Search results for ""Author Robyn Creswell""

How poetic modernism shaped Arabic intellectual debates in the twentieth century and beyondCity of Beginnings is an exploration of modernism in Arabic poetry, a movement that emerged in Beirut during the 1950s and became the most influential and controversial Arabic literary development of the twentieth century. Robyn Creswell introduces English-language readers to a poetic movement that will be uncannily familiar—and unsettlingly strange. He also provides an intellectual history of Lebanon during the early Cold War, when Beirut became both a battleground for rival ideologies and the most vital artistic site in the Middle East. Arabic modernism was centered on the legendary magazine Shi‘r (“Poetry”), which sought to put Arabic verse on “the map of world literature.” The Beiruti poets—Adonis, Yusuf al-Khal, and Unsi al-Hajj chief among them—translated modernism into Arabic, redefining the very idea of poetry in that literary tradition. City of Beginnings includes analyses of the Arab modernists’ creative encounters with Ezra Pound, Saint-John Perse, and Antonin Artaud, as well as their adaptations of classical literary forms. The book also reveals how the modernists translated concepts of liberal individualism, autonomy, and political freedom into a radical poetics that has shaped Arabic literary and intellectual debate to this day.

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That Smell is Sonallah Ibrahim’s modernist masterpiece and one of the most influential novels written in Arabic since WWII. Composed after a five-year term in prison, the semi-autobiographical story follows a recently released political prisoner as he wanders through Cairo, adrift in his native city. Living under house arrest, he tries to write of his tortuous experience, but instead smokes, spies on the neighbors, visits old lovers, and marvels at Egypt’s new consumer culture. Published in 1966, That Smell was immediately banned and the print-run confiscated. The original, uncensored version did not appear in Egypt for another twenty years. For this edition, translator Robyn Creswell has also included an annotated selection of the author’s Notes from Prison, Ibrahim’s prison diaries—a personal archive comprising hundreds of handwritten notes copied onto Bafra-brand cigarette papers and smuggled out of jail. These stark, intense writings shed unexpected light on the sources and motives of Ibrahim’s groundbreaking novel. Also included in this edition is Ibrahim’s celebrated essay about the writing and reception of That Smell.

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“Reading Kilito has always been, for me, an adventure. Kilito dares the reader to travel with him, riding over the frontiers between fiction and reality, between literary criticism and storytelling. He is a writer with his own personal library; a reader who invents an imaginary present out of fragments drawn from the past. The Clash of Images is a marvelous book, a mysterious alchemy of tale and teller. This student of Roland Barthes proves the French master’s point: every critic could be a novelist in disguise.”—Elias Khoury, author of Gate of the Sun Abdelfattah Kilito’s The Clash of Images is an enchanting collection of linked stories set in a coastal city of memories. It is a time when the old Arabic world of texts and oral traditions is making way for something new—the modern era of the image, the comic book, photo IDs, and the cinema. Together, the stories form a kaleidoscopic memoir of growing up in two worlds, a brilliant mixture of cultural and family history. Here are tales of first kisses and first reads, Tintin and the Prophet Muhammad, fantasies of the Wild West, the inferno of the bathhouse, and the lost paradises of childhood. The Clash of Images is a magic lantern of a book, a celebration of storytelling and all its pleasures that is beautifully translated by Robyn Creswell, who won a PEN Translation Fund Award for this collection.

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Poetry has always been at the heart of Farrar, Straus and Giroux's identity, ever since Robert Giroux first brought T. S. Eliot to the company. FSG's personality and literary profile have been defined by both the poets and the prose writers who have made it an imprint with a unique place in American letters. The FSG Poetry Anthology includes work by every one of the more than one hundred poets FSG has published in its seventy-five-year history. Robert Lowell, Elizabeth Bishop, John Berryman, and Randall Jarrell were central to the first generation of those poets, followed by the international figures and Nobel laureates Nelly Sachs, Seamus Heaney, Joseph Brodsky, and Derek Walcott. Over time the list expanded to include James Schuyler, John Ashbery, C. K. Williams, Charles Wright, Yusef Komunyakaa, Grace Paley, Gjertrud Schnackenberg, Yehuda Amichai, Paul Valéry, Marianne Moore, Mina Loy, Ted Hughes, and Adam Zagajewski. Today Carl Phillips, Maureen N. McLane, Ange Mlinko, Ishion Hutchinson, Rowan Ricardo Phillips, Frederick Seidel, Henri Cole, francine j. harris, and Valzhyna Mort are among the poets who continue FSG's tradition as a premier discoverer and promoter of the most vital and distinguished contemporary poetic voices. Poetry and prose are two indissoluble sides of the same coin. This anthology offers a unique perspective on the best of contemporary literature over the past three generations. FSG president and long-time poetry editor Jonathan Galassi contributes a lively history of the role of poetry in the publishing house.

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To celebrate FSG's 75th anniversary, here is a unique anthology celebrating the riches and variety of its poetry list-past, present, and future Poetry has been at the heart of Farrar, Straus and Giroux's identity ever since Robert Giroux joined the fledgling company in the mid-1950s, soon bringing T. S. Eliot, John Berryman, Robert Lowell, and Elizabeth Bishop onto the list. These extraordinary poets and their successors have been essential in helping define FSG as a publishing house with a unique place in American letters. to the company. The FSG Poetry Anthology includes work by almost all of the more than one hundred twenty-five poets whom FSG has published in its seventy-five-year history. Giroux's first generation was augmented by a group of international figures (and Nobel laureates), including Pablo Neruda, Nelly Sachs, Derek Walcott, Seamus Heaney, and Joseph Brodsky. Over time the list expanded to includes poets as diverse as Yehuda Amichai, John Ashbery, Frank Bidart, Louise Glück, Thom Gunn, Ted Hughes, Yusef Komunyakaa, Mina Loy, Marianne Moore, Paul Muldoon, Les Murray, Grace Paley, Carl Phillips, Gjertrud Schnackenberg, James Schuyler, C. K. Williams, Charles Wright, James Wright, and Adam Zagajewski. Today, Henri Cole, francine j. harris, Ishion Hutchinson, Maureen N. McLane, Ange Mlinko, Valzhyna Mort, Rowan Ricardo Phillips, and Frederick Seidel are among the poets who are continuing FSG's tradition as a discoverer and promoter of the most vital and distinguished contemporary voices. This anthology is a wide-ranging showcase of some of the best poems published in America over the past three generations. It is also a sounding of poetry's present and future.

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In the beginning there was one language—one tongue that Adam used to compose the first poem, an elegy for Abel. “These days, no one bothers to ask about the tongue of Adam. It is a naive question, vaguely embarrassing and irksome, like questions posed by children, which one can only answer rather stupidly.” So begins Abdelfattah Kilito’s The Tongue of Adam, a delightful series of lectures. With a Borgesian flair for riddles, stories, and subtle scholarly distinctions, Kilito presents an assortment of discussions related to Adam’s tongue, including translation, comparative religion, and lexicography: for example, how, from Babel onward, can we explain the plurality of language? Or can Adam’s poetry be judged aesthetically, the same as any other poem? Drawing from the commentators of the Koran to Walter Benjamin, from the esoteric speculations of Judaism to Herodotus, The Tongue of Adam is a nimble book about the mysterious rise of humankind’s multilingualism.

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