Search results for ""Author Samuel R. Delany""

Essays and occasional writings from one of literature's iconic voices. Samuel R. Delany is an acclaimed writer of literary theory, queer literature, and fiction. His "prismatic output is among the most significant, immense and innovative in American letters," wrote the New York Times in 2019; "Delany's books interweave science fiction with histories of race, sexuality, and control. In so doing, he gives readers fiction that reflects and explores the social truths of our world." This anthology of essays, lectures, and interviews addresses topics such as 9/11, race, the garden of Eden, the interplay of life and writing, and notes on other writers such as Theodore Sturgeon, Hart Crane, Ursula K. Le Guin, Holderlin, and a note on—and a conversation with—Octavia Butler. The first of two volumes, this book gathers more than twenty-five pieces on films, poetry, and science fiction. These sharp, focused writings by a bestselling Black, gay author are filled with keen insights and observations on culture, language, and life.

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Winner of the Hugo Award for Non-fiction The unexpurgated edition of the award-winning autobiography Born in New York City’s black ghetto Harlem at the start of World War II, Samuel R. Delany married white poet Marilyn Hacker right out of high school. The interracial couple moved into the city’s new bohemian quarter, the Lower East Side, in summer 1961. Through the decade’s opening years, new art, new sexual practices, new music, and new political awareness burgeoned among the crowded streets and cheap railroad apartments. Beautifully, vividly, insightfully, Delany calls up this era of exploration and adventure as he details his development as a black gay writer in an open marriage, with tertiary walk-ons by Bob Dylan, Stokely Carmichael, W. H. Auden, and James Baldwin, and a panoply of brilliantly drawn secondary characters.

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A young man arrives in the anarchic city of Bellona, in a near future USA. This world has two moons but could otherwise be our own.The man, known only as 'the Kid', begins to write a novel called Dhalgren that begins where it ends.Dhalgren is about the possibilites of fiction and about the special demands and pleasures of youth culture.

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Occasional Views brings together a diverse collection of essays by, and interviews with, one of literature's most iconic voices. Samuel R. Delany is an acclaimed writer of literary theory, queer literature, and fiction. His works have fundamentally altered the terrain of science fiction through their formally consummate and materially grounded explorations of difference. This anthology of essays, talks, and interviews addresses topics such as sex and sexuality, race, power, literature and genre, as well as Herman Melville, John Ashbery, Willa Cather, Junot Diaz, and others. The second of two volumes, this book gathers more than twenty-five pieces on films, poetry, and science fiction. This diverse collection displays the power of a towering literary intelligence. It is a rich trove of essays, as well as a map to the mind of one of the great writers of our time.

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In the fourth volume in the Why I Write series, the iconic Samuel Delany remembers fifty years of writing and shaping the world of speculative fiction “Delany’s prismatic output is among the most significant, immense and innovative in American letters.”—Jordy Rosenberg, New York Times “He dispenses wisdom about craft—including the demanding revision process his dyslexia requires—but most moving are the moments when he sheds light on connections he has made with other readers and writers. . . . Delany’s fans are in for a treat.”—Publishers Weekly, starred review Language is the way humans deal with past, present, and future possibilities, as well as the subset called the probable. This is where Samuel Delany finds his justification for the writing life. Since the 1960s, occurrences such as Sputnik, school desegregation, and the advent of AIDS have given Delany, as a gay man, as a black man, access to certain truths and facts he could write about, and the language—sometimes fiction, sometimes nonfiction—in which to present them. “We write,” Delany believes, “at the intersection of your experience and mine in a way, I hope, that allows recognition.”

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A stunning, many-layered speculation on the future of humanity, on interaction between cultures, on love and sex, on religion and politics, STARS IN MY POCKETS LIKE GRAINS OF SAND is an enduring masterpiece by one of science fiction’s greatest writers. The only survivor when his home is utterly destroyed, Rat Korga is transported to a new life on the planet Velm. Escaping a society that suppressed and enslaved him, Korga joins a vast, rich interstellar culture and finds himself sharing a world with Marq Dyeth, the person this civilization’s officials have calculated to be his perfect partner. ‘Sentence by sentence, phrase by phrase, Delany invites the reader to collaborate in the process of creation. The reader who accepts this invitation has an extraordinarily satisfying experience in store’NEW YORK TIMES

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The balance of galactic power in the 31st century revolves around Illyrion, the most precious energy source in the universe. Captain Lorq van Ray's varied and exotic crew know their mission is dangerous, but they have no idea of Lorq's secret obsession: to gather Illyrion at source by flying through the very heart of an imploding star.

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Twentieth anniversary edition of a landmark book that cataloged a vibrant but disappearing neighborhood in New York City In the two decades that preceded the original publication of Times Square Red, Times Square Blue, Forty-second Street, then the most infamous street in America, was being remade into a sanitized tourist haven. In the forced disappearance of porn theaters, peep shows, and street hustlers to make room for a Disney store, a children’s theater, and large, neon-lit cafes, Samuel R. Delany saw a disappearance, not only of the old Times Square, but of the complex social relationships that developed there. Samuel R. Delany bore witness to the dismantling of the institutions that promoted points of contact between people of different classes and races in a public space, and in this hybrid text, argues for the necessity of public restrooms and tree-filled parks to a city's physical and psychological landscape. This twentieth anniversary edition includes a new foreword by Robert Reid-Pharr that traces the importance and continued resonances of Samuel R. Delany’s groundbreaking Times Square Red, Times Square Blue.

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The landmark book that established Robert Reid-Pharr as one of America's most exciting and challenging left intellectuals At turns autobiographical, political, literary, erotic, and humorous, Black Gay Man spoils our preconceived notions of not only what it means to be black, gay and male but also what it means to be a contemporary intellectual. Both a celebration of black gay male identity as well as a powerful critique of the structures that allow for the production of that identity, Black Gay Man introduced the eloquent voice of Robert Reid-Pharr in cultural criticism. At once erudite and readable, the range of topics and positions taken up in Black Gay Man reflect the complexity of American life itself. Treating subjects as diverse as the Million Man March, interracial sex, anti-Semitism, turn of the century American intellectualism as well as literary and cultural figures ranging from Essex Hemphill and Audre Lorde to W.E.B. DuBois, Frantz Fanon and James Baldwin, Black Gay Man is a bold and nuanced attempt to question prevailing ideas about community, desire, politics and culture. Moving beyond critique, Reid-Pharr also pronounces upon the promises of a new America.

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The landmark book that established Robert Reid-Pharr as one of America's most exciting and challenging left intellectuals At turns autobiographical, political, literary, erotic, and humorous, Black Gay Man spoils our preconceived notions of not only what it means to be black, gay and male but also what it means to be a contemporary intellectual. Both a celebration of black gay male identity as well as a powerful critique of the structures that allow for the production of that identity, Black Gay Man introduced the eloquent voice of Robert Reid-Pharr in cultural criticism. At once erudite and readable, the range of topics and positions taken up in Black Gay Man reflect the complexity of American life itself. Treating subjects as diverse as the Million Man March, interracial sex, anti-Semitism, turn of the century American intellectualism as well as literary and cultural figures ranging from Essex Hemphill and Audre Lorde to W.E.B. DuBois, Frantz Fanon and James Baldwin, Black Gay Man is a bold and nuanced attempt to question prevailing ideas about community, desire, politics and culture. Moving beyond critique, Reid-Pharr also pronounces upon the promises of a new America.

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