Search results for ""Author Seamus Heaney""

Widely praised on its first publication in 1987, The Haw Lantern ventured into new imaginative territory with poems exploring the theme of loss - including a celebrated sonnet sequence concerning the death of the poet's mother - joined by meditations on the conscience of the writer and exercises in an allegorical vein.This beautifully designed edition forms part of a series of ten titles celebrating Faber's publishing over the decades.

Read more less

Recorded in 2009, Nobel Laureate Seamus Heaney reads his first eleven collections of poems in their entirety. In this new edition Faber has added live readings by the poet of eleven poems from his final collection, Human Chain (2010), to complete the collection. 'His is "close-up" poetry - close up to thought, to the world, to the emotions. Few writers at work today, in verse or fiction, can give the sense of rich, fecund, lived life that Heaney does.' John Banville'More than any other poet since Wordsworth he can make us understand that the outside world is not outside, but what we are made of.' John Carey'Heaney's voice, by turns mythological and journalistic, rural and sophisticated, reminiscent and impatient, stern and yielding, curt and expansive, is one of a suppleness almost equal to consciousness itself.' Helen Vendler 'There are few poets whose reading voice is so crucial to the poems' effect' - Bernard O'Donoghue, The Irish Times.Death of a NaturalistDoor into the DarkWintering OutNorthField WorkStation Island (part one)Station island (part two & three)The Haw LanternSeeing Things (part one)Seeing Things (part two)The Spirit Level (part one)The Spirit Level (part two)Electric Light (part one)Electric Light (part two)District and CircleHuman Chain

Read more less

A marvellous book, lovingly edited, beautifully produced. . . and brimming with literary insights, much laughter, a sprinkle of gossip and the poet's insuppressible joie de vivre, even in adversity. Buy it, read it, and keep it to hand on to your children.' John Banville, GuardianEvery now and again I need to get down here, to get into the Diogenes tub, as it were, or the Colmcille beehive hut, or the Mossbawn scullery. At any rate, a hedge surrounds me, the blackbird calls, the soul settles for an hour or two . . .In this wonderful selection, spanning fifty years of Seamus Heaney's correspondence, we are given access as never before to the life and poetic development of a literary titan from his early days in Belfast, through his controversial decision to settle in the Republic, to the gradual broadening of horizons that culminated in the award of a Nobel Prize and the years of international acclaim that kept him heroically busy until his death

Read more less

Seamus Heaney was 'the greatest poet of our age' (Guardian). From his remarkable debut in 1966, he pioneered the poetry of our times across five decades of cultural and political change, and was awarded the Nobel Prize in Literature in 1995.Field Work, his fifth volume, from 1979, is a collection of poems that were among the finest he would ever write. Inspired by the four years that Heaney and his family spent in rural County Wicklow after leaving the violence of Belfast, Field Work is one of the poet's most celebrated volumes.The collection contains some of his best-loved poems, 'Oysters', 'Casualty', 'The Otter', 'The Strand at Lough Beg', and 'The Skunk', as well as his defining sequence 'Glanmore Sonnets'.

Read more less

Widely praised on its first publication in 1978, The Haw Lantern ventured into new imaginative territory with poems exploring the theme of loss - including a celebrated sonnet sequence concerning the death of the poet's mother - joined by meditations on the conscience of the writer and exercises in an allegorical vein.

Read more less

This volume contains a selection of work from each of Seamus Heaney's published books of poetry up to and including the Whitbread prize-winning collection, The Haw Lantern (1987).'His is 'close-up' poetry - close up to thought, to the world, to the emotions. Few writers at work today, in verse or fiction, can give the sense of rich, fecund, lived life that Heaney does.' John Banville'More than any other poet since Wordsworth he can make us understand that the outside world is not outside, but what we are made of.' John Carey

Read more less

At the centre of this collection, which includes groups of elegies and love poems, there is a short sonnet sequence which concentrates themes apparent elsewhere in the book: the individual's responsibility for his own choices, the artist's commitment to his vocation, the vulnerability of all in the face of circumstance and death.'Throughout the volume Heaney's outstanding gifts, his eye, his ear, his understanding of the poetic language are on display - this is a book we cannot do without.' Martin Dodsworth, Guardian

Read more less

Seamus Heaney's version of Sophocles's Philoctetes tells of the wounded hero marooned upon an island by the Greeks during the Siege of Troy. As the conflict comes to a climax, the Greeks begin to realise they cannot win the Trojan war without Philoctetes's invincible bow, and turn back to seek his help.The Cure at Troy dramatises the conflict between personal integrity and political expediency, and explores ways in which the victims of injustice can become as devoted to the contemplation of their wounds as the perpetrators are to the justification of their system. Responsive to the Greek playwright's understanding of the relations between public and private morality, The Cure at Troy is a sharp, fast-paced retelling of the Greek original, shot through with Heaney's own Irish speech and context.History says, Don't hopeOn this side of the grave.But then, once in a lifetimeThe longed-for tidal waveOf justice can rise up,And hope and history rhyme.

Read more less

Commissioned to mark the centenary of the Abbey Theatre in Dublin in 2004, The Burial at Thebes is Seamus Heaney's new verse translation of Sophocles' great tragedy, Antigone - whose eponymous heroine is one of the most sharply individualized and compelling figures in Western drama. Faithful to the play's time and place, The Burial at Thebes represents opposing voices as they enact the ancient conflict between family and state in a time of crisis, pitching the morality of private allegiance against that of public service.Above all, The Burial at Thebes honours the sovereign urgency and grandeur of the Antigone, in which language speaks truth to power, then and now.

Read more less

The title, The Government of the Tongue, carries suggestions of both monastic discipline and untrammelled romanticism, and is meant to raise an old question about the rights and status of poetic utterance itself. Should it be governed? Should it be the governor?Seamus Heaney here scrutinizes the work of several poets, British and Irish, American and European, whose work is responsive to such strains and tensions.

Read more less

Composed toward the end of the first millennium, Beowulf is the elegiac narrative of the adventures of Beowulf, a Scandinavian hero who saves the Danes from the seemingly invincible monster Grendel and, later, from Grendel's mother. He then returns to his own country and dies in old age in a vivid fight against a dragon. The poem is about encountering the monstrous, defeating it, and then having to live on in the exhausted aftermath. In the contours of this story, at once remote and uncannily familiar at the beginning of the twenty-first century, Nobel laureate Seamus Heaney finds a resonance that summons power to the poetry from deep beneath its surface. Drawn to what he has called the "four-squareness of the utterance" in Beowulf and its immense emotional credibility, Heaney gives these epic qualities new and convincing reality for the contemporary reader.

Read more less

Beowulf, composed between the seventh and tenth century, is the elegaic narrative of the adventures of Beowulf, a Scandinavian hero who saves the Danes from the seemingly invincible monster Grendel, and, later, from Grendel's mother. He returns to his own country and dies in old age in a vivid battle against a dragon. The poem is about encountering the monstrous, defeating it, and living on in the exhausted aftermath. Heaney's celebrated translation honours what is remote and intuits what is uncannily familiar, at the end of the twentieth century, in this founding masterpiece of English poetry. Now, for the first time, the Old English text - which survived only in a single scorched manuscript, now held in the British Museum - can be read in conjunction with the translation on facing pages.

Read more less

The poems in Seamus Heaney's collection The Spirit Level keep discovering the possibilities of 'a new beginning' in all kinds of subjects and circumstances. What is at stake, in poem after poem, is the chance of buoyancy and balance, physical, spiritual and political. Private memories, classical scenes, humble domestic objects - a whitewash brush, a sofa, a swing - are endowed with talismanic significance, while friends and relatives are invoked for their promise and steadfastness. Throughout the collection, Heaney addresses his concerns, which inevitably include the political situation in his native Northern Ireland, in a poetry that never ceases to be fluid, alert and completely truthful.

Read more less

The title poem from this collection is set on an island that has been a site of pilgrimage in Ireland for over a thousand years. A narrative sequence, it is an autobiographical quest concerned with 'the growth of a poet's mind'. The long poem is preceded by a section of shorter lyrics and leads into a third group of poems in which the poet's voice is at one with the voice of the legendary mad King Sweeney.'Surpasses even what one might reasonably expect from this magnificently gifted poet.' John Carey, Sunday Times

Read more less

'A marvellous book, lovingly edited, beautifully produced. . . and brimming with literary insights, much laughter, a sprinkle of gossip and the poet's insuppressible joie de vivre, even in adversity. Buy it, read it, and keep it to hand on to your children.' John Banville, Guardian'An epistolary cornucopia. . . contains an abundance of insight and illumination, literary gossip and appraisal, playfulness and cogency, all bound up with a steadfast attention to the feelings and expectations of each correspondent.' Patricia Craig, TLS Books of the YearEvery now and again I need to get down here, to get into the Diogenes tub, as it were, or the Colmcille beehive hut, or the Mossbawn scullery. At any rate, a hedge surrounds me, the blackbird calls, the soul settles for an hour or two . . .For all his public eminence, Seamus Heaney seems never to have lost the compelling need to write personal letters. In this ample but discriminating selection from fifty years of his correspondence, we are given access as never before to the life and poetic development of a literary titan - from his early days in Belfast, through his controversial decision to settle in the Republic, to the gradual broadening of horizons that culminated in the award of a Nobel Prize and the years of international acclaim that kept him heroically busy until his death.Editor Christopher Reid draws from both public and private archives to reveal this story in the poet's own words. Generous, funny, exuberant, confiding, irreverent, empathetic and deeply thoughtful, the letters encompass decades-long relationships with friends and colleagues, as well as showing an unstinted responsiveness to passing acquaintances. Moreover, Heaney's joyous mastery of language is as evident here as it is in any of his writing for a literary readership.Listening to Heaney's voice, we find ourselves in the same room as a man whose presence, when he lived, enriched the world immeasurably, and whose legacy continues to deepen our sense of what truly matters.

Read more less

For the fortieth anniversary of its publication, in May 2006, Faber are reissuing Seamus Heaney's classic first collection, Death of a Naturalist, which on its appearance in 1966 won the Cholmondeley Award, the E.C. Gregory Award, the Somerset Maugham Award and the Geoffrey Faber Memorial Prize.'His words give us the soil-reek of Ireland, the colourful violence of his childhood on a farm in Derry. The full-blooded energy of these poems makes Death of a Naturalist the best first book of poems I've read for some time.' - C.B. Cox in the Spectator 'The power and precision of his best poems are a delight, and as a first collection Death of a Naturalist is outstanding [...] His subject is those things which are inherent or inherited. What he praises is to be praised in his own work.' - Christopher Ricks, New Statesman'Now, to pry into roots, to finger slime, To stare big-eyed Narcissus, into some springIs beneath all adult dignity. I rhymeTo see myself, to set the darkness echoing.'

Read more less

Composed towards the end of the first millennium, the Anglo-Saxon poem Beowulf is one of the great Northern epics and a classic of European literature. In his new translation, Seamus Heaney has produced a work which is both true, line by line, to the original poem, and an expression, in its language and music, of something fundamental to his own creative gift.The poem is about encountering the monstrous, defeating it, and then having to live on, physically and psychically exposed, in that exhausted aftermath. It is not hard to draw parallels between this story and the history of the twentieth century, nor can Heaney's Beowulf fail to be read partly in the light of his Northern Irish upbringing. But it also transcends such considerations, telling us psychological and spiritual truths that are permanent and liberating.

Read more less

Seamus Heaney had the idea to form a personal selection from across the entire arc of his poetry, small yet comprehensive enough to serve as an introduction for all comers. He never managed to do this in his lifetime, and no edition exists which has such a broad range, drawing from first collection to last. But now, at last, the project has been returned to, resulting in an intimate gathering of poems chosen and introduced by the Heaney family. Coinciding with the National Library of Ireland launching a major exhibition dedicated to the life and work of Seamus Heaney, 100 Poems is a singular, accessible collection for new and younger readers that has the opportunity to reach far and wide, now and for years to come.

Read more less

Seamus Heaney's new collection starts 'in an age of bare hands and cast iron' and ends 'as the automatic lock / clunks shut' in the eerie new conditions of a menaced twenty-first century. In their haunted, almost visionary clarity, the poems assay the weight and worth of what has been held in the hand and in the memory. Images out of a childhood spent safe from the horrors of World War II - railway sleepers, a sledgehammer, the 'heavyweight silence' of cattle out in rain - are coloured by a strongly contemporary sense that 'anything can happen', and other images from the dangerous present - a journey on the underground, a melting glacier - are fraught with this same anxiety.But District and Circle, which includes a number of prose poems and translations, offers resistance as the poet gathers his staying powers and stands his ground in the hiding places of love and excited language. In a sequence like 'The Tollund Man in Springtime' and in several poems which 'do the rounds of the district' - its known roads and rivers and trees, its familiar and unfamiliar ghosts - the gravity of memorial is transformed into the grace of recollection. With more relish and conviction than ever, Seamus Heaney maintains his trust in the obduracy of workaday realities and the mystery of everyday renewals:Again the growl / Of shutting doors, the jolt and one-off treble / Of iron on iron, then a long centrifugal / Haulage of speed through every dragging socket.(from 'District and Circle')

Read more less

Electric Light travels widely in time and space, visiting the sites of the classical world, revisiting the poet's childhood: rural electrification and the light of ancient evenings are reconciled within the orbit of a single lifetime. This is a book about origins (not least the origins of words) and oracles: the places where things start from, the ground of understanding - whether in Arcadia or Anahorish, the sanctuary at Epidaurus or the Bann valley in County Derry.Electric Light ranges from short takes ('glosses') to conversation poems whose cunning passagework gives rein to 'the must and drift of talk'; other poems are arranged in sections, their separate cargoes docked alongside each other to reveal a hidden and curative connection. The presocratic wisdom that everything flows is held in tension with the fixities of remembrance: elegising friends and fellow poets, naming 'the real names' of contemporaries behind the Shakespearean roles they played at school. These gifts of recollection renew the poet's calling to assign to things their proper names. The resulting poems are full of delicately prescriptive tonalities, where Heaney can be heard extending his word-hoard and rollcall in this, his eleventh collection.

Read more less

This volume is a much-needed new selection of Seamus Heaney's work, taking account of recent volumes and of the author's work as a translator, and offering a more generous choice from previous volumes. Opened Ground: Poems 1966-1996 comes as close to being a 'Collected Poems' as its author cares to make it. It replaces his New Selected Poems 1966-1987, giving a fuller selection from each of the volumes represented there and adding large parts of those that have appeared since, together with examples of his work as a translator from the Greek, Latin, Italian and other languages. The book concludes with 'Crediting Poetry', the speech with which Seamus Heaney accepted the 1995 Nobel Prize in Literature, awarded to him, in the words of the Swedish Academy of Letters, for his 'works of lyrical beauty and ethical depth'.

Read more less

Between my finger and my thumbThe squat pen rests; snug as a gun. -- from 'Digging'With its lyrical and descriptive powers, Death of a Naturalist marked the auspicious debut of one of the century's finest poets.

Read more less

In a momentous publication, Seamus Heaney's translation of Book VI of the Aeneid, Virgil's epic poem composed sometime between 29 and 19 BC, follows the hero, Aeneas, on his descent into the underworld. In Stepping Stones, a book of interviews conducted by Dennis O'Driscoll, Heaney acknowledged the importance of the poem to his writing, noting that 'there's one Virgilian journey that has indeed been a constant presence, and that is Aeneas's venture into the underworld. The motifs in Book VI have been in my head for years - the golden bough, Charon's barge, the quest to meet the shade of the father.'In this translation, Heaney employs the same deft handling of the original combined with the immediacy of language and flawless poetic voice as was on show in his translation of Beowulf, a reimagining which, in the words of Bernard O'Donoghue, brought the ancient poem back to life in 'a miraculous mix of the poem's original spirit and Heaney's voice'.

Read more less

This collection of Seamus Heaney's work, especially in the vivid and surprising twelve-line poems entitled "Squarings", shows he is ready to re-imagine experience and "to credit marvels". The title poem, "Seeing Things", is typical of the whole book. It begins with memories of an actual event, then moves towards the visionary while never relinquishing its feel for the textures and sensations of the world. Translations of Virgil and Homer provide a prelude and a coda where motifs implicit in the earlier lyrics are given direct expression in extended narratives. Journeys to underworlds and otherworlds correspond to the journeys made by poetic language itself. From the author of "The Haw Lantern", "Wintering Out", "Station Island" and "North".

Read more less

Con la concesión del Premio Nobel en 1995 se reconocía una de las aventuras poéticas más arriesgadas y logradas del siglo xx: la de Seamus Heaney. Su extensa obra abordó el abandono de los enclaves rurales, la difícil adaptación a un entorno urbano cada vez más aséptico, y las presiones que la política (y la violencia) ejercen sobre el hombre contemporáneo. Heaney barajó durante años preparar una selección de sus poemas que fuese representativa de su extensísima obra. Murió sin rematar la selección, pero dejó indicaciones para orientar a sus descendientes. El resultado es 100 poemas, un viaje que va desde las impresionantes descripciones del campo irlandés hasta las últimas meditaciones inspiradas por la sabiduría acumulada durante una vida entera de observaciones y reflexión. Uno de los pocos poetas del siglo xx que merecen el adjetivo de imprescindible.

Read more less

El poeta irlandés Seamus Heaney pronunció las conferencias que componen este libro durante los cinco años (1989-1994) en que fue catedrático de poesía en la Universidad de Oxford. En la primera de ellas, Heaney celebra la especial habilidad de la poesía para reparar y preservar el equilibrio espiritual del mundo y hacer de contrapeso de las fuerzas hostiles y opresivas que lo atraviesan. En las siguientes procede a explorar cómo esta reparación se manifiesta en un amplio abanico de poemas y poetas, incluyendo Hero y Leandro de Christopher Marlowe, La balada de la cárcel de Reading de Oscar Wilde y la obra de John Clare, W. B. Yeats, Dylan Thomas, Elizabeth Bishop y Philip Larkin, entre otros. El conjunto de estos ensayos es una prueba manifiesta de la creencia de Heaney en que la poesía, en palabras de Yorgos Seferis, tiene la fuerza suficiente para ayudar.Heaney no fue solo un gran poeta, sino un crítico lúcido, profundo y lleno de empatía que formó el gusto de varias generaciones

Read more less

Finders Keepers is a gathering of Seamus Heaney's prose of three decades. Whether autobiographical, topical or specifically literary, these essays and lectures circle the central preoccupying questions: How should a poet properly live and write? What is his relationship to be to his own voice, his own place, his literary heritage and the contemporary world?As well as being a selection from the poet's three previous collections of prose (Preoccupations, The Government of the Tongue and The Redress of Poetry), the present volume includes material from 'The Place of Writing', a series of lectures delivered at Emory University in 1988. Also included are a rich variety of pieces not previously collected in volume form, ranging from short newspaper articles to more extended lectures and contributions to books. In its soundings of a wide range of poets - Irish and British, American and East European, predecessors and contemporaries - Finders Keepers is, as its title indicates, 'an announcement of both excitement and possession'.

Read more less

In North Seamus Heaney found a myth which allowed him to articulate a vision of Ireland - its people, history and landscape. Here the Irish experience is refracted through images drawn from different parts of the Northern European experience, and the idea of the north allows the poet to contemplate the violence on his home ground in relation to memories of the Scandinavian and English invasions which have marked Irish history so indelibly.

Read more less

'Seamus Heaney has gone beyond the themes of his earlier poetry and has made the giant step towards the most ambitious, most intractable themes of maturity. The power of this book comes from a sense that he is reaching out towards a type of desolation and of isolation without which no imagination can be seen to have grown up.' Eavan Boland, Irish Times'Keyed and pitched unlike any other significant poet at work in the language anywhere.' Harold Bloom, Times Literary Supplement

Read more less

Seamus Heaney had the idea to form a personal selection of poems from across the entire arc of his writing life, small yet comprehensive enough to serve as an introduction for all comers. He never managed to do this himself, and no other edition exists which has such a broad range, drawing from first to last of his prize-winning collections. But now, finally, the project has been returned to, resulting in an intimate gathering of poems chosen and introduced by the Heaney family. In 100 Poems, readers will enjoy the most loved and celebrated poems, as well as discovering new favourites. It is a singular and welcoming anthology, reaching out far and wide, now and for years to come.

Read more less

New Selected Poems 1988-2013 provides an unrivalled account of a period of work that was crowned by the Nobel Prize for Literature in 1995. Together with its earlier, sibling volume, it completes the arc of a remarkable career.Shortly before his death in 2013, Seamus Heaney discussed with his publisher the prospect of a companion volume to his landmark New Selected Poems 1966-1987 aimed at presenting the second half of his career, 'from Seeing Things onwards', as he foresaw it. Although he was unable to complete a edition/selection, he left behind selections that have been followed here. New Selected Poems 1988-2013 reprints the author's chosen poems from his later years, beginning with his ground-breaking volume Seeing Things (1991), his two Whitbread Books of the Year, The Spirit Level (1996) and Beowulf (1999), and his multi-nominated, prize-winning volumes, Electric Light (2001), District and Circle (2006) and Human Chain (2010). The edition concludes with two posthumously published works.

Read more less

Seamus Heaney's new collection elicits continuities and solidarities, between husband and wife, child and parent, then and now, inside an intently remembered present - the stepping stones of the day, the weight and heft of what is passed from hand to hand, lifted and lowered. Human Chain also broaches larger questions of transmission, as lifelines to the inherited past. There are newly minted versions of anonymous early Irish lyrics, poems which stand at the crossroads of oral and written, and other 'hermit songs' which weigh equally in their balance the craft of scribe and the poet's early calling as scholar. A remarkable sequence entitled 'Route 110' plots the descent into the underworld in the Aeneid against single moments in the arc of a life, from a 1950s adolescence to the birth of the poet's first grandchild. Other poems display a Virgilian pietas for the dead - friends, neighbours and family - which is yet wholly and movingly vernacular. Human Chain is Seamus Heaney's twelfth collection of poems.

Read more less

These lectures were delivered by Seamus Heaney while he was Professor of Poetry at Oxford University. In the first of them, Heaney discusses and celebrates poetry's special ability to redress spiritual balance and to function as a counterweight to hostile and oppressive forces in the world. He proceeds to explore how this 'redress' manifests itself in a diverse range of poems and poets, including Christopher Marlowe's 'Hero and Leander', 'The Midnight Court' by the eighteenth-century Irish poet Brian Merriman, John Clare's vernacular writing and Oscar Wilde's 'The Ballad of Reading Gaol'. Several twentieth-century poets are also discussed - W. B. Yeats, Dylan Thomas, Elizabeth Bishop and others - and the whole book constitutes a vivid proof of the claim that 'poetry is strong enough to help'.

Read more less

T.S. Eliot - editor, poet, critic and publisher - was the greatest poet of his generation. The winner of the 1948 Nobel Prize for Literature, virtually every English language poet since owes him a debt of gratitude. Voted as Britain's favourite poet in a 2009 BBC poll, Eliot selected and designed this collection himself in 1954 as an introduction to his work for new readers.Containing 'The Waste Land' and 'The Love Song of J. Alfred Prufrock', Selected Poems is the perfect way to begin with one of the defining figures of the twentieth century. This edition also features an introductory essay by Seamus Heaney.

Read more less

The greatest of the late medieval Scottish makars, Robert Henryson wrote in Lowland Scots, a distinctive northern version of English. He was profoundly influenced by Chaucer's vision of the frailty and pathos of human life. His greatest poem, and one of the rhetorical masterpieces of the literature of these islands, is the narrative Testament of Cresseid, set in the aftermath of the Trojan War, which completes the story of Chaucer's Troilus and Criseyde, offering a grim and tragic account of its faithless heroine's rejection by her lover Diomede, and her decline into prostitution and leprosy. A work of unreconciled Shakespearean intensity, the Testament has been translated by Seamus Heaney into a confident and yet faithful modern English idiom which honours the poem's unique blend of detachment and compassion.A master of narrative, Henryson was also a comic master of the verse fable; his burlesques of human weakness in the guise of animal wisdom are traced with delicate comedy and irony. Seven of the Fables are here sparklingly translated; their burlesque freshness rendered to the last claw and feather. Seven Fables and The Testament of Cresseid is an extraordinarily rich and wide-ranging encounter between two poets across six centuries.

Read more less

A companion to The Rattle Bag, The School Bag is an engaging and authoritative selection for the classroom.Seamus Heaney and Ted Hughes have chosen an eclectic range of poets read in today's schools, but also those poems that the editors themselves read at school, or those from which they learned the most. Balancing the canon with more personal selections, The School Bag is an exhilarating introduction for any student of poetry.

Read more less

Edited by Seamus Heaney and Ted Hughes, and conceived of as a collection of their own favourite poems, The Rattle Bag has established itself as the classic anthology of our time. Heaney and Hughes have brought together an inspired and diverse selection, ranging from undisputed masterpieces to rare discoveries, as well as drawing upon works in translation and traditional poems from oral cultures. In effect, this anthology has transformed the way we define and appreciate poetry, and it will continue to do so for years to come. Including writers from Shakespeare and Blake to Sylvia Plath and T. S. Eliot, The Rattle Bag is eclectic, instructive and inspiring at the same time.

Read more less

In this series, a contemporary poet selects and introduces a poet of the past. By their choice of poems and by the personal and critical reactions they express in their prefaces, the editors offer insights into their own work as well as providing an accessible and passionate introduction to the most important poets in our literature.Earth has not anything to show more fair:Dull would he be of soul who could pass by A sight so touching in its majesty . . .-- Composed Upon Westminster Bridge,September 3, 1802

Read more less

As part of its 375th celebrations, the University has created a new photo book, Explore Harvard: The Yard and Beyond. This collection of photographs brings to life the myriad intellectual exchanges that make Harvard one of the world’s leading institutions of higher education. Presenting contemporary images never before published as well as archival prints, this large-format portrait of the University captures an early spirit of exploration that continues to thrive around the Yard, in the historic lecture halls, in cutting-edge science facilities, and in research outposts around the world. From “move-in” day to Commencement, seasonal shifts across the iconic New England landscape form a contemplative backdrop to learning and growth for each new class that enters here. For alumni who remember life in the houses along the Charles, or thrilled to the achievements of athletes and artists, Explore Harvard will not disappoint. Prospective students who have seen the University only from a distance will get an inside view of one of the most beautiful campuses in the world, while those intimately familiar with the school will discover a side of Harvard they never knew.

Read more less