Search results for ""Author Serge Gruzinski""

In this important new book the renowned historian Serge Gruzinski returns to two episodes in the sixteenth century which mark a decisive stage in global history and show how China and Mexico experienced the expansion of Europe.In the early 1520s, Magellan set sail for Asia by the Western route, Cortes seized Mexico and some Portuguese based in Malacca dreamed of colonizing China. The Aztec Eagle was destroyed but the Chinese Dragon held strong and repelled the invaders - after first seizing their cannon. For the first time, people from three continents encountered one other, confronted one other and their lives became entangled. These events were of great interest to contemporaries and many people at the time grasped the magnitude of what was going on around them. The Iberians succeeded in America and failed in China. The New World became inseparable from the Europeans who were to conquer it, while the Celestial Empire became, for a long time to come, an unattainable goal. Gruzinski explores this encounter between civilizations that were different from one another but that already fascinated contemporaries, and he shows that our world today bears the mark of this distant age. For it was in the sixteenth century that human history began to be played out on a global stage. It was then that connections between different parts of the world began to accelerate, not only between Europe and the Americas but also between Europe and China. This is what is revealed by a global history of the sixteenth century, conceived as another way of reading the Renaissance, less Eurocentric and more in tune with our age.

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In this important new book the renowned historian Serge Gruzinski returns to two episodes in the sixteenth century which mark a decisive stage in global history and show how China and Mexico experienced the expansion of Europe.In the early 1520s, Magellan set sail for Asia by the Western route, Cortes seized Mexico and some Portuguese based in Malacca dreamed of colonizing China. The Aztec Eagle was destroyed but the Chinese Dragon held strong and repelled the invaders - after first seizing their cannon. For the first time, people from three continents encountered one other, confronted one other and their lives became entangled. These events were of great interest to contemporaries and many people at the time grasped the magnitude of what was going on around them. The Iberians succeeded in America and failed in China. The New World became inseparable from the Europeans who were to conquer it, while the Celestial Empire became, for a long time to come, an unattainable goal. Gruzinski explores this encounter between civilizations that were different from one another but that already fascinated contemporaries, and he shows that our world today bears the mark of this distant age. For it was in the sixteenth century that human history began to be played out on a global stage. It was then that connections between different parts of the world began to accelerate, not only between Europe and the Americas but also between Europe and China. This is what is revealed by a global history of the sixteenth century, conceived as another way of reading the Renaissance, less Eurocentric and more in tune with our age.

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What Time is it There? is a history of worlds that encounter each other without ever meeting. The title comes from a film by Tsai Ming-liang which explores the desire to conquer the barriers of space and time by abolishing time differences and inventing substitutes for a coveted elsewhere. This preoccupation with other worlds and consciousness of the differences that separate them have become a persistent theme of our world today, shaped as it has been by the complex flows of people, images and ideas that we have come to associate with the term 'globalization'. But the dismantling of closed worlds that gradually opened cultures and peoples to one another is by no means new. In this remarkable book, Serge Gruzinski takes us back to the early modern period and examines two testimonies that require us to navigate between America and the Islamic world long before the images of 9/11 had entered our heads. One is a chronicle of the New World compiled in Istanbul in 1580, the other is a Repertory of the Times written in Mexico in 1606, which dwells at length on the Empire of the Turks. Why and how did the Turks come to know so much about America, and what made readers in Mexico ask questions about the Ottomans? Gruzinski conducts a dialogue between these two texts that emphasizes the singularities of the two visions, that of Islam and that of America, each already keeping a watchful eye on the other and yet irreducibly different, with this question always in the background: what did it mean to 'think the world' at the dawn of modern times?

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What Time is it There? is a history of worlds that encounter each other without ever meeting. The title comes from a film by Tsai Ming-liang which explores the desire to conquer the barriers of space and time by abolishing time differences and inventing substitutes for a coveted elsewhere. This preoccupation with other worlds and consciousness of the differences that separate them have become a persistent theme of our world today, shaped as it has been by the complex flows of people, images and ideas that we have come to associate with the term 'globalization'. But the dismantling of closed worlds that gradually opened cultures and peoples to one another is by no means new. In this remarkable book, Serge Gruzinski takes us back to the early modern period and examines two testimonies that require us to navigate between America and the Islamic world long before the images of 9/11 had entered our heads. One is a chronicle of the New World compiled in Istanbul in 1580, the other is a Repertory of the Times written in Mexico in 1606, which dwells at length on the Empire of the Turks. Why and how did the Turks come to know so much about America, and what made readers in Mexico ask questions about the Ottomans? Gruzinski conducts a dialogue between these two texts that emphasizes the singularities of the two visions, that of Islam and that of America, each already keeping a watchful eye on the other and yet irreducibly different, with this question always in the background: what did it mean to 'think the world' at the dawn of modern times?

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“If colonial America was the melting pot of modernity, it was because it was also a fabulous laboratory of images. . . . Just as much as speech and writing, the image can be a vehicle for all sorts of power and resistance.” So writes Serge Gruzinski in the introduction to Images at War, his striking reinterpretation of the Spanish colonization of Mexico. Concentrating on the political meaning of the baroque image and its function within a multicultural society, Gruzinski compares its ubiquity in Mexico to our modern fascination with images and their meaning.Although the baroque image played a decisive role in many arenas, especially that of conquest and New World colonization, its powerful resonance in the sphere of religion is a focal point of Gruzinski’s study. In his analysis of how images conveyed meaning across linguistic barriers, he uncovers recurring themes of false images, less-than-perfect replicas, the uprooting of peoples and cultural memories, and the violence of iconoclastic destruction. He shows how various ethnic groups—Indians, blacks, Europeans—left their distinct marks on images of colonialism and religion, coopting them into expressions of identity or instruments of rebellion. As Gruzinski’s story unfolds, he tells of Aztec idols, the cult of the Virgin of Guadalupe, conquistadors, Franciscans, and neoclassical attempts to repress the baroque. In the final chapter he discusses the political and religious implications of contemporary imagery—such as that in Mexican soap operas—and speculates about the future of images in Latin America. Originally written in French, this work makes available to an English audience a seminal study of Mexico and the role of the image in the New World.

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