Search results for ""Author Stephen Barker""

The Flying Sikh tells the unique story of the only Sikh airman to fly with the RFC and the RAF during the First World War. It is the remarkable account of one man's struggle to enlist, against discrimination, and then his service as a fighter pilot over the battlefields of Flanders. This book represents the only detailed study of an Indian national enlisting in Britain's armed forces during the First World War. It is an account of India's role in the war; the rise of Indian nationalism and the challenges of Indians to take up the status of a commissioned officer in His Majesty's Armed Forces. Malik started his new life in Britain as a fourteen-year-old public school boy, who progressed to Balliol College, Oxford, before attempting to join the Royal Flying Corps after graduation with friends from university, but was denied a commission. Keen to participate in the war, he served with the French Red Cross in 1916 as an ambulance driver and then offered his services to the French air force. Ultimately, one of his Oxford tutors wrote on Malik's behalf to General David Henderson, the former head of the RFC, and secured Malik a cadetship Above all though, it is the story of a man who was a county cricketer who played for Sussex and Oxford University, an outstanding golfer and fighter pilot who fought over Passchendaele in the autumn of 1917. Being a devout Sikh, he wore a specially designed flying helmet that fitted over his turban. Malik claimed two kills until he was shot down, crashing unconscious to the ground behind Allied lines. His Sopwith Camel was riddled with over 400 bullet holes. Malik was only one of a small number of Indian nationals who served with the RAF during the war. In later life, Malik became the first Indian High Commissioner to Canada, and then served as the Indian Ambassador to France.

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@import url(http://ecat.gesm.net/CuteSoft_Client/CuteEditor/Load.ashx?type=style&file=SyntaxHighlighter.css);Un libro de cartón sobre la familia, con troqueles, un espejo e ilustraciones de alto contraste. Ideal para estimular el desarrollo cognitivo y motriz de bebés a partir de 6 meses.

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Disorientation is the first publication in English of the second volume of Technics and Time, in which French philosopher Bernard Stiegler engages in a close dialogue with Husserl, Derrida, and other philosophers who have devoted their energies to technics, such as Heidegger and Simondon.The author's broad intent is to respond to Western philosophy's historical exclusion of technics and techniques from its metaphysical questionings, and in so doing to rescue critical and philosophical thinking. For many years, Stiegler has explored the origins and philosophical, ethical, and political stakes of a global process he calls "the industrial temporalization of consciousness." Here, demonstrating that technology—including alphabetical writing—is memory, he argues that through new technologies of retention and inscription we have come to live in a world where time devours space, a disoriented world in which we have lost our bearings. Immersed in the multimedia of an over-connected world, with time and space as we know them abolished, we no longer find "cardinal points" to guide us and may even be led where we do not wish to go. We must therefore prepare to confront new spheres of ideological control and discover new possibilities in the digital environment.

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In exploring the nature of excess relative to a phenomenology of the limit, Testing the Limit claims that phenomenology itself is an exploration of excess. What does it mean that "the self" is "given"? Should we see it as originary; or rather, in what way is the self engendered from textual practices that transgress—or hover around and therefore within—the threshold of phenomenologial discourse? This is the first book to include Michel Henry in a triangulation with Derrida and Levinas and the first to critique Levinas on the basis of his interpolation of philosophy and religion. Sebbah claims that the textual origins of phenomenology determine, in their temporal rhythms, the nature of the subjectivation on which they focus. He situates these considerations within the broader picture of the state of contemporary French phenomenology (chiefly the legacy of Merleau-Ponty), in order to show that these three thinkers share a certain "family resemblance," the identification of which reveals something about the traces of other phenomenological families. It is by testing the limit within the context of traditional phenomenological concerns about the appearance of subjectivity and ipseity that Derrida, Henry, and Levinas radically reconsider phenomenology and that French phenomenology assumes its present form.

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In the first two volumes of Technics and Time, Bernard Stiegler worked carefully through Heidegger's and Husserl's relationship to technics and technology. Here, in volume three, he turns his attention to the prolematic relationship to technics he finds in Kant's Critique of Pure Reason, particularly in the two versions of the Transcendental Deduction. Stiegler relates this problematic to the "cinematic nature" of time, which precedes cinema itself but reaches an apotheosis in it as the exteriorization process of schema, through tertiary retentions and their mechanisms. The book focuses on the relationship between these themes and the "culture industry"— as defined by Adorno and Horkheimer—that has supplanted the educational institutions on which genuine cultural participation depends. This displacement, Stiegler says, has produced a malaise from which current global culture suffers. The result is potentially catastrophic.

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When the Great War began in 1914, it demanded the mobilisation of the entire population and the recruitment of a citizen army. The 8th (Service) Battalion, East Lancashire Regiment was in many ways a unit typical of the British Expeditionary Force. Yet, in recent years, military historians have tended to concentrate on recording the stories of the major Pals units raised by corporations and towns, meaning many of the unknown, but no less important battalions of the New Armies have been largely ignored. Stephen Barker and Christopher Boardman have constructed a very readable and fascinating account of this little-known battalion, have trawled local and national sources, examining personal letters, newspaper obituaries and a varied selection of photographs, many of which have never before been published.The soldiers' every-day lives are described and the actions in which they fought are forensically examined, making a contribution to the current debate about the extent to which the British Army was on a 'learning curve' during 1916-18. The story leads the reader from the initial euphoria of recruitment into Kitchener's Army, through the initiation into trench warfare, to the battles of the Somme, Arras and Passchendaele. It is an account of fortitude, endeavour and duty.

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Disorientation is the first publication in English of the second volume of Technics and Time, in which French philosopher Bernard Stiegler engages in a close dialogue with Husserl, Derrida, and other philosophers who have devoted their energies to technics, such as Heidegger and Simondon.The author's broad intent is to respond to Western philosophy's historical exclusion of technics and techniques from its metaphysical questionings, and in so doing to rescue critical and philosophical thinking. For many years, Stiegler has explored the origins and philosophical, ethical, and political stakes of a global process he calls "the industrial temporalization of consciousness." Here, demonstrating that technology—including alphabetical writing—is memory, he argues that through new technologies of retention and inscription we have come to live in a world where time devours space, a disoriented world in which we have lost our bearings. Immersed in the multimedia of an over-connected world, with time and space as we know them abolished, we no longer find "cardinal points" to guide us and may even be led where we do not wish to go. We must therefore prepare to confront new spheres of ideological control and discover new possibilities in the digital environment.

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In exploring the nature of excess relative to a phenomenology of the limit, Testing the Limit claims that phenomenology itself is an exploration of excess. What does it mean that "the self" is "given"? Should we see it as originary; or rather, in what way is the self engendered from textual practices that transgress—or hover around and therefore within—the threshold of phenomenologial discourse? This is the first book to include Michel Henry in a triangulation with Derrida and Levinas and the first to critique Levinas on the basis of his interpolation of philosophy and religion. Sebbah claims that the textual origins of phenomenology determine, in their temporal rhythms, the nature of the subjectivation on which they focus. He situates these considerations within the broader picture of the state of contemporary French phenomenology (chiefly the legacy of Merleau-Ponty), in order to show that these three thinkers share a certain "family resemblance," the identification of which reveals something about the traces of other phenomenological families. It is by testing the limit within the context of traditional phenomenological concerns about the appearance of subjectivity and ipseity that Derrida, Henry, and Levinas radically reconsider phenomenology and that French phenomenology assumes its present form.

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