Search results for ""Author Roger Welsch""

“Who’s a good dog?!” They’re ALL good dogs, that’s who! Big or little, pedigree or mutt, rolling in stinky stuff, or stealing a T-bone meant for the barbecue grill, dogs are humankind’s best hope for sanity in trying times. Dogs are eternally optimistic and somehow know how to comfort the more fragile human psyche. In A Life with Dogs Roger Welsch celebrates his lifelong admiration (as well as envy) of the canine spirit. And yet, for all their evident intellectual transparency, dogs also seem to have an understanding of life—and death—well beyond the grasp of those who think they own them. Dogs are great friends, nurses, workmates, and, if we are good students, great professors of philosophy. Roger laughs and wonders at their wile and beauty—and always appreciates that, wild or domestic, they know more about humans than we may ever know about them. Roger still mourns the dogs he has lost, and though he missed having a warm ear to rub now and then, he dared not risk further loss. Then an older dog in need came along, and Roger adopted Triumph, the Compliment Dog. With humankind’s best friend nearby, all is not lost.

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Plains folklorist Roger L. Welsch has edited a lively collection of stories by some master yarnspinners—those old-time traveling horse traders. Told to Federal Writers' Project fieldworkers in the 1930s, these stories cover the span of horse trading: human and equine trickery, orneriness, debility—and generosity.

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When he was out playing Indian, enacting Hollywood-inspired scenarios, it never occurred to the child Roger Welsch that the little girl sitting next to him in school was Indian. A lifetime of learning later, Welsch’s enthusiasm is undimmed, if somewhat more enlightened. In Embracing Fry Bread Welsch tells the story of his lifelong relationship with Native American culture, which, beginning in earnest with the study of linguistic practices of the Omaha tribe during a college anthropology course, resulted in his becoming an adopted member and kin of both the Omaha and the Pawnee tribes. With requisite humility and a healthy dose of humor, Welsch describes his long pilgrimage through Native life, from lessons in the vagaries of “Indian time” and the difficulties of reservation life, to the joy of being allowed to participate in special ceremonies and developing a deep and lasting love of fry bread. Navigating another culture is a complicated task, and Welsch shares his mistakes and successes with engaging candor. Through his serendipitous wanderings, he finds that the more he learns about Native culture the more he learns about himself—and about a way of life whose allure offers true insight into indigenous America.

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2017 Nebraska Book Award Nonfiction: Folklore One day Roger Welsch ventured to ask his father a delicate personal question: “Why am I an only child?” His father’s answer is one of many examples of the delightful and laughter-inducing ribald tales Welsch has compiled from a lifetime of listening to and sharing the folklore of the Plains. More narrative than simple jokes, and the product of multiple retellings, these coarse tales were even delivered by such prudish sources as Welsch’s stern and fearsome German great-aunts. Speaking of cucumbers and sausages in a toast to a newly married couple, the prim and proper women of Welsch’s memory voice the obscene and unspeakable in stories fit for general company. Why I’m an Only Child and Other Slightly Naughty Plains Folktales is Welsch’s celebration of the gentle and evocative bits of humor reflecting the personality of the people of the Plains.

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After the Omaha Nation was officially granted its reservation land in northeastern Nebraska in 1854, Omaha culture appeared to succumb to a Euro-American standard of living under the combined onslaught of federal Indian policies, governmental officials, and missionary zealots. At the same time, however, new circular wooden structures appeared on some Omaha homesteads. Blending into the architectural environment of the mainstream culture, these lodges provided the ritual space in which dances and ceremonies could be conducted at a time when such practices were coercively suppressed. Drawing on the oral histories of forty Omaha elders collected in 1992, Dance Lodges of the Omaha People provides insights into how these lodges shaped Omaha cultural identity and illustrates the adaptive abilities of the modern Omaha tribe. The lodges replaced the diminished pre-reservation tribal institutions as maintainers of tribal cohesion and unity and at the same time provided an arena for selective acculturation of outside ideas and behaviors. A new afterword by the author highlights advances in research on these unique structures since 1992 and speculates on the connection between these lodges and the spread of the Omaha Hethushka dance across the Great Plains.

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