Search results for ""Author Stanislaw Lem""

'A giant of twentieth-century science fiction' Guardian'This Room Guaranteed BOMB-FREE. From the Management'Hapless cosmonaut Ijon Tichy has been sent back to earth to attend the Eighth Futurological Congress in smog-bound, overpopulated Costa Rica, holed up with an assortment of scientists in a luxury hotel (fully equipped with tear gas sprinklers in case things get out of hand). But when an unfortunate incident occurs involving a revolution and hallucinogenic drugs in the water supply, Tichy finds himself shot, frozen and thawed out in a future beyond anything he could ever have imagined.

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'There were two kinds of landscape characteristic of the inner planets of the Sun: the purposeful and the desolate.'The planet Quinta is pocked with ugly mounds and covered by a spiderweb-like network draped from spindly poles. It is a kingdom of phantoms and of a beauty afflicted by madness. The Earth spaceship Hermes arrives on Quinta with the best of intentions towards the humans' 'brothers in intelligence'. But something on the planet has gone terribly wrong...

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A charming, mind-bending and anarchic book of imagined civilizations'Most cosmic civilizations long for things, in the depths of their souls, they would never openly admit to...'Trurl and Klapaucius are 'constructors' - they travel around the universe creating machines of astonishing inventiveness and power and visiting a bewildering variety of violent, peculiar and morose civilizations. The Cyberiad is oddly reminiscent of Gulliver's Travels, The Hitchhiker's Guide to the Galaxy, The Phantom Tollbooth and Alice in Wonderland. Charming, mind-bending and anarchic, it is perhaps Lem's greatest work. This edition includes all of Daniel Mroz's hallucinatory original illustrations.

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'A giant of twentieth-century science fiction' GuardianOne of the world's most beloved science fiction writers, Stanislaw Lem was famed for his wryly comic, outlandish imaginings of the relationship between humans and technology. In this playful cosmic fantasia, two 'constructors' compete to dream up ever-more ingenious inventions in a universe beyond reality.'A Jorge Luis Borges for the Space Age, who plays with every concept of philosophy and physics' The New York Times

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A Jorge Luis Borges for the Space Age - The New York TimesStanislaw Lem's set of short stories, written over a period of twenty years, all feature the adventures of space traveller Ijon Tichy and recount him spinning in time-warps, spying on robots, encountering bizarre civilizations and creatures in space and being hopelessly lost in a forest of supernovae. This is a philosophical satire on technology, theology, intelligence and human nature from one of the greatest of science fiction writers

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When Kris Kelvin arrives at the planet Solaris to study the ocean that covers its surface he is forced to confront a painful, hitherto unconscious memory embodied in the physical likeness of a long-dead lover. Others suffer from the same affliction and speculation rises among scientists that the Solaris ocean may be a massive brain that creates incarnate memories, but its purpose in doing so remains a mystery . . .Solaris raises a question that has been at the heart of human experience and literature for centuries: can we truly understand the universe around us without first understanding what lies within?

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'A virtuoso storyteller ... a Jorge Luis Borges for the Space Age' The New York Times'He was a robot-hypochondriac. On his squeaking cart he carried a complete set of spare parts.'A freighter pilot leads a manhunt across the Moon for a robot gone berserk; a shapeshifting assassin falls in love with the man she's programmed to kill; a paranoid King converts his kingdom into his artificial mind, but his dreams rebel. These stories range from surreal fables that satirically turn the fairy tale on its head, to longer works including the man vs. robot thriller, 'The Hunt', and possibly fiction's strangest love story, 'The Mask'. InMortal Engines Stanislaw Lem lays bare humanity's clash with machines, masterfully exploring science fiction's furthest frontiers.

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The Polish writer Stanislaw Lem is best known to English-speaking readers as the author of the 1961 science fiction novel Solaris, adapted into a meditative film by Andrei Tarkovsky in 1972 and remade in 2002 by Steven Soderbergh. Throughout his writings, comprising dozens of science fiction novels and short stories, Lem offered deeply philosophical and bitingly satirical reflections on the limitations of both science and humanity. In Summa Technologiae—his major work of nonfiction, first published in 1964 and now available in English for the first time—Lem produced an engaging and caustically logical philosophical treatise about human and nonhuman life in its past, present, and future forms. After five decades Summa Technologiae has lost none of its intellectual or critical significance. Indeed, many of Lem’s conjectures about future technologies have now come true: from artificial intelligence, bionics, and nanotechnology to the dangers of information overload, the concept underlying Internet search engines, and the idea of virtual reality. More important for its continued relevance, however, is Lem’s rigorous investigation into the parallel development of biological and technical evolution and his conclusion that technology will outlive humanity. Preceding Richard Dawkins’s understanding of evolution as a blind watchmaker by more than two decades, Lem posits evolution as opportunistic, shortsighted, extravagant, and illogical. Strikingly original and still timely, Summa Technologiae resonates with a wide range of contemporary debates about information and new media, the life sciences, and the emerging relationship between technology and humanity.

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