Search results for ""Author Rudolf"

This book is a collection of the major scientific papers of Sir Rudolf Peierls (1907-95), including the Peierls-Frisch Memoranda of 1940 on the feasibility, and the predicted human effects, of an atomic bomb made of uranium-235. His papers range widely in topic. They include much on the fundamentals of solid state physics, the thermal and electric conductivity of materials as a function of temperature T (especially T→0), the interpretation of the de Haas-van Alphen effect observed for a metal in a magnetic field, and the basics of transport theory. Many are on problems in statistical mechanics, including his constructive paper demonstrating the existence of a phase transition for Ising's model for a two-dimensional ferromagnet. In nuclear physics, they include the first calculations (with Bethe) on the photo-disintegration of the deuteron (made in response to a challenge by Chadwick), the Kapur-Peierls theory of resonance phenomena in nuclear reactions, the Bohr-Peierls-Placzek continuum model for complex nuclei (which first explained the narrow resonances observed for low energy neutrons incident on very heavy nuclei), and the Peierls-Thouless variational approach to collective phenomena in nuclei. Several of Peierls's wartime papers, now declassified, are here published for the first time.Brief commentaries on most of the papers in this book were added by Peierls, to indicate subsequent developments and their relationship with other work, or to correct errors found later on. A complete bibliography of his writings is given as an appendix.

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'Because I felt that he knew how things were, I said simply:"I will stay with you." Then he said significant things to me that I was not to repeat. A very ancient karma existing between him and myself was renewed. It was not until many years later that I first realised the significance of that meeting.' - Ita Wegman Ita Wegman was one of Rudolf Steiner's most important co-workers, collaborating with him principally in the field of Medicine - co-authoring the key book Extending Practical Medicine and heading the Medical Section of the School of Spiritual Science. In the background to that external work, however, was an esoteric connection. In this seminal work of karma research, the authors attempt, sensitively and with responsibility, to shed light on that spiritual and karmic history. Written for members of the Anthroposophical Society, this book is a profound study of a series of different incarnations linked to the figures of Ita Wegman and Rudolf Steiner. Spread over six disparate lifetimes, they range from Gilgamesh and Eabani (Enkidu) in Uruk, ancient Chaldea, to the Goetheanum in Dornach, Switzerland, the twentieth-century setting of the world centre of anthroposophy. Based on copious historical research, verbal statements and not a little spiritual insight, this rare and valuable work, reprinted here for the first time, features many illustrations and facsimiles of documents and personal letters.

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The haunting new novel from Paul Bailey, whose work has been short-listed twice for the Booker Prize. At the age of seventy, Andrew Peters looks back across the years to remember life with his doting Uncle Rudolf, who rescued him from fascist Romania as a child. Vivid, often hilarious, stories of Rudolf’s brilliant but blighted singing career are intertwined with the slow unfolding of secrets that have shadowed Andrew’s otherwise happy life. Told in matchless prose, this deeply moving novel captures a vanished epoch with exquisite tact and restraint.

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'The great importance of these plays is not that we are given many thoughts to further our understanding of anthroposophy, but that we are shown the transforming power of spiritual striving in individual lives, and especially the development in human relationships through an awareness of the forces of destiny. In this respect the Mystery Plays are unique.' - from the Foreword In writing and producing his Mystery Plays, Rudolf Steiner offered his spiritual observations and concepts from a fresh, artistic perspective. The dramas appeared in the context of the movement of 'Theatrical Realism' - during a period when only a handful of dramatists attempted representations of a spiritual world, and these mostly under the guise of fantasy. In introducing spiritual beings to the stage, and showing their connections with human beings, Steiner was pioneering a drama for the future. Eileen Hutchins' classic work on Steiner's Mystery Plays provides a thoughtful commentary that helps us enter the minds and souls of the characters. Through gaining insights into their relationships and inner lives, and the problems and situations with which they are faced, the characters are brought to life. Gradually, we begin to see possible solutions to the complex web of their difficulties.

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‘Development in the science of the spirit will always … involve what we may call developing the inner meaning and inner configuration of our language.’ – Rudolf Steiner Our present-day language cannot easily convey spiritual concepts. Rudolf Steiner’s search for the words and style to bring to expression a contemporary spiritual worldview epitomises this. In seven organically developing chapters, this little book presents Martina Maria Sam’s long-standing research into this subject. As a writer, editor and lecturer she observed the increasing difficulty that many people – particularly those with an academic training – have with Steiner’s style. However, this style was something that Rudolf Steiner developed very deliberately. As she states: ‘What was most important for me in this was to point out Rudolf Steiner’s intentions in his specific and often original linguistic forms and, consequently, to create the introductory basis for a deeper understanding.’ Gaining such understanding, she says, can in turn enable us to develop insight into the spirit. Sam begins by quoting some of Steiner’s contemporaries, who criticized his ‘grating’ style. She describes why he had to create new forms of expression and examines the specific character of his lectures. She considers two comprehensive stylistic principles that permeate Steiner’s entire body of work, and his special handling of the pictorial element in language. Close attention is paid to Rudolf Steiner’s construction of meditative verses and mantras, and the development of an artistic, linguistically-creative element that will only be possible in the future.

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Rudolf Polanszky s cerebral and uniquely multidisciplinary work embraces the chance occurrences that arise throughout the creative process. The recent works presented in this volume exemplify the canvas-mounted and floor-based assemblages that he has been developing since the 1990s. To make his richly textured assemblages, Polanszky shatters and recombines salvaged industrial materials including acrylic glass, aluminum, silicone, and wire into purely aesthetic forms, freeing them of their original contexts. An essay by Francesco Stocchi considers the artist s work in relation to the concept of the void, while a conversation with the artist by Hans-Ulrich Obrist offers an overview of Polanszky s career. These illuminating texts are accompanied by full-color plates, ample rich details, and photographs of the artist at work in his studio.

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Rudolf Nuréiev fue un bailarín clásico que nacióen la Unión Soviética y está considerado uno delos mejores bailarines del siglo xx. Bailarín precoz,comenzó muy tarde sus estudios de danzadebido a la Segunda Guerra Mundial. Reconocidomundialmente, pudo salir de su país parabailar en ciudades de todo el mundo. En uno deestos viajes pidió asilo político y se establecióen Europa. Fue director del Ballet de la Óperade París, donde se convirtió en una celebridad.Enfermo de sida, su temperamento rebelde y altanerole ayudó a sobrellevar la enfermedad convalentía hasta su muerte a los 54 años en 1993.

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Although many of the practical activities that arise from Rudolf Steiner's work are well publicized, the philosophy that stands behind them remains largely hidden. Thousands of parents send their children to Rudolf Steiner (Waldorf) schools around the world, while biodynamic farming (the Demeter brand) and anthroposophical medicine are gaining increasing recognition. Yet despite all this and much other visible work, few are aware of the richness of Rudolf Steiner's world view, anthroposophy. Steiner's original contribution to human knowledge was based on his ability to conduct 'spiritual research', the investigation of metaphysical dimensions of existence. With his scientific and philosophical training, he brought a new systematic discipline to the field, allowing for conscious methods and comprehensive results. Francis Edmunds' introduction - here revised and updated - covers the fundamental areas of Steiner's philosophy, beginning with a brief outline of his life. Edmunds describes anthroposophy as a 'way to higher knowledge', and outlines the threefold nature of the human being. He delves into the secrets of human evolution and history, the basic elements of child development, and many further aspects of Steiner's vast teaching. This is a warm and clear introduction to anthroposophy which will prove of value to anybody wishing to understand Steiner's work.

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Rudolf Friml (1879-1972) is best remembered for his romantic 1920s operettas. Born in Prague, where he studied with Dvorak, Friml moved to the United States in 1906 and pursued a career as a concert pianist and composer. Beginning in 1912, he wrote music in different styles for Broadway, and in 1914, he joined Irving Berlin and Victor Herbert as charter members of the American Society of Composers, Authors and Publishers (ASCAP). William Everett examines Friml's wide-ranging career within the larger historical contexts of the American operetta, the Indianist movement, Francophilia, Orientalism, and romantic nostalgia. Friml's gift for evoking faraway times and places led to works like Rose Marie, with its Canadian setting, while his use of formulaic Native American motifs produced "Totem Tom Tom" and the popular (and oft-parodied) "Indian Love Call." Friml also created music for films, often based on his popular musicals. Parallel to this stage and screen activity, he composed piano concertos, orchestral works, and piano pieces and songs.

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How might we improve the way we organize society, so that human beings can live in greater peace, dignity and justice? Against a background of chronic discontent and social conflict around the globe, Richard Masters presents a comprehensive survey of Rudolf Steiner's work on societal reform, sifting through and summarizing the content of dozens of books, lectures and discussions. Rudolf Steiner (1861-1925) is not known today for his social thinking, but he wrote and spoke at length on such issues during and after WWI, engaging with audiences ranging from royalty, politicians and business owners to illiterate, dispossessed factory workers. Central to his ideas was his 'threefold' approach to politics, economics and culture, arguing that their roles should be clarified and the three spheres allowed to thrive independently. Drawing on the full range of source material - including much not yet available in English - the author reveals the continuing relevance of Steiner's work to our contemporary situation. With an emphasis on accessibility, he builds up the subject methodically, studying the main ideas from differing perspectives. He also provides candid reflections on the degree to which Steiner's proposals are still applicable to current policy and practice. Authoritative and yet jargon-free, Rudolf Steiner and Social Reform offers innovative and stimulating ideas for anyone concerned with the state of our world.

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'I rang the bell, the door opened, and there stood Rudolf Steiner in person. I was so taken aback that I dropped the basket which burst open and all my clothes and underclothes, together with my other belongings, were lying at the feet of the Doctor. A ball of wool got away and rolled between Dr Steiner's feet into the long corridor. Somewhat surprised, but amused, he said: "I have never been greeted in this way."' Anna Samweber (1884-1969), an active coworker in Berlin with Rudolf Steiner and Marie Steiner-von Sivers, presents a lively, homely, and often moving collection of anecdotes and recollections. Recorded by Jacob Streit during an intensive two-day session, this short work offers a warm, illuminating and intimate picture of Rudolf Steiner, the man and his work, during a critical phase in the development of anthroposophy.

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'Truth is simple only for those who first wrestle their way though multiplicity. It is like a thread of many pearls.' - Rudolf Steiner Like pearls in the oyster, pearls of thought are easily overlooked. Lying hidden in texts, they keep their light under a bushel, serving the greater framework and context. But if we draw them out they begin to shine, revealing their translucent facets and intrinsic harmony. In this meditative treasure, the editor has harvested and threaded together such pearls from Rudolf Steiner's books, creating new textures and striking panoramas. Dynamic constellations of thought arise, allowing us unusual and surprising access to Steiner's spiritual and philosophical thinking. In contrast to the prevailing view that meaning arises only in context, these self-sufficient verbal universes show us that the opposite can also be true. The pearls of thought in this compact pocket book acquire enhanced meaning in isolation, mysteriously becoming independent of the thoughts and phrases that precede or follow them. This collection of quotations, free of jargon or technical terminology, is accessible to all readers interested in developing a meaningful understanding of the human being's place in the world and cosmos.

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The philosopher and educationalist Rudolf Steiner was also a radical dramatist who wrote four lengthy and complex plays. The first of these, The Portal of Initiation, is rich in content and artistically presented, but leaves us with questions: Why is the first scene so long and many speeches so lengthy? Why are our usual expectations of drama not met? Was Steiner really a competent dramatist? In this essential guide, Trevor Dance suggests that the first step to appreciating The Portal of Initiation is to understand Steiner's methods. The play belongs to the tradition of Mystery Dramas from ancient times - artistic works intended as vehicles for inner development. Steiner thus combines aspects of Goethe's alchemical fable The Green Snake and the Beautiful Lily with the spiritual growth of contemporary individuals - all in the broader context of reincarnation and karma. With accessibility in mind, the author provides a clear synopsis of each scene and introduces us to the characters - a collection of rustics, sophisticates, hierophants and spiritual entities. Their dilemmas and challenges take place on many layers of reality: from a room in Sophia's house to the exalted Sun Temple. Revealing the enigmas behind the creation and content of The Portal of Initiation, Dance enables us not only to enjoy the play, but also to love it. His lucid guide - the first of its kind - is an ideal introduction for both individual readers and study groups.

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Rudolf Steiner's architectural masterpiece, the double-domed building known as the first Goetheanum, featured decorated ceilings that were designed and partly painted by Steiner himself, utilizing vegetable colors and a new layering technique. Steiner emphasized that he was seeking a new artistic conception based on a conscious understanding of the nature of color. Contemporaries report the extraordinary effect of the domed ceilings' paintings combined with the multicolored light emanating from the engraved glass windows. The cupolas depicted the creation and ages of the world, the initiators of the various cultural epochs and the figure of Christ. Tragically, the 'complete work of art' that was the first Goetheanum burned down on New Year's Eve 1922 - so today we can only get an impression of the lost paintings and windows from Rudolf Steiner's pastel sketches and drawings and a handful of photographs. In this lavish volume, the result of decades of research and study, Hilde Raske provides a detailed examination of the artistic work on the two cupolas, including Rudolf Steiner's draft sketches and his written and verbal statements. Featuring 30 color and more than 100 black-and-white illustrations, this printing is a high-quality facsimile of the long out-of-print original edition from 1983. HILDE RASKE, an artist and eurythmist, worked and experimented for many years to understand Rudolf Steiner's art and use of color. Raske grew so familiar with his unique works that she could vividly and clearly describe every detail. She referred to Steiner's artworks as 'events' in color and light-and-dark, with living colors that 'spoke' to her. It is said that, in the course of the many years preparing the manuscript for The Language of Color in the First Goetheanum, she would remark: 'I can hear my paintings. And if I don't hear them, then they're just not quite right yet.'

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Rudolf Steiner's spiritual philosophy is the inspiration for many successful initiatives in the world today, from the international Steiner Waldorf school movement to biodynamic agriculture and its increasingly popular produce. Steiner developed his philosophy in dozens of books and many thousands of lectures. His teaching contains dozens of new concepts and ideas, and as a result he had often to create his own vocabulary. In this practical volume - a companion to his Anthroposophy, A Concise Introduction - Henk van Oort gives concise definitions of many terms and concepts in Steiner's worldview, from the most commonplace to the more obscure. Anthroposophy A-Z can be used as a reference guide, but also as a gateway into Rudolf Steiner's manifold world of spiritual ideas and concepts. Anthroposophy can be seen to be a new language - a language that can lead to the world of the spirit. It was with this awareness that Henk van Oort took the initiative to write this glossary. Ultimately, he has written the sort of inspiring handbook that he wished had existed when he first became acquainted with anthroposophy over 40 years ago.

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New in the critically acclaimed Little People, BIG DREAMS series, discover the life of Rudolf Nureyev, one of the greatest male ballet dancers of all time. Rudolf fell in love with dance as a child. But he was not allowed to go to ballet school until he was 17. There, he had to make up for lost time and hone his skills to compete with the other dancers. As a professional, he dazzled audiences with sensational performances and star power. He went on to become a world-renowned choreographer and master of perfection in dance. This inspiring book features stylish and quirky illustrations and extra facts at the back, including a biographical timeline with historical photos and a detailed profile of the dancer's life.Little People, BIG DREAMS is a bestselling biography series for kids that explores the lives of outstanding people, from designers and artists to scientists and activists. All of them achieved incredible things, yet each began life as a child with a dream. This empowering series of books offers inspiring messages to children of all ages, in a range of formats. The board books are told in simple sentences, perfect for reading aloud to babies and toddlers. The hardback and paperback versions present expanded stories for beginning readers. With rewritten text for older children, the treasuries each bring together a multitude of dreamers in a single volume. You can also collect a selection of the books by theme in boxed gift sets. Activity books and a journal provide even more ways to make the lives of these role models accessible to children.Inspire the next generation of outstanding people who will change the world with Little People, BIG DREAMS!

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'If such authentic souls, such honest anthroposophists can be found ...then an upward movement and dynamic will arise. If such souls do not appear, then decadence will take its inexorable downward course...Today humanity stands before a great crisis: either it will see all civilization collapsing into the abyss, or else spirituality will raise civilization up by the power of the Michael impetus, through which the Christ impetus works, thus continuing, enriching and sustaining it.' In 1924, the final full year of his life, Rudolf Steiner gave a series of urgent, sometimes impassioned, talks to members of the Anthroposophical Society regarding their karma and its relationship to the culture of the time, referring in particular to the vital task of renewing civilization and preserving it from the threat of decline. Steiner's words characterize vividly a great spiritual battle, of forces gathering to fight for the soul of humanity itself. He presents a striking panorama in which anthroposophists are compelled to broaden their vision; to see true esoteric and exoteric anthroposophical work as a live yeast that can set all culture rising. To waken the members of the Society to the dimensions of their task, Steiner saw it as essential that they begin to understand the many different karmic threads from which the movement is woven. This recognition - of difference as much as unity - can give the strength of diversity which, if unconscious and unrecognized, leads easily to division. In the lectures and excerpts compiled here Steiner speaks of the unprecedented convergence of two specific groups of souls within the anthroposophical movement: the Platonists and the Aristotelians. In the karmic background lies a conflict of approaches, but the task today calls for a unity based on love and knowledge; to work with Michael and Christ in the face of Ahriman, materialism and the possibility of civilization collapsing into decadence. Given the challenges faced by humanity today, it has, perhaps, never been more urgent for those who ally themselves with Rudolf Steiner's work to study, absorb and take to heart the contents of this critically important material.

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This instant New York Times bestselling “dynamic detective story” (The New York Times) reveals the hidden history Rudolf Diesel, one of the world’s greatest inventors, and his mysterious disappearance on the eve of World War I.September 29, 1913: the steamship Dresden is halfway between Belgium and England. On board is one of the most famous men in the world, Rudolf Diesel, whose new internal combustion engine is on the verge of revolutionizing global industry forever. But Diesel never arrives at his destination. He vanishes during the night and headlines around the world wonder if it was an accident, suicide, or murder. After rising from an impoverished European childhood, Diesel had become a multi-millionaire with his powerful engine that does not require expensive petroleum-based fuel. In doing so, he became not only an international celebrity but also the enemy of two extremely powerful men: Kaiser Wilhelm

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Rudolf Steiner, the founder of Anthroposophy, is a pivotal figure in contemporary esoteric thought. Through his books and lectures he provided an impetus for the spiritual renewal of many human activities, including education (Steiner Waldorf schools), agriculture, medicine, economics, the arts and religion. Steiner showed how mankind has been evolving and explained the role of the great spiritual world leaders in the process. Above all he showed how the impulse to evolution given by Christ's death and resurrection - what he referred to as the Mystery of Golgotha - is of unique importance in the human being's struggle to reach the summit of evolution: union with the higher self. Bernard Nesfield-Cookson here shows how Rudolf Steiner's vision of love, the transformative power brought by Christ, unites the forces of the head and heart towards a spiritual awakening among mankind. Gathering together references to the 'logic of the heart' from throughout Steiner's work, the author encapsulates the great teacher's revelations on the meaning of love, and indicates the supreme importance of the greatest of all deeds of love: the Mystery of Golgotha.

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As demonstrated in this book, Rudolf Steiner had the ability to speak to the British in a very lively an d direct way. This volume provides readers with a fuller pic ture of Steiner''s work in Britain and his approach to esoter ic ideas whilst here. '

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Can Rudolf Steiner's spiritual science shed any meaningful light on one of the most materialistic of human pursuits: research on the atom?Physics teacher Keith Francis believes it can. He traces the concept of the atom from ancient Greece to contemporary quantum physics, all the time relating this compelling quest to relevant statements made by Rudolf Steiner.He concludes that there are, in fact, many connections and parallels between Steiner's thinking and atomic research, and that each illuminates the other in a revealing and inspiring way.This is an ideal book for Steiner-Waldorf teachers looking for a deeper understanding of science.

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Following an unorthodox first meeting in London in 1964, Patricia Boccadoro got to know Rudolf Nureyev on a personal basis after she moved to live in Paris in the 1970s. In this amusing, informative book, she recounts how exciting it was to see him dance in those heady London years, during his legendary partnership with Margot Fonteyn, before giving a lucid account of his directorship of the Paris Opera Ballet, making it into one of the finest companies in the world. The book culminates with his legacy, demonstrating how, with his extreme intelligence, glamour and passion, he changed the image of the male dancer, making them the equal of the ballerina. Above all, the lively reminiscences of those closest to him, along with a selection of photographs, many rarely seen or unpublished, bring Rudolf to life, casting off the image of a temperamental superstar, and painting a true picture of the immensely kind, fun-loving man behind one of the greatest artists of the twentieth century.

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Rudolf Steiner advised that specific 'accompanying', or 'fundamental', spiritual exercises should always be carried out in conjunction with meditation, in order to protect the individual from dangers posed to normal consciousness. Florin Lowndes describes these fundamental exercises in thorough detail, giving suggestions as to how they can be carried out.

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Este libro consta de dos partes, la primera Prokofieff nos demuestra cómo Rudolf Steiner, siendo un iniciado de tan alto nivel espiritual, fue capaz por primera vez en la historia, de actuar públicamente entre los seres humanos, e investigar y describir el mundo espiritual con la misma exactitud y claridad que se aplica a la investigación de la naturaleza.En la otra parte del libro vemos cómo la substancia de Amor con la que se creó la Piedra de Fundación será la base de un nuevo Cosmos de Amor en el que los seres humanos podrán colaborar a través de ella.Es preocupante y enriquecedora la visión que nos da Rudolf Steiner ya en su época, sobre los efectos destructivos en el cuerpo etéreo que pueden tener ciertas manifestaciones de la vida cultural, como el cine y los ordenadores.SERGEJ O. PROKOFIEFF nació en 1954 en Moscú.Se licenció en Historia del Arte y Pintura en la Escuela Superior de Arte. En su juventud encontró la Antroposofía y decidió dedicarle su vida.

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NOW A MAJOR FILM BY RALPH FIENNES, THE WHITE CROW'A gripping account of an extraordinary life' Daily Telegraph Born on a train in Stalin's Russia, Rudolf Nureyev was ballet's first pop icon. No other dancer of our time has generated the same excitement - both on and off stage.Nureyev's achievements and conquests became legendary: he rose out of Tatar peasant poverty to become the Kirov's thrilling maverick star; slept with his beloved mentor's wife; defected to the West in 1961; sparked Rudimania across the globe; established the most rhapsodic partnership in dance history with the middle-aged Margot Fonteyn; reinvented male technique; gatecrashed modern dance; moulded new stars; and staged Russia's unknown ballet masterpieces in the West. He and his life were simply astonishing.'Magnificent, a triumph. Captures every facet of this extraordinary man' Mail on Sunday'The definitive study of a man who, in his combination of aesthetic grace and psychological grime, can truly be called a sacred monster' Observer'Undoubtedly the definitive biography' Sunday Telegraph

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Rudolph Hess flight to Britain in May 1941 stands out as one of the most intriguing and bizarre episodes of the Second World War. In The Truth About Rudolph Hess, Lord James Douglas-Hamilton explores many of the myths which still surround the affair. He traces the developments which persuaded Hess to undertake the flight without Hitlers knowledge and shows why he chose to approach the Duke of Hamilton. In the process he throws light on the importance of Albrect Haushofer, one-time envoy to Hitler and Ribbentrop and personal advisor to Hess, who was eventually executed by the SS for his involvement in the German Resistance movement. Drawing on British War Cabinet papers and the authors unparalleled access to both the Hamilton papers and the Haushofer letters, this new and expanded edition of The Truth About Rudolph Hess takes the reader into the heart of the Third Reich, combing adventure and intrigue with a scholarly historical approach.

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Rezensionen der 2. Auflage: "So ist diese Bultmann-Biographie nicht nur als einfühlsam verfasste Lebensbeschreibung empfehlenswert, sondern auch jedem an der Ideen- und Geistesgeschichte des 20. Jahrhunderts und an der Geschichte der Bibelwissenschaft Interessierten als lehrreiche Lektüre ans Herz zu legen."Michael Zugmann in Theologisch-praktische Quartalsschrift 159 (2011), S. 414-415"Dieses eindrucksvolle Lebensbild schließt mit einer detaillierten und weiterführenden Bibliograhie und Personenregister, welche noch einmal die erstaunliche Weise und Tiefe von Bultmanns Forscherleben wie die breite Resonanz und Wirkungsgeschichte in der theologischen Literatur (511-82) vor Augen führen."R. Oberforcher in Zeitschrift für Katholische Theologie 132 (2010), S. 222-223"Ein Abschnitt über das Öffentliche Gedenken beschliesst diesen höchst bemerkenswert geschriebenen Lebens- und Denkweg dieses höchst bemerkenswerten Theologen des zwanzigsten Jahrhunderts."Hans Weder in Göttingische Gelehrte Anzeigen 262 (2010), S. 189-213"[...] danke ich für viele neue Informationen und empfehle das Buch dringend sowohl denen, die Bultmann auch weiterhin im theologischen Diskurs mitsprechen lassen wollen, als auch jenen, die ihn nur noch als Negativ-Folie zu nennen gewohnt sind."Matthias Dreher in Evangelische Theologie 70 (2010), S. 234-239

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Described as one of the greatest mass-murderers in history, Rudolf Hoss, was born in Baden-Baden, on the edge of Germany's Black Forest region, on 11 December 1901\. As a child, his aim was to join the priesthood, but in his early youth he became disillusioned with religion and turned instead to the Army. Hoss joined the 21st Regiment of Dragoons, his father's and grandfather's old regiment, at the age of just 14\. He served with the Ottoman Army in its fight against the British, serving in Palestine and being present at the Siege of Kut-el-Amara. During this period, he was promoted to the rank of Feldwebel, becoming, at that time, the youngest Non-commissioned officer in the German Army. He was also decorated, receiving among other awards the Iron Cross, First and Second class. In the midst of the political upheavals in post-war Germany, Hoss was drawn to the hard-line philosophies of Adolph Hitler, joining the Nazi Party in 1922\. His ruthless commitment to the Nazi cause saw him convicted of participating in at least one political assassination, for which he spent six years in prison. Predictably, Hoss joined the SS and in 1934 became a Blockfuhrer, or Block Leader, at Dachau concentration camp. His ruthless dedication led to him becoming the adjutant to the camp commandant at another concentration camp, Sachsenhausen. Then, in May 1940, Hoss was given command of his own camp near the town of Auschwitz. In June 1941, Hoss was told that Auschwitz had been selected as the site for the Final Solution of the Jewish question. Hoss set about his task with relish, and a determination to kill as many Jews as quickly and efficiently as possible. By his own estimation, he was responsible for the deaths of at least 3,000,000,000 individuals. Justice caught up with Hoss after the German surrender when he was arrested on 11 March 1946, after a year posing as a gardener under a false name. He was found guilty of war crimes and was hanged on 16 April 1947.

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On 10 May 1941, Rudolf Hess - Deputy Fuhrer of the Third Reich - embarked on his astonishing flight from Augsburg to Scotland. At dusk the same day, he parachuted on to a Scottish moor and was taken into custody. His arrival provoked widespread curiosity and speculation, which has continued to this day. Why did Hess fly to Scotland? Had Hitler authorized him to attempt to negotiate peace? Was British Intelligence involved? What was his state of mind at the time? Drawing on a variety of reliable archive and eyewitness sources in Britain, Germany and the USA, authors Roy Conyers Nesbit and Georges van Acker have written what must be the most objective assessment of the Hess' story yet to be published. Their compelling narrative not only dispels many of the extraordinary conspiracy theories, but also uncovers some intriguing new facts.

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From Joseph Vogelsang and his mysterious peep-box to Hollywood blockbusters and Netflix, R.A. Savoldelli’s survey of cinema and film is based on practical experience – he was once the enfant terrible of Swiss cinema – and years of contemplation and study. He examines the difference between film as the ‘hypnotic monster’ referred to by the Italian director Pier Paolo Pasolini, and the art of film that Rudolf Steiner aspired to. The author depicts the historical development of cinema from its origins, paying particular attention to science fiction – from Star Wars to The Matrix – and influential filmmakers such as Eric Rohmer, Andrei Tarkovsky and Pasolini. As a scholar of anthroposophy, Savoldelli gives a comprehensive assessment of Rudolf Steiner’s attitude to film. In addition to frequenting the silent cinema of his time, Steiner made several statements about the new artform in his lectures, letters and private discussions. The author examines and interprets these and complements them with commentary on Steiner’s attempt to produce a film on the theme of reincarnation and karma as well as his explorations with Jan Stuten of ‘light-show art’. Other topics in this penetrating study include: ‘Basic philosophical stances in the pioneer period of media studies’; ‘Steiner’s prophetic warnings about a technocratic form of civilization that will destroy humanity’; ‘Nostalgia for the art-house cinema that emerged in the 60s’; and ‘The project discussed by Alexander Kluge and Andrei Tarkovsky for a film based on Rudolf Steiner’s From the Akashic Records’. Anyone interested in the cinematic arts will find a treasure of stimulating ideas and new thought in this unique book.

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Rudolf Steiner painted his Archetypal Plant watercolour in 1924, at a time when contemporary scientific methodologies were emerging and nature was being examined under the microscope. In contrast to the dissecting tendencies of natural science, however, Steiner's painting depicts the living, dynamic potential which stands behind the plant - lifting us out of the specific genus and providing an image of the growing and formative forces inherent within each individual plant. Researching Rudolf Steiner's painting of the Archetypal Plant can help reconnect our outer sense-perceptions with the inner realm of imaginative cognition, releasing us from the spell of matter. To support and enliven such research work and processes, Angela Lord surveys her subject-matter from various aspects, including the historical, evolutionary relationships we share with plants; the representation of plants in art and architecture; plant myths and legends; poetry inspired by flower imagery; cosmic aspects of nature, including earth's relationships to the sun, moon, planets and stars; formative, creative forces of colours and their relationships to plant forms; and finally, working artistically and painting the Archetypal Plant motif itself. In developing a broad overview, the author forms a deeper, more complete picture of the plant world, paying homage to its diverse characteristics, and stimulating new perceptions and perspectives. This book is richly illustrated with full-colour images.

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