Search results for ""Author Stephan Berg""

Optical illusions that reveal a hidden reality “Like a visitor from outer space, I try to take a look at the human habitat from the outside - curious, but also with horror.” Exploring the possibilities of the photographic medium to the limits, Andreas Gefeller explores the liminal space where reality takes on the quality of a phantasmic phenomenon. From early documentary series to unusual perspectives and digital multi-image collages, this publication brings together previously unpublished photographs, key images from Gefeller’s well-known series as well as his recent work. The retrospective reveals how the artist uses techniques ranging from extreme long- and overexposures to high-speed flashes to challenge our visual perception. Examining the human influence on nature, he creates images of an almost sublime abstract-painterly quality and then breaks the enchantment to reveal the hidden reality of the seemingly familiar.

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What is the mutual relationship between TV and art? The publication introduces artistic strategies used to explore TV and its specific contents and narrative forms in video, film, painting, sculpture and performance, ranging from the sculptural object of the TV box to the manipulation of the TV image and the use of its structure of lines and pixels in works of art. Television, which is among the most important inventions of the twentieth century, has developed a unique aesthetic and new communication structures worldwide. The early 1960s, the beginning of the development of TV as the first visual mass medium, were also the beginning of an artistic exploration of TV. From artists known for their work in this field such as Nam June Paik and Vostell to current works by younger generations of artists such as Thomas Demand, Tobias Rehberger, Ulrich Polster and Melanie Gilligan, this publication focuses on the analysis, paraphrasing and parody of TV formats and their pictorial nature, amongst other things.

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Gerhard Richter (*1932) is an exceptional personality – not because his pictures are world famous, but because he has demonstrated a new approach to painting. His art masterfully moves between abstraction and representation, sensuousness and denial – ambiv alent attitudes which he demonstrated even in his early work. Gerhard Richter’s oeuvre overcomes the division between abstract and representational art. His pictures neither cultivate a modest interplay of colours and forms nor do they deliver an intact p icture of reality. Richter is a sceptical artist who questions the reality of his art even when the prime subject of his paintings is the tangible. This applies in particular to his door, curtain and window pictures of the 1960s, which form the central foc us of this volume. They stage a playful examination of the illusory nature of art, which always questions what painting shows or conceals. This lavishly appointed volume is published to mark the artist’s 85th birthday.

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Arno Beck’s prints and conceptual paintings evolve around digital aesthetics and focus on analog production of digital images. Engaging with the language of digital culture the motifs are based on low resolution computer graphics, games and interfaces. His first monograph documents this fascinating interplay between the contemporary digital screen world and traditional techniques.

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The immediate physical presence of color is central to Katharina Grosse’s creative endeavor. Through an open-ended creative process in which painting takes on the form of a performance, color embodies movement, making its emotional potential tangible. These issues are not only driving her dramatically large in situ works painted across various surfaces in public places. They also inform her studio paintings, which have played an equally central role in her practice from the start. This book is the first study focusing on Grosse’s studio practice from the late 1980s to the present. Five essays and an insightful interview with the artist explore how Grosse expands the concept of painting - not just in open space, but also on canvas - through creating an ephemeral character and removing the limitations of its traditional frame.

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