Search results for ""Author Rori!""

At a moment when France was coming to new prominence in the production of furniture and fashion, the fairy tales of Marie-Catherine d’Aulnoy (1652–1705) and Henriette-Julie de Murat (1670–1716) gave pride of place to richly detailed descriptions of palaces, gardens, clothing, and toys. Through close readings of these authors’ descriptive prose, Rori Bloom shows how these practitioners of a supposedly minor genre made a major contribution as chroniclers and critics of the decorative arts in Old Regime France. Identifying these authors’ embrace of the pretty and the playful as a response to a frequent critique of fairy tales as childish and feminine, Making the Marvelous demonstrates their integration of artisan’s work, child’s play, and the lady’s toilette into a complex vision of creativity. D’Aulnoy and Murat changed the stakes of the fairy tale, Bloom argues: instead of inviting their readers to marvel at the magic that changes rags to riches, they enjoined them to acknowledge the skill that transforms raw materials into beautiful works of art.

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The history of women’s activism in St. Louis began long before 1920, when Missouri ratified the Nineteenth Amendment and gave women the right to vote. Women have always been a fundamental—but too often unfairly forgotten—part of what made St. Louis a great American city. By taking a closer look at decades of St. Louis women from every race, class, and creed, a richer picture of the entire city’s history begins to emerge. In Groundbreakers, Rule-Breakers, & Rebels, Katie J. Moon tells the stories of fifty female pioneers with ties to St. Louis, from European-born settlers like Marie-Thérèse Bourgeois Chouteau to early-twentieth-century cookbook author Irma Rombauer and renowned activist poet Maya Angelou. Moon also uncovers histories of lesser-known figures who proved equally important to building the foundations of this city. Whether world-famous or not, each of the trailblazing women in this book faced a host of specific obstacles and restrictions in their chosen fields that existed solely because of their gender. Their victories were all hard won and well earned. ​ Illustrated by St. Louis artist Rori! and published to coincide with the Missouri History Museum’s exhibit Beyond the Ballot: St. Louis and Suffrage, this book is the only one of its kind. Groundbreakers, Rule-Breakers, & Rebels not only expands the story of women’s suffrage beyond the fight to win the right to vote, it also reveals how generations of fearless female fighters can be found throughout American history, in any city where you might look.

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Collecting diverse critical perspectives on the topic of play—from dolls, bilboquets, and lotteries, to writing itself—this volume offers new insights into how play was used to represent and reimagine the world in eighteenth-century France. In documenting various modes of play, contributors theorize its relation to law, religion, politics, and economics. Equally important was the role of “play” in plays, and the function of theatrical performance in mirroring, and often contesting, our place in the universe. These essays remind us that the spirit of play was very much alive during the “Age of Reason,” providing ways for its practitioners to consider more “serious” themes such as free will and determinism, illusions and equivocations, or chance and inequality. Standing at the intersection of multiple intellectual avenues, this is the first comprehensive study in English devoted to the different guises of play in Enlightenment France, certain to interest curious readers across disciplinary backgrounds.

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Collecting diverse critical perspectives on the topic of play—from dolls, bilboquets, and lotteries, to writing itself—this volume offers new insights into how play was used to represent and reimagine the world in eighteenth-century France. In documenting various modes of play, contributors theorize its relation to law, religion, politics, and economics. Equally important was the role of “play” in plays, and the function of theatrical performance in mirroring, and often contesting, our place in the universe. These essays remind us that the spirit of play was very much alive during the “Age of Reason,” providing ways for its practitioners to consider more “serious” themes such as free will and determinism, illusions and equivocations, or chance and inequality. Standing at the intersection of multiple intellectual avenues, this is the first comprehensive study in English devoted to the different guises of play in Enlightenment France, certain to interest curious readers across disciplinary backgrounds.

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