Search results for ""Author Siri Hustvedt""

Sigmund Freud himself was certainly aware of the significance of psychoanalysis when he founded it: he saw it on the same level as the Copernican revolution and Darwin’s theory of evolution. The theory of the subconscious, which today has the status of an anthropological paradigm, originated at Berggasse 19 in Vienna. Today, in the building where Freud lived and had his practice, there is a museum dedicated to him. This catalogue, devoted to the fascinating, pioneering history of psychoanalysis and its impact, is appearing in conjunction with the museum’s renovation. The book sheds light on Freud’s life and work and is amply supplemented with a presentation of the museum’s art collection. The insightful essays on psychoanalysis, along with the Freud Museum’s art collection (initiated by Joseph Kosuth) activate Freud’s legacy, allowing the imaginary and the imagination to meet in unique ways. An introduction by the multi-award-winning author Siri Hustvedt begins the book.

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After their father's funeral, Erik and Inga Davidsen find a cryptic letter from a woman among his papers, dating from his adolescence in rural Minnesota during the Depression. Returning to his psychiatric practice in New York, Erik sets about reading his father's memoir, hoping to discover the man he never fully knew.

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'A great mind that is constantly exploring, searching, "becoming" . . . an impressive collection' Elif Shafak, Observer'A phenomenal book' Claire Kohda Hazelton, Guardian'We are fortunate to have Hustvedt voicing doubt so intelligently' Lara Feigel, Financial TimesA TRAIL-BLAZING AND INSPIRING COLLECTION OF ESSAYS ON ART, FEMINISM, NEUROSCIENCE AND PSYCHOLOGY FEATURING THE DELUSIONS OF CERTAINTY, WINNER OF THE EUROPEAN ESSAY PRIZE 2019.Internationally acclaimed as a novelist, Siri Hustvedt is also highly regarded as a writer of non-fiction whose insights are drawn from her broad knowledge in the arts, humanities, and sciences. In this trilogy of works collected in a single volume, Hustvedt brings a feminist, interdisciplinary perspective to a range of subjects. Louise Bourgeois, Pablo Picasso, Susan Sontag and Knut Ove Knausgaard are among those who come under her scrutiny. In the book's central essay, she explores the intractable mind-body problem and in the third section she reflects on the mysteries of hysteria, synesthesia, memory, perception, and the philosophy of Søren Kierkegaard. With clarity, wit, and passion, she exposes gender bias, upends received ideas, and challenges her reader to think again.PRAISE FOR SIRI HUSTVEDT:'Hustvedt is that rare artist, a writer of high intelligence, profound sensuality and a less easily definable capacity for which the only word I can find is wisdom' Salman Rushdie'It is Hustvedt's gift to write with exemplary clarity of what is by necessity unclear' Hilary Mantel'Her novels have received a deserved acclaim. But to my mind, she is even more to be admired as an essayist . . . in this regard I feel that she resembles Virginia Woolf ' Observer'Few contemporary writers are as satisfying and stimulating to read as Siri Hustvedt' Washington Post

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FROM THE INTERNATIONALLY BESTSELLING AUTHOR OF WHAT I LOVED'An astoundingly joyful read . . . a book that shines with intellectual curiosity and emotional integrity' Guardian'By turns funny, moving and erudite, playfully reminding us of a contemporary Jane Austen' Daily MailAfter Mia Fredricksen's husband of thirty years asks for a pause - so he can indulge his infatuation with a young French colleague - she cracks up (briefly), rages (deeply), then decamps to her prairie childhood home.There, gradually, she is drawn into the lives of those around her: her mother's circle of feisty widows; the young woman next door; and the diabolical teenage girls in her poetry class. By the end of the summer without men, Mia knows what's worth fighting for - and on whose terms. Provocative, mordant, and fiercely intelligent, this is a gloriously vivacious tragi-comedy about women and girls, love and marriage, and the age-old war between the sexes.A rich and intelligent meditation on female identity, written in beguiling lyrical prose . . . heady and intoxicating' Sunday TimesPRAISE FOR SIRI HUSTVEDT:'Hustvedt is that rare artist, a writer of high intelligence, profound sensuality and a less easily definable capacity for which the only word I can find is wisdom' Salman Rushdie'One of our finest novelists' Oliver Sacks'Reading a Hustvedt novel is like consuming the best of David Lynch' Financial Times'Few contemporary writers are as satisfying and stimulating to read as Siri Hustvedt' Washington Post

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LONGLISTED FOR THE WOMEN'S PRIZE FOR FICTIONFROM THE INTERNATIONALLY BESTSELLING AUTHOR OF WHAT I LOVED 'A taut and convincing drama, as well as an intriguing metaphysical thriller' Sunday Times'Full of humour, surprise and powerful images' ObserverLily Dahl is a heroine of the old school: tough, beautiful and brave. A nineteen-year-old waitress and aspiring actress living in Webster, Minnesota, she becomes enchanted by an exotic outsider - an artist from New York. Drawn into a world of erotic adventure, she finds herself the target of mysterious acts of madness as she strains against the confines of small town life.'Queasily erotic, gothic and menacing' Evening StandardPRAISE FOR SIRI HUSTVEDT:'Hustvedt is that rare artist, a writer of high intelligence, profound sensuality and a less easily definable capacity for which the only word I can find is wisdom' Salman Rushdie'One of our finest novelists' Oliver Sacks'Reading a Hustvedt novel is like consuming the best of David Lynch' Financial Times'Few contemporary writers are as satisfying and stimulating to read as Siri Hustvedt' Washington Post

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'Dizzyingly flexible, deeply human, often funny, it blasts aside our preconceptions and urges us to see the world as it is' iFeminist philosophy meets family memoir in Siri Hustvedt's most personal essay collection yet, a scintillating and profound exploration of motherhood, the maternal and misogyny. Ranging across artistic mothers such as Jane Austen and Louise Bourgeois, psychoanalysis, science, literature and ethnography, this is a polymath's journey into urgent questions about familial love and hate, human prejudice and cruelty, and the transformative power of art. Fierce, moving and witty, it warns against drawing hard and fast borders where none exist.'The voice is consistent, combining assured erudition with more playful questioning, always thoughtful and capable of surprising shifts of register and even genre' Lara Feigel, GuardianPRAISE FOR SIRI HUSTVEDT:'Hustvedt is that rare artist, a writer of high intelligence, profound sensuality and a less easily definable capacity for which the only word I can find is wisdom' Salman Rushdie'It is Hustvedt's gift to write with exemplary clarity of what is by necessity unclear' Hilary Mantel'Her novels have received a deserved acclaim. But to my mind, she is even more to be admired as an essayist . . . in this regard I feel that she resembles Virginia Woolf ' Observer'Few contemporary writers are as satisfying and stimulating to read as Siri Hustvedt' Washington Post

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''It is Hustvedt''s gift to write with exemplary clarity of what is by necessity unclear.'' Hilary Mantel, GuardianFeminist philosophy meets family memoir in a fresh essay collection by the award-winning essayist and novelist Siri Hustvedt, author of the bestselling What I Loved and Booker Prize-longlisted The Blazing World.Siri Hustvedt''s relentlessly curious mind and expansive intellect are on full display in this stunning new collection of essays, whose subjects range from the nature of memory and time to what we inherit from our parents, the power of art during tragedy, misogyny, motherhood, neuroscience, and the books we turn to during a pandemic. Drawing on family history as well as her own life and experiences, she examines the porousness of borders of all kinds in a masterful intellectual journey that is at once personal and universal. Ultimately, Mothers, Fathers, and Others reminds us that the boundaries we

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FROM THE INTERNATIONALLY BESTSELLING AUTHOR OF WHAT I LOVED AND A WOMAN LOOKING AT MEN LOOKING AT WOMEN'Provocative but often funny, encyclopedic but down to earth . . . an extraordinary double story' Oliver Sacks'It is Hustvedt's gift to write with exemplary clarity of what is by necessity unclear' Hilary Mantel, GuardianWhile speaking at a memorial event for her father, the novelist Siri Hustvedt suffered a violent seizure from the neck down. Was it triggered by nerves, emotion - or something else entirely?In this profoundly thought-provoking and revealing book, Hustvedt takes the reader on her journey through psychiatry, philosophy, neuroscience and medical history in search of a diagnosis. Conveying the often frightening mysteries of illness, she illuminates the perennially mysterious connection between mind and body and what we mean by 'I'.'She has an enviable ability to digest and reframe her discoveries into clear, accessible prose' Sunday TelegraphPRAISE FOR SIRI HUSTVEDT:'Hustvedt is that rare artist, a writer of high intelligence, profound sensuality and a less easily definable capacity for which the only word I can find is wisdom' Salman Rushdie'It is Hustvedt's gift to write with exemplary clarity of what is by necessity unclear' Hilary Mantel'Her novels have received a deserved acclaim. But to my mind, she is even more to be admired as an essayist . . . in this regard I feel that she resembles Virginia Woolf ' Observer'Few contemporary writers are as satisfying and stimulating to read as Siri Hustvedt' Washington Post

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FROM THE INTERNATIONALLY BESTSELLING AUTHOR OF WHAT I LOVED'Few contemporary writers are as satisfying and stimulating to read as Siri Hustvedt' Washington Post'A 21st-century Virginia Woolf' Literary ReviewA provocative, wildly funny, intellectually rigorous and engrossing novel, punctuated by Siri Hustvedt's own illustrations - a tour de force by one of America's most acclaimed and beloved writers.Fresh from Minnesota and hungry for all New York has to offer, twenty-three-year-old S.H. embarks on a year that proves both exhilarating and frightening - from bruising encounters with men to the increasingly ominous monologues of the woman next door.Forty years on, those pivotal months come back to vibrant life when S.H. discovers the notebook in which she recorded her adventures alongside drafts of a novel. Measuring what she remembers against what she wrote, she regards her younger self with curiosity and often amusement. Anger too, for how much has really changed in a world where the female presidential candidate is called an abomination?'Provocative and mysterious . . . comic and sensual' Daily MailPRAISE FOR SIRI HUSTVEDT:'Hustvedt is that rare artist, a writer of high intelligence, profound sensuality and a less easily definable capacity for which the only word I can find is wisdom' Salman Rushdie'One of our finest novelists' Oliver Sacks'Reading a Hustvedt novel is like consuming the best of David Lynch' Financial Times

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FROM THE INTERNATIONALLY BESTSELLING AUTHOR OF WHAT I LOVED'A work of dizzying intensity . . . an intriguing and sure-handed debut ' Don DeLillo'Brilliant . . . a dark, mesmerising debut' Independent on Sunday'Hustvedt has pulled off nothing less than a re-mapping of the modern feminist psyche' Daily TelegraphIris Vegan, a graduate student living alone and impoverished in New York, encounters four strong characters who fascinate and in different ways subordinate her: an inscrutable urban recluse who employs her to record the possessions of a murdered woman; a photographer whose eerie portrait of Iris takes on a life of its own; an old woman in hospital who tries to claim a remnant of the ailing Iris; and a professor she has an affair with. An exploration of female identity in an age when the old definitions - as some man's daughter/wife/mother - no longer apply, fuelled with eroticism and a sense of menace.'Attests to Hustvedt's thoroughly original style and her lucid contemporary voice . . . the announcement of a talented writer's arrival' Michiko Kakutani, New York TimesPRAISE FOR SIRI HUSTVEDT: 'Hustvedt is that rare artist, a writer of high intelligence, profound sensuality and a less easily definable capacity for which the only word I can find is wisdom' Salman Rushdie 'One of our finest novelists' Oliver Sacks 'Reading a Hustvedt novel is like consuming the best of David Lynch' Financial Times 'Few contemporary writers are as satisfying and stimulating to read as Siri Hustvedt' Washington Post

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FROM THE INTERNATIONALLY BESTSELLING AUTHOR OF WHAT I LOVED AND A WOMAN LOOKING AT MEN LOOKING AT WOMEN'Richly intelligent insights on every page' Financial Times'A rare kind of quiet intellectual confidence' Sunday TelegraphIn these fascinating, lively and engaging essays, Siri Hustvedt shows what lies behind her fiction: an abiding curiosity about who we are and how we got that way. Covering a wide range of subjects, from the nature of desire to false memories and the paintings of Goya, she draws on her own life and on the insights provided by both the arts and sciences to deepen our understanding of what it means to be human - to live, think and look.'There is something refreshingly straightforward about her style. It has the confidence born of complex but well digested thoughts' ObserverPRAISE FOR SIRI HUSTVEDT:'Hustvedt is that rare artist, a writer of high intelligence, profound sensuality and a less easily definable capacity for which the only word I can find is wisdom' Salman Rushdie'It is Hustvedt's gift to write with exemplary clarity of what is by necessity unclear' Hilary Mantel'Her novels have received a deserved acclaim. But to my mind, she is even more to be admired as an essayist . . . in this regard I feel that she resembles Virginia Woolf ' Observer'Few contemporary writers are as satisfying and stimulating to read as Siri Hustvedt' Washington Post

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LONGLISTED FOR THE BOOKER PRIZEWINNER OF THE LOS ANGELES TIMES BOOK PRIZE FOR FICTION'Dazzling' Sunday Times'A truly wonderful intellectual work that makes you think and laugh' Daily Mail'Playful, ebullient, brainy' Financial TimesThe artist Harriet Burden, furious at the lack of attention paid her by the New York art world, conducts an experiment: she hides her identity behind three male fronts in a series of exhibitions. Their success seems to prove her point, but there's a sting in the tail - when she unmasks herself, not everyone believes her. Then her last collaborator meets a bizarre end. In this mesmerising tour de force, Burden's story emerges after her death through a variety of sources, including her (not entirely reliable) journals and the testimonies of her children, lover and a dear friend. Each account is different, however, and the mysteries multiply.'A novel that gloriously lives up to its title, one blazing with energy and thought' The TimesPRAISE FOR SIRI HUSTVEDT:'Hustvedt is that rare artist, a writer of high intelligence, profound sensuality and a less easily definable capacity for which the only word I can find is wisdom' Salman Rushdie'One of our finest novelists' Oliver Sacks'Reading a Hustvedt novel is like consuming the best of David Lynch' Financial Times'Few contemporary writers are as satisfying and stimulating to read as Siri Hustvedt' Washington Post'A 21st-century Virginia Woolf' Literary Review

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FROM THE INTERNATIONALLY BESTSELLING AUTHOR OF WHAT I LOVED'Astonishing . . . almost certainly the best American novel you will read this year' Sunday Telegraph'One of the most profound and absorbing books I've read in a long time' Washington Post'Wonderful . . . you have to read it to believe it' ObserverAfter their father's funeral, Erik and Inga Davidsen find a cryptic letter from an unknown woman among his papers, dating from his adolescence in rural Minnesota during the Depression. Returning to his psychiatric practice in New York, Erik sets about reading his father's memoir, hoping to discover the man he never fully understood.At the same time, another woman enters Erik's lonely, divorced life - a beautiful Jamaican who moves into his garden flat with her small daughter. As Erik gets drawn into the cat-and-mouse tactics of someone who appears to be stalking her, he finds out that his sister Inga is also being threatened, by a journalist in possession of a wounding secret from her past.A multi-layered novel that probes the mysteries of the heart and mind, The Sorrows of an American is compulsive, thought-provoking and profoundly affecting. 'Almost impossible to put down, and even harder not to re-read' Independent'Beautifully thought through, deeply serious and enormously intelligent' GuardianPRAISE FOR SIRI HUSTVEDT: 'Hustvedt is that rare artist, a writer of high intelligence, profound sensuality and a less easily definable capacity for which the only word I can find is wisdom' Salman Rushdie 'One of our finest novelists' Oliver Sacks 'Reading a Hustvedt novel is like consuming the best of David Lynch' Financial Times 'Few contemporary writers are as satisfying and stimulating to read as Siri Hustvedt' Washington Post

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LONGLISTED FOR THE WOMEN'S PRIZE FOR FICTION'Defiantly complex and frequently dazzling' Sunday Times'Siri Hustvedt's most ambitious, most rewarding novel. It mesmerises, arouses, disturbs' Salman Rushdie'Superb . . . What I Loved is a rare thing, a page turner written at full intellectual stretch, serious but witty, large-minded and morally engaged' New York Times Book Review'A love story with the grip and suspense of a thriller' Times Literary SupplementIn 1975 art historian Leo Hertzberg discovers an extraordinary painting by an unknown artist in a New York gallery. He buys the work, tracks down its creator, Bill Wechsler, and the two men embark on a life-long friendship. This is the story of their intense and troubled relationship, of the women in their lives and their work, of art and hysteria, love and seduction and their sons - born the same year but whose lives take very different paths.'A big, wide, sensuous novel - clever, sinister, yet attractively real' GuardianPRAISE FOR SIRI HUSTVEDT:'Hustvedt is that rare artist, a writer of high intelligence, profound sensuality and a less easily definable capacity for which the only word I can find is wisdom' Salman Rushdie'One of our finest novelists' Oliver Sacks'Reading a Hustvedt novel is like consuming the best of David Lynch' Financial Times'Few contemporary writers are as satisfying and stimulating to read as Siri Hustvedt' Washington Post'A 21st-century Virginia Woolf' Literary Review

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'It is Hustvedt's gift to write with exemplary clarity of what is by necessity unclear.' Hilary Mantel, GuardianFeminist philosophy meets family memoir in a fresh essay collection by the award-winning essayist and novelist Siri Hustvedt, author of the bestselling What I Loved and Booker Prize-longlisted The Blazing World. Siri Hustvedt's relentlessly curious mind and expansive intellect are on full display in this stunning new collection of essays, whose subjects range from the nature of memory and time to what we inherit from our parents, the power of art during tragedy, misogyny, motherhood, neuroscience, and the books we turn to during a pandemic. Drawing on family history as well as her own life and experiences, she examines the porousness of borders of all kinds in a masterful intellectual journey that is at once personal and universal. Ultimately, Mothers, Fathers, and Others reminds us that the boundaries we take for granted-between ourselves and others, between art and viewer-are far less stable than we imagine.

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FROM THE INTERNATIONALLY BESTSELLING AUTHOR OF WHAT I LOVED AND A WOMAN LOOKING AT MEN LOOKING AT WOMEN'A luminous collection of mind-expanding pieces on literary and philosophical themes . . . A book to renew one's faith in the literary essay' Robert McCrum, Observer'Thoughtful, sensuous essays . . . her enthusiasms are oddly infectious' Daily TelegraphIn this illuminating and absorbing collection of essays, Siri Hustvedt explores many of the themes that preoccupy her novels: identity and memory, sexuality and mortality, psychology, love and the power of imagination. But here she offers her personal experience - as daughter, sister, mother and wife, student, reader and writer - to illustrate fundamental aspects of our lives as individuals and social beings in the modern world. She draws, too, on the work of Henry James, F Scott Fitzgerald and Charles Dickens, probing their insights into human nature.Wise, honest and luminously intelligent, this is a book that invites us to look afresh at ourselves and the universe we inhabit.'One of the most talented voices in contemporary fiction . . . Hustvedt brings the same visual power, sensuality and intelligence to her collection of essays' Los Angeles Times Book ReviewPRAISE FOR SIRI HUSTVEDT:'Hustvedt is that rare artist, a writer of high intelligence, profound sensuality and a less easily definable capacity for which the only word I can find is wisdom' Salman Rushdie'It is Hustvedt's gift to write with exemplary clarity of what is by necessity unclear' Hilary Mantel'Her novels have received a deserved acclaim. But to my mind, she is even more to be admired as an essayist . . . in this regard I feel that she resembles Virginia Woolf ' Observer'Few contemporary writers are as satisfying and stimulating to read as Siri Hustvedt' Washington Post

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On one of Spencer Ostrander’s early visits to Times Square, the rain began to fall. The people in the crowd, suddenly draped in plastic, were transformed into abstract, brilliant reflections of the massive advertising that surrounded them. Designed to entrap the consumer with illusions of status, the good life, and happiness by product, the vast LED light boards turned visitors into walking ads for MTV, Coca-Cola, and The Lion King. And when the flickering LEDs hit his camera’s sensor, they created streaks of color and lines that don’t exist, but are part of the photos, a technical mirage that perfectly suits Ostrander’s subject—the empty allure of late capitalism. Moving among the people with his camera, Ostrander began to see sorrow, tenderness, despair—a hidden story that starts to reveal itself in his photographs.

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'A startling novel of ferocious psychological acumen, which, to my mind, deserves a large, international readership... very much a book for our times' Siri Hustvedt, from the introduction'A literary giant in Sweden, Dagerman conjures a Strindbergian atmosphere of shadowy menace in his brief, intense novel, A Moth to a Flame... This moody, death-haunted novel is well worth reading' Evening StandardIn 1940s Stockholm, a young man named Bengt falls into deep, private turmoil with the unexpected death of his mother. As he struggles to cope with her loss, his despair slowly transforms to rage when he discovers that his father had a mistress. Bengt swears revenge on behalf of his mother's memory, but he soon finds himself drawn into a fevered and forbidden affair with the very woman he set out to destroy . . .Written in a taut, restrained style, A Moth to a Flame is an intense exploration of heartache and fury, desperation and illicit passion. Set against a backdrop of the moody streets of Stockholm and the Hitchcockian shadows in the woods and waters of Sweden's remote islands, this is a psychological masterpiece by one of Sweden's greatest writers.'Dagerman wrote with beautiful objectivity. Instead of emotive phrases, he uses a choice of facts, like bricks, to construct an emotion' Graham Greene'Dagerman can evoke such emotion in a single sentence' Colm Tóibín 'There are some writers (Kafka and Lorca immediately spring to mind) who come to enjoy the status of saint; their lives and deaths constitute statements about existence and its proper priorities. A saint of this type is the Swedish writer Stig Dagerman' Times Literary Supplement'This searing tale of bereavement and loathing feels all too relevant today' Guardian

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“Walking between these figures feels like an interruption; being a spectator is itself a performance. They seem to know more than we do, about the status of being an artwork and the place of the viewer. The joke, if there is one, is on us.” — The Guardian Muñoz's revolutionary oeuvre creates emotional and evocative narratives through sculpture, installation, drawing, writing, and sound. Situating viewers between his work and amongst each other, he creates an intimacy between works of art and viewers. Muñoz thought deeply about art history and in particular the tradition of Spanish painting. Before his untimely death at the age of forty-eight, he produced an extensive, powerfully evocative body of work that uniquely explores the narrative and philosophical possibilities of art. Published on the occasion of the two-floor exhibition at David Zwirner in New York in 2022, this catalogue provides an expansive overview of Muñoz’s career from the 1980s onwards. In an accompanying text, art historian and curator Guillaume Kientz contextualizes Muñoz’s influences within the art-historical canon. Acclaimed writer Siri Hustvedt writes a thoughtful response to the artist’s iconic Conversation Piece. In an imagined interview between Muñoz and himself, Maurizio Cattelan further propels the artist’s artistic momentum and potential in the time before his death. Also featured is a never-before-published interview between Muñoz and the art historian Michael Brenson that took place in 2000, less than one year prior to his untimely death.

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