Search results for ""Author Simon Louvish""

An Everyman who expressed the defiant spirit of freedom, Charlie Chaplin was first lauded and later reviled in the America that made him Hollywood's richest man. He was a figure of multiple paradoxes, and many studies have sought to unveil 'the man behind the mask.' Louvish charts the tale of the Tramp himself through his films - from the early Mack Sennett shorts through the major features (The Gold Rush, City Lights, Modern Times, The Great Dictator et al.) He weighs the relationship between the Tramp, his creator, and his world-wide fans, and in doing so retrieves Chaplin as the iconic London street-kid who carried the 'surreal' antics of early BritishMusic Hall triumphantly onto the Hollywood screen. Louvish also looks anew at Chaplin's and the Tramp's social and political ideas - the challenge to fascism, defiance of the McCarthyite witch-hunts, eventual 'exile', and last mature disguises as the serial-killer Monsieur Verdoux and the dying English clown Calvero in Limelight.This book is an epic journey, summing up the roots of Comedy and its appeal to audiences everywhere, who revelled in the clown's raw energy, his ceaseless struggle against adversity, and his capacity to represent our own fears, foibles, dreams, inner demons and hopes.

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Stan Laurel and Oliver Hardy both passed away in the 1950s, yet their films still have the power to reduce audiences old and new to helpless laughter. There has been no comprehensive account of their lives and work, until now. The roots of their comic greatness lay in 19th century variety theatre. Lancashire-born Stan Laurel was steeped in the traditions of the music hall, and found himself touring the USA in the 1910s as Charlie Chaplin's understudy. American Oliver Hardy had established himself as a 'fat funny man' by the time he and Laurel were first paired in 1927. Laurel inspired Hardy to forge their famous double act, in which Laurel played the eternal comic fool, Hardy his temperamental master. Both men were devoted to their professional partnership, which outlasted multiple marriages. They saw themselves only as jobbing comedians, but their great work in the years 1927-1938 ensured that they remain recognisable in the furthermost corners of the globe. Stan and Ollie completes Louvish's trilogy of definitive biographies of the great clowns of screen comedy, following his books on W. C. Fields and the Marx Brothers.

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