Search results for ""Author Salvatore Quasimodo""

Salvatore Quasimodo (1901–1968) was awarded the Nobel Prize for Literature in 1959. The citation declares, 'his lyrical poetry with classical fire expresses the tragic experience of life in our time'. Jack Bevan's authoritative translation of Quasimodo life work fills a great gap in our knowledge of twentieth-century European poetry. 'The poetry is textured like shot silk, yet the elegance and syntactical lucidity with which Jack Bevan has worked to bring these poems to English readers enables them to stand as poems in their own right,' wrote Peter Scupham of Bevan's translation of Quasimodo's last poems, Debit and Credit. Quasimodo's strong and passionate writing continues to testify to the human – and inhuman – realities which have created our modern world. The Italian critic Giuliano Dego wrote, 'To bear witness to man's history in all the urgency of a particular time and place, and to teach the lesson of courage, this has been Quasimodo’s poetic task.'

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'Salvatore Quasimodo was born-and lived-through historical tragedies which impressed his mind for ever. What one hears in his lines are the tears of mankind and its wail. Sonzogni and Dawe have captured the singular strength of Quasimodo and heard the penetrating voices of humanity. Their translations of this particular poet are a beautiful work of rendering history in rhyme and do more than justice to the art and the feelings of Salvatore Quasimodo. "The Night Fountain" should be read and re-read, learned and re-learned, and must be at hand to every reader who can only gain from its penetrating elegy' - Allen Mandelbaum, Kenan Professor of Humanities, Wake Forest University, USA.'"The Night Fountain" discloses a great poet in the making, now veering into Expressionism, now surreal, but always with an imaginative prosody and a voice that admits us into its intimacy. There is at once abundance and refinement here, and many of the elements that go into his great work. The translations are resourceful and inventive, keeping faith with the movement of the originals' - Michael Schmidt, Professor of Poetry, University of Glasgow.

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