaginations of filmmakers working in many different cultural traditions and styles. How do we account for this appeal, which changes as it crosses national borders?Hong Kong Connections brings leading film scholars together to explore the circulation of Hong Kong cinema in Japan, Korea, India, Australia, France, and the United States, as well as its links with Taiwan, Singapore, and the Chinese mainland. In the process, this collection examines diverse cultural contexts for action cinema’s popularity and the problems involved in the transnational study of globally popular forms, suggesting that in order to grasp the history of Hong Kong action cinema’s influence we need to bring out the differences as well as the links that constitute popularity.Contributors. Nicole Brenez, Stephen Chan Ching-kiu, Dai Jinhua, David Desser, Laleen Jayamanne, Kim Soyoung, Siu Leung Li, Adrian Martin, S. V. Srinivas, Stephen Teo, Valentina Vitali, Paul Willemen, Rob Wilson, Wong Kin-yuen, Kinnia Yau Shuk-ting, Yung Sai-shing

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Since the 1960s, Hong Kong cinema has helped to shape one of the world’s most popular cultural genres: action cinema. Hong Kong action films have proved popular over the decades with audiences worldwide, and they have seized the imaginations of filmmakers working in many different cultural traditions and styles. How do we account for this appeal, which changes as it crosses national borders?Hong Kong Connections brings leading film scholars together to explore the circulation of Hong Kong cinema in Japan, Korea, India, Australia, France, and the United States, as well as its links with Taiwan, Singapore, and the Chinese mainland. In the process, this collection examines diverse cultural contexts for action cinema’s popularity and the problems involved in the transnational study of globally popular forms, suggesting that in order to grasp the history of Hong Kong action cinema’s influence we need to bring out the differences as well as the links that constitute popularity.Contributors. Nicole Brenez, Stephen Chan Ching-kiu, Dai Jinhua, David Desser, Laleen Jayamanne, Kim Soyoung, Siu Leung Li, Adrian Martin, S. V. Srinivas, Stephen Teo, Valentina Vitali, Paul Willemen, Rob Wilson, Wong Kin-yuen, Kinnia Yau Shuk-ting, Yung Sai-shing

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