Search results for ""Author Sarah Orne Jewett""

The Country of Pointed Firs, Sarah Orne Jewett's masterpiece, established her among the consummate stylists of nineteenth-century American fiction. Composed in a series of beautiful web-like sketches, the novel is narrated by a young woman writer who leaves the city to work one summer in the Maine seaport of Dunnet Landing, and stays with the herbalist Mrs Almira Todd. She writes a New England idyll rooted in friendship, particularly female friendship, weaving stories and conversations, imagery of sea, sky and earth, the tang of salt air and aromatic herbs into an organic 'fiction of community' in which themes and form are exquisitely matched. To quote Willa Cather: 'The 'Pointed Fir' sketches are living things caught in the open, with light and freedom and air spaces about them. They melt into the land and the life of the land until they are not stories at all, but life itself'. This edition, introduced by Alison Easton, also includes ten of Sarah Orne Jewett's short stories, among them 'The Queen's Twin', 'The Foreigner' and 'William's Wedding' set in Dunnet Landing.

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Toward the end of her life, Sarah Orne Jewett (1849–1909) made a surprising disclosure. Instead of the critically lauded The Country of the Pointed Firs, Jewett declared her “best story” to be A Marsh Island (1885), a little-known novel. Why? One reason is that it demonstrates Jewett’s range. Known primarily for her vignettes, Jewett accomplished in these pages a truly great novel. Undoubtedly, another reason lies in the novel’s themes of queer kinship and same-sex domesticity, as enjoyed by the flamboyant protagonist Dick Dale. Written a few years into Jewett’s decades-long companionship with Annie Fields, A Marsh Island echoes Jewett’s determination to split time between her family home in Maine and Fields’s place on Charles Street in Boston. The novel follows the adventures of Dale, a Manhattanite landscape painter in the Great Marsh of northeastern Massachusetts and envisions the latter region’s saltmarsh as a figure for dynamic selfhood: the ever-shifting boundaries between land and sea a model for valuing both individuality and a porous openness to the gifts of others. Jewett’s works played a major role in popularizing the genre of American regionalism and have garnered praise, both in her time and ours, for her skill in rendering the local landscapes and fishing villages along or near the coasts of New England. Just as Jewett brought attention to the unique beauty and value of the Great marsh region, editor Don James McLaughlin reveals a convergence of regionalism and sexuality in Jewett’s work in his introduction. A Marsh Island reminds us that queer kinship has a long tradition of being extended to incorporate queer ecological belonging, and that the meaning of “companionship” itself is enriched when we acknowledge its indebtedness to environment.

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