Search results for ""Author Stephen Bann""

John Carter, the important post-war abstract sculptor, presents his works on paper. Reveals the beauty of his mathematically rigorous explorations. John Carter RA has made some of the most beautiful and lucid artworks of the last fifty years. The apparent simplicity and directness of his abstract reliefs belie an ambiguity that extends even to their definition, as Carter seeks subtly to reimagine the relationship between sculpture and painting. Carter is best known for his 'wall objects', shallow sculptures based on abstract mathematical formulae. He begins each work with notebook sketches, moving on to larger, measured drawings. It is these drawings - taken from throughout Carter's career - that this book presents. Each drawing is a fascinating model of colour abstraction, with commentary by the artist. Carter's drawings reveal the originality of his mind and the love of exactitude and clarity that drives his practice. His singular contribution to the post-war flowering of British abstraction can clearly be seen here.

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Ian Hamilton Finlay (1925-2006) was one of Scotland's leading twentieth century public intellectuals, and famously one of its most brilliant and combative correspondents. His letters raise issues of particular and widespread interest both within Scotland and further afield. His correspondence with Stephen Bann, the English poet and academic have a very special place in this context. These letters present in a clear and commensurable form the development of his ideas about poetry and art, and increasingly about sculpture and gardening, over this critical five year period of his creative life.

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This multifaceted book reviews the vast range of types of printmaking that flourished in France during the 19th century. Studies of this period’s printmaking tend to be confined to histories of individual processes, such as lithography or steel engraving. This study surveys the field as a whole and discusses the relationships between the various media in the context of an overall “visual economy.”Lithography, etching, and engraving are all examined through new research on noteworthy artists of the period, including Hyacinthe Aubry-Lecomte, Léopold Flameng, Ferdinand Gaillard, Aimé de Lemud, Nadar, and Charles Waltner. Rather than simply tracing the rise of Modernism in the 19th century, Distinguished Images reconstitutes the period’s cultural milieu through a series of case studies written with an eye to overarching forces at play. The result is the most original analysis of printmaking to appear in many years—a striking new account of a system in which printmaking, printmakers, and art critics played heretofore unrecognized or misunderstood roles.

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These letters to (and from) Finlay's friend, the English poet and scholar, Stephen Bann, centre on the initial development of the garden at Stonypath, near Edinburgh, later to become the world renowned 'Little Sparta'. They cover Finlay's turn away from poetry towards sculpture and garden design, and the thinking behind, and consequences of, this development. This book, edited, introduced and annotated by Bann himself as was Midway, its companion volume of letters, completes the portrait of the man who is now recognized not only as a great poet, but also as a major artist and one of the most original garden designers of modern times."...Bann's superb two volume set of Finlay's correspondence...These handsomely printed volumes, amply footnoted, with biographical and historical commentary leading readers up and down the stony path, are an extended conversation with one of twentieth-century Britain's most unexpected artists." -Times Literary Supplement Read the full review here

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