Search results for ""Author Sarah Moss""

A lo largo de sus diecisiete años de vida, Silvie ha aprendido de su padre, aficionado a la historia de la Edad del Hierro, cómo vivían los antiguos britanos ?qué tipo de túnicas vestían, qué raíces comestibles recolectaban, cómo encontraban agua potable? y también cómo morían algunas de sus mujeres y niñas: atadas de pies y manos, ahogadas en un pantano, víctimas de sacrificios rituales a manos de su propia tribu. La familia de Silvie participa en una experiencia organizada por un profesor de arqueología para sus estudiantes: recrear, en una acampada en los páramos del norte de Inglaterra, la vida de los britanos; adoptar sus costumbres y adaptarse a sus condiciones de vida, subsistiendo con lo que la naturaleza ofrece. A medida que pasan los días, Silvie se da cuenta de que el afán de su padre por imitar con la mayor fidelidad el pasado pone en peligro el delicado equilibrio de la convivencia del grupo, y se pregunta con pavor qué estará dispuesto a sacrificar, en nombre de la pureza

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'One of the most enjoyable travel books I've read' The Times Acclaimed novelist Sarah Moss's compelling account of living in Iceland with two small children in the year the volcano erupted At the height of the financial crisis in 2009, Sarah Moss and her husband moved with their two small children to Iceland. From their makeshift home among the half-finished skyscrapers of Reykjavik, Moss travels to hillsides of boiling mud and volcanic craters, and the remote farms and fishing villages of the far north. She watches the northern lights and the comings and goings of migratory birds, and as the weeks and months go by, she and her family find new ways to live. By turns meditative and wickedly observant, Sarah Moss's account of her time in Iceland is the adventure of a lifetime with the baggage of a lifetime too. 'Moss is a wry and a very good companion...and her book is as perceptive of the southern English middle-classes, as it is of Icelanders' Kathleen Jamie, Guardian 'A wry, intimate and beautifully-observed portrait of a culture both alien and familiar. Sarah Moss's account of her Icelandic sojourn is a vicarious treat' Philip Marsden

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THE EXCEPTIONAL DEBUT FROM THE AUTHOR OF THE FELL 'I revelled in Cold Earth. Brilliant' Penelope Lively 'Chilling and remarkable... Moss is a master at evoking suspense' Guardian On the west coast of Greenland, a team of archaeologists searching for traces of lost Viking settlements receives news from back home: a deadly pandemic has swept across the world. As the Arctic winter approaches and their communications with the outside world fail, the six abandoned souls are left fighting for survival, writing letters to loved ones they may never receive. Cold Earth is a chilling, haunting and scarily prescient tale of grief, isolation and the will to survive. 'Unnerving, ambitious... utterly absorbing and - appropriately enough - very chilling' Daily Mail

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From Sarah Moss, the Sunday Times bestselling author of Summerwater and Ghost Wall, comes a story about the circumstances and the consequences of isolation.‘A tense page-turner . . . I gulped The Fell down in one sitting’ - Emma Donoghue‘Her work is as close to perfect as a novelist’s can be’ - The TimesAt dusk on a November evening in 2020 a woman slips out of her garden gate and turns up the hill. Kate is in the middle of two weeks of Covid isolation, but she just can’t take it any more – the closeness of the air in her small house, the confinement. And anyway, the moor will be deserted at this time. Nobody need ever know.But Kate’s neighbour Alice sees her leaving and Matt, Kate’s son, soon realizes she’s missing. And Kate, who planned only a quick solitary walk – a breath of open air – falls and badly injures herself. What began as a furtive walk has turned into a mountain-rescue operation . . .Unbearably suspenseful, witty and wise, The Fell asks probing questions about the place the world has become since the first Covid lockdown in March 2020, and the place it was before. This novel is a story about compassion and kindness and what we must do to survive.‘Gripping, thoughtful and revelatory’ - Paula Hawkins‘This slim, intense masterpiece is one of my best books of the year’ - Rachel Joyce‘One of our very best contemporary novelists’ - Independent

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The Sunday Times Top Ten Bestseller, longlisted for the Orwell Prize for Political Fiction.From the acclaimed author of Ghost Wall, Sarah Moss' Summerwater is a devastating story told over twenty-four hours in the Scottish highlands . . . 'Superb' - The Times'Sharp, searching . . . utterly of the moment' - Hilary Mantel'So accomplished' - GuardianIt is the summer solstice, but in a faded Scottish cabin park the rain is unrelenting. Twelve people on holiday with their families look on as the skies remain resolutely grey. A woman goes running up the Ben as if fleeing; a teenage boy chances the dark waters of the loch in his kayak; a retired couple head out despite the downpour, driving too fast on the familiar bends.But there are newcomers too, and one particular family, a mother and daughter with the wrong clothes and the wrong manners, start to draw the attention of the others. Who are they? Where are they from? Should they be here at all? As darkness finally falls, something is unravelling . . .'A masterpiece' - Jessie Burton'One of her best' - Irish Times'Beautifully written, intense, powerful' - David Nicholls

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'Extraordinary . . . Moss is a towering figure in the contemporary literary landscape' - The Daily Telegraph‘Devastating, funny . . . a brave and important book’ - Melissa HarrisonA memoir about thinking and reading, eating and denying your body food, about privilege and scarcity, about the relationships that form us and the long tentacles of childhood.In the household of Sarah Moss's childhood she learnt that the female body and mind were battlegrounds. 1970s austerity and second-wave feminism came together: she must keep herself slim but never be vain, she must be intelligent but never angry, she must be able to cook and sew and make do and mend, but know those skills were frivolous. Clever girls should be ambitious but women must restrain themselves. Women had to stay small.Years later, her self-control had become dangerous, and Sarah found herself in A&E. The return of her teenage anorexia

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The study of food in literature complicates established critical positions. Both a libidinal pleasure and the ultimate commodity, food in fiction can represent sex as well as money and brings the body and the marketplace together in ways that are sometimes obvious and sometimes unsettling. Spilling the Beans explores these relations in the context of late eighteenth and early nineteenth century women’s fiction, where concerns about bodily, economic and intellectual productivity and consumption power decades of novels, conduct books and popular medicine.The introduction suggests ways in which attention to food in these texts might complicate recent developments in literary theory and criticism, while the body of the book is devoted to close readings of novels and children’s stories by Frances Burney, Mary Wollstonecraft, Maria Edgeworth and Susan Ferrier. This book will be of interest to scholars and students of eighteenth and nineteenth century literature, women’s studies and material culture.

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'I love this book. Put your life on hold while you finish it' Maggie O'Farrell A suspenseful and chilling novel of haunted landscapes and a teenage girl in danger... Seventeen-year-old Silvie is camping in rural Northumberland with her father and a group of archaeologists, who are attempting to uncover evidence of human sacrifice. As Silvie glimpses the possibility of freedom with the students - new female friendships and a sexual awakening - her difficult relationship with her overbearing father begins to deteriorate. As the feelings of dread build the haunting rites of the past begin to bleed into the present... 'This book ratcheted the breath out of me so skilfully, that as soon as I'd finished, the only thing I wanted was to read it again' Jessie Burton 'An instant classic' Emma Donoghue 'I loved it' Bernadine Evaristo

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In this companion novel to Bodies of Light, Ally's husband Tom leaves, only weeks into their marriage, to build lighthouses in Japan. Ally, one of Britain's first female doctors, takes work at an asylum in Truro. With only letters sent across the ocean to sustain them, and with Ally now battling her old demons alone, will their marriage survive?

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My Good Bright Wolf is a memoir about thinking and reading, eating and not eating, about privilege and scarcity, about the relationships that form us and the long tentacles of childhood.Sarah Moss, author of The Fell and Summerwater, confronts all of this in a book that pushes at the boundaries of memoir-writing. It narrates contested memories of girlhood at the hands of embattled, distracted parents in a time of disastrous attitudes towards eating and female discipline. By the time she was a teenager, Sarah had developed a dangerous and controlling relationship with food, and that illness returned in her adult life.Now the mother and teacher of young adults, in My Good Bright Wolf she explores a childhood caught in the trap of her parents’ post-war puritanism and second-wave feminism, interrogating what she thought and still thinks, what she read and still reads, and what she did – and still does – with her hard-w

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Sisters Ally and May Moberley grow up in Victorian Manchester, surrounded by their father's decadent paintings and dominated by their austere, evangelical mother. While May poses for the artists in her father's circle, Ally devotes herself to her mother's ambitions, working hard to join the first generation of female doctors. But soon bitterness and tragedy divide the family, and Ally leaves home to escape the subtle terrors of her childhood and begin a new life in London. Bodies of Light is a profound and provocative book about family. It is a gripping story told with rare precision and tenderness.

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At dusk on a November evening in 2020 a woman slips out of her garden gate and turns up the hill. Kate is in the middle of two weeks of isolation, but she just can't take it any more - the closeness of the air in her small house, the confinement. And anyway, the moor will be deserted at this time. Nobody need ever know.But Kate's neighbour Alice sees her leaving and Matt, Kate's son, soon realizes she's missing. And Kate, who planned only a quick solitary walk - a breath of open air - falls and badly injures herself. What began as a furtive walk has turned into a mountain-rescue operation . . .

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It is the summer solstice, but in a faded Scottish cabin park the rain is unrelenting. Twelve people on holiday with their families look on as the skies remain resolutely grey. A woman goes running up the Ben as if fleeing; a teenage boy chances the dark waters of the loch in his kayak; a retired couple head out despite the downpour, driving too fast on the familiar bends. But there are newcomers too, and one particular family, a mother and daughter with the wrong clothes and the wrong manners, start to draw the attention of the others. Who are they? Where are they from? Should they be here at all? As darkness finally falls, something is unravelling . .

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Acclaimed author of Summerwater and Ghost Wall, Sarah Moss is back with a sharply observed and darkly funny novel for our times.'A tense page turner . . . I gulped The Fell down in one sitting' - Emma Donoghue'Gripping, thoughtful and revelatory' – Paula Hawkins'This slim, intense masterpiece is one of my best books of the year' - Rachel Joyce'Her work is as close to perfect as a novelist’s can be' The TimesAt dusk on a November evening in 2020 a woman slips out of her garden gate and turns up the hill. Kate is in the middle of a two-week quarantine period, but she just can’t take it any more – the closeness of the air in her small house, the confinement. And anyway, the moor will be deserted at this time. Nobody need ever know.But Kate’s neighbour Alice sees her leaving and Matt, Kate’s son, soon realizes she’s missing. And Kate, who planned only a quick solitary walk – a breath of open air – falls and badly injures herself. What began as a furtive walk has turned into a mountain rescue operation . . .Unbearably suspenseful, witty and wise, The Fell asks probing questions about the place the world has become since March 2020, and the place it was before. This novel is a story about compassion and kindness and what we must do to survive, and it will move you to tears.‘One of our very best contemporary novelists’ – Independent

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SHORTLISTED FOR THE WELLCOME PRIZE 'She writes better than anyone I know about the way we live now... I loved this book... She is also very funny' Margaret Drabble On a day like any other, stay-at-home father Adam receives a call from his daughter's school. Miriam, his brilliant fifteen-year-old, has collapsed and stopped breathing; her heart has inexplicably stopped. The Tidal Zone shows the familiar world of a modern family turned inside out. From the complicated lives of teenagers to the complexities of marriage this is a moving, funny and instantly recognisable tale of 21st century domestic life. It confirms Sarah Moss as a unique voice in modern fiction and a writer of luminous intelligence. A poignant, engrossing and beautifully observed exploration of family life, from the acclaimed author of Summerwater and Ghost Wall. 'This is grown-up writing for grown-up readers, the kind of story that makes you think about your own life choices and close relationships.' Sunday Herald 'A novel for our times... An excellent read' Penelope Lively, Guardian 'A remarkable, passionate, funny and beautifully furious book' AL Kennedy

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The discovery of a baby's skeleton on a remote Scottish island unearths long-buried secrets in this darkly comic, atmospheric new novel from the author of the acclaimed COLD EARTH.

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INCLUDED IN THE BEST OF GRANTA SERIES: a powerful and chilling novel of haunted landscapes, rites of the past and a teenage girl in danger

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Redolent of everything sensual and hedonistic, chocolate is synonymous with our idea of indulgence. It is adored around the world and has been since the Spanish first encountered cocoa beans in South America in the sixteenth century. It is seen as magical, exotic, addictive and powerful beyond anything that can be explained by its ingredients, and in "Chocolate" Sarah Moss and Alexander Badenoch explore the origins and growth of this almost universal obsession. Moss and Badenoch recount the history of chocolate, which from ancient times has been associated with sexuality, sin, blood and sacrifice. The first Spanish accounts claim that the Aztecs and Mayans used chocolate as a substitute for blood in sacrificial rituals and as a currency to replace gold. In 1753, Linnaeus gave the cocoa tree the official classification Theobroma cacao, or the food of the gods. In the eighteenth century, chocolate became regarded as an aphrodisiac the first step on the road to today's boxes of Valentine delights. "Chocolate" also looks at the production of chocolate, from artisanal chocolatiers to the brands such as Hershey's, Lindt and Cadbury that dominate our supermarket shelves, and explores its associations with slavery and globalization. Packed with tempting images and decadent descriptions of chocolate throughout the ages, "Chocolate" will be as irresistible as the tasty treats it describes.

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Carmella Lowkis grew up in Wiltshire and has a degree in English literature and Creative Writing from the University of Warwick, where she was mentored by Sunday Times bestselling author Sarah Moss. After graduating, she worked in libraries, before moving into book marketing. Carmella lives in North London with her girlfriend. You can follow her on Twitter @carmellalowkis. Spitting Gold is her first novel.

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