Search results for ""Author Sean Adams""

The definition of a supergraphic has changed over the last twenty years. Once, only a large decorative design on a wall or building was a supergraphic. Today it encompasses architectural delineation wayfinding and identifying signage, illustrative murals, and branding elements. A supergraphic can take the form of an enormous logo on the side of a building, a wall of multi-colored squares, or an oversized restroom symbol. Digital technology now allows for interaction and screen-based media on a large scale. The audience can now truly communicate with an architectural space in a unique and personal manner. The difference between a large overwrought design on the wall and a successful supergraphic is typically based on two points: a strong concept, and interaction with the architecture, light and space. Many people can paint stripes on a wall. But a designer can use the entire volume, sense place, context and changing environment to create a story with words, colour and shapes. This book includes examples of the best supergraphics internationally. These are evidence of the sense of delight when a beautifully crafted graphic solution and smart concept are married to remarkable architecture.

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From the critically acclaimed author of The Heap, a thought-provoking and wryly funny novel—equal parts satire and psychological thriller—that holds a funhouse mirror to the isolated workplace and an age of endless distraction. At the far reaches of the world, the Northern Institute sits in a vast expanse of ice and snow. Once a thriving research facility, its operations were abruptly shut down after an unspecified incident, and its research teams promptly evacuated. Now it’s home to a team of three caretakers—Gibbs, Cline, and their supervisor, Hart—and a single remaining researcher named Gilroy, who is feverishly studying the sensation of coldness.Their objective is simple: occupy the space, complete their weekly tasks, and keep the building in working order in case research ever resumes. (Also: never touch the thermostat. Also: never, ever go outside.) The work isn’t thrilling—test every door for excessive creaking, sit on every chair to ensure its structural integrity—but for Hart, it’s the opportunity of a lifetime, a chance to hone his leadership skills and become the beacon of efficiency he always knew he could be.There’s just one obstacle standing in his way: a mysterious object that has appeared out in the snow. Gibbs and Cline are mesmerized. They can’t discern its exact shape and color, nor if it’s moving or fixed in place. But it is there. Isn’t it?Whatever it might be, Hart thinks the thing in the snow is an unwelcome distraction, and probably a huge waste of time. Though, come to think of it, time itself has been a bit wonky lately. Weekends pass in a blur, and he can hardly tell day from night. Gravity seems less-than-reliable. The lights have been flickering weirdly, and he feels an odd thrumming sensation in his beard. Gibbs might be plotting to unseat him as supervisor, and Gilroy—well, what is he really doing anyway?Perplexed and isolated—but most certainly not alone—Hart wrestles for control of his own psyche as the thing in the snow beguiles his team, upends their work, and challenges their every notion of what is normal.

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The Designer’s Dictionary of Color provides an in-depth look at 30 colors key to art and graphic design. Organized by spectrum, in color-by-color sections for easy navigation, this book documents each hue with charts showing color range and palette variations. Chapters detail each color’s creative history and cultural associations, with examples of color use that extend from the artistic to the utilitarian—whether the turquoise on a Reid Miles album cover or the avocado paint job on a 1970s Dodge station wagon. A practical and inspirational resource for designers and students alike, The Designer’s Dictionary of Color opens up the world of color for all those who seek to harness its incredible power.

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From the meanings behind colors to working with color in presentations, Color Design Workbook provides you with the information needed to effectively apply color to design work. Since color is such an important part of graphic design, designers need the most up-to-date, as well as the most fundamental, information on the subject to have the tools needed to use color effectively. The Color Design Workbook, New, Revised Edition explains the meanings behind colors, working with color in presentations, and loads more. This guide book provides you with the vital information needed to creatively and effectively apply color to your own design work. You will also receive guidance on talking with clients about color and selling color ideas, and you'll also learn the science behind color theory. Case studies are included to show the effects some color choices had on both their clients and consumers. So why wait any longer? Become a color expert now!

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The Designer’s Dictionary of Color provides an in-depth look at 30 colors key to art and graphic design. Organized by spectrum, in color-by-color sections for easy navigation, this book documents each hue with charts showing color range and palette variations. Chapters detail each color’s creative history and cultural associations, with examples of color use that extend from the artistic to the utilitarian—whether the turquoise on a Reid Miles album cover or the avocado paint job on a 1970s Dodge station wagon. A practical and inspirational resource for designers and students alike, The Designer’s Dictionary of Color opens up the world of color for all those who seek to harness its incredible power.

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