Search results for ""Author Robin D.G. Kelley""

Surrealism as a movement has always resisted the efforts of critics to confine it to any static definition—surrealists themselves have always preferred to speak of it in terms of dynamics, dialectics, goals, and struggles. Accordingly, surrealist groups have always encouraged and exemplified the widest diversity—from its start the movement was emphatically opposed to racism and colonialism, and it embraced thinkers from every race and nation.Yet in the vast critical literature on surrealism, all but a few black poets have been invisible. Academic histories and anthologies typically, but very wrongly, persist in conveying surrealism as an all-white movement, like other "artistic schools" of European origin. In glaring contrast, the many publications of the international surrealist movement have regularly featured texts and reproductions of works by comrades from Martinique, Haiti, Cuba, Puerto Rico, South America, the United States, and other lands. Some of these publications are readily available to researchers; others are not, and a few fall outside academia's narrow definition of surrealism.This collection is the first to document the extensive participation of people of African descent in the international surrealist movement over the past seventy-five years. Editors Franklin Rosemont and Robin D. G. Kelley aim to introduce readers to the black, brown, and beige surrealists of the world—to provide sketches of their overlooked lives and deeds as well as their important place in history, especially the history of surrealism.

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From poisoned water and police violence in our cities, to gun massacres and hate-mongering on the presidential campaign trail, evidence that America is at war with itself is everywhere around us. The question is not whether or not it's happening, but how to understand the forces at work in order to prevent conditions from getting worse. Henry A. Giroux offers a powerful, far-reaching critique of the economic interests, cultural dimensions, and political dynamics involved in the nation's shift toward increasingly abusive forms of power. His analysis helps us to frame critical questions about what can and should be done to turn things around while we can. Reflecting on a wide range of social issues, Giroux contrasts Donald Trump's America with Sandra Bland's to understand who really benefits from politically fueled intolerance for immigrants, communities of color, Muslims, low-income families, and those who challenge state and corporate power. A passionate advocate for civil rights and the importance of the imagination, Giroux argues that only through widespread social investment in democracy and education can the common good hope to prevail over the increasingly concentrated influence of extreme right-wing politicians and self-serving economic interests. Praise for America at War with Itself: "This is the book Americans need to read now. No one is better than Henry Giroux at analyzing the truly dangerous threats to our society. He punctures our delusions and offers us a compelling and enlightened vision of a better way. America at War with Itself is the best book of the year."--Bob Herbert, Distinguished Senior Fellow at Demos and former Op-Ed columnist for the New York Times "In this current era of corporate media misdirection and misinformation, America at War with Itself is a must read for all Americans, especially young people. Henry Giroux is one of the few great political voices of today, with powerful insight into the truth. Dr. Giroux is defiantly explaining, against the grain, what's REALLY going on right now, and doing so quite undeniably. Simply put, the ideas he brings forth are a beacon that need to be seen and heard and understood in order for the world to progress."--Julian Casablancas "In America at War with Itself, Henry Giroux again proves himself one of North America's most clear-sighted radical philosophers of education, culture and politics: radical because he discards the chaff of liberal critique and cuts to the root of the ills that are withering democracy. Giroux also connects the dots of reckless greed, corporate impunity, poverty, mass incarceration, racism and the co-opting of education to crush critical thinking and promote a culture that denigrates and even criminalizes civil society and the public good. His latest work is the antidote to an alarming tide of toxic authoritarianism that threatens to engulf America. The book could not be more timely."--Olivia Ward, Toronto Star "America at War with Itself makes the case for real ideological and structural change at a time when the need and stakes could not be greater. Everyone who cares about the survival and revival of democracy needs to read this book." --Kenneth Saltman, Professor, University of Massachusetts Dartmouth, Author of The Failure of Corporate School Reform Henry A. Giroux's most recent books include The Violence of Organized Forgetting and America's Addiction to Terrorism. A prolific writer and political commentator, he has appeared in a wide range of media, including the New York Times and Bill Moyers.

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The story of how a national grassroots network fought a resurgence of the KKK and other fascist groups during the Reagan years, laying the groundwork for today’s anti-fascist/anti-racist movements."Smash fascism! Read this book!"—Tom Morello, songwriter and guitarist with Rage Against the Machine"Studying the John Brown Anti-Klan Committee will give readers an understanding of the complexity of deconstructing the weapon of white supremacy from the inside out. Thank you Hilary and James for the precision of this analysis, and the true north of this star."—adrienne maree brown, author of Pleasure Activism and Emergent StrategyIn June 1977, a group of white anti-racist activists received an alarming letter from an inmate at a New York state prison calling for help to fight the Ku Klux Klan's efforts to recruit prison staff and influence the people incarcerated. Their response was to form the first chapter of what would eventually become a powerful, nationwide grassroots network, the John Brown Anti-Klan Committee, dedicated to countering the rise of the KKK and other far-right white nationalist groups.No Fascist USA! tells the story of that network, whose efforts throughout the 1980s—which included exposing white supremacists in public office, confronting neo-Nazis in street protests, supporting movements for self-determination, and engagement with the underground punk scene—laid the groundwork for many anti-racist efforts to emerge since. Featuring original research, interviews with former members, and a trove of graphic materials, their story offers battle-tested lessons for those on the frontlines of social justice work today.Praise for No Fascist USA!:"Hilary Moore and James Tracy have written a magnificent book that not only corrects the record but helps explain the mercurial rise of white supremacist organizations in the 1970s, how the Klan was (temporarily) defeated, and why this period has been largely ignored. No Fascist USA! radically shifts our perspective, challenging the prevailing wisdom that racist terrorism rises in response to economic downturns, white downward mobility, or in a vacuum created by progressive alternatives. I love this book."—Robin D.G. Kelley, from the foreword"No Fascist USA! is not only timely, but also essential in the present period of accelerated white supremacist activity and anti-racist organizing to combat it. In telling the story of the John Brown Anti-Klan Committee, the authors, without romanticizing or condemning, draw important lessons from the fifteen-year history of the group."—Roxanne Dunbar-Ortiz, author of Loaded: A Disarming History of the Second Amendment“With its savvy blend of youth culture and street confrontation, the John Brown Anti-Klan Committee tried to stop Trumpism before Trump. They confronted the rise of white nationalism in prisons, workplaces, and music scenes when precious few paid attention to it . . . Hilary Moore and James Tracy have gifted us with an urgent read.”—Dan Berger, author of Captive Nation: Black Prison Organizing in the Civil Rights Era“James Tracy and Hilary Moore deliver a searing, bold new work that examines another painful and complicated chapter in American race relations. In an eye-opening account, They are able to connect the dots of the John Brown Anti-Klan Committee, a band of contemporary predominantly white activists, and its efforts to expose white supremacist organizations. With a fresh eye and new research, their book uncovers with stunning precision how these groups remain active and exposes some of their unlikely alliances.”—Laurens Grant, filmmaker, The Black Panthers: Vanguard of the Revolution and Freedom Riders“We learned from history. You can too!”—Terry Bisson, author of Fire on the Mountain and former member of the John Brown Anti-Klan Committee"This book is a must-read for anyone wanting to understand the roots of what happened in Charlottesville, and the burgeoning white nationalist membership lists in the U.S. today. We cannot possibly take on the challenges we face without learning from the past. This book is a necessary and long overdue contribution to inform the way forward."—Carla F. Wallace, co-founder, Showing Up for Racial Justice"I've waited thirty years for this book! Our emergency hearts have always driven uprisings to stop white terrorism, but it always takes more than black-bloc tactics in the streets to stop fascists. No Fascist USA! firmly connects today's militant anti-fascist street-fighting movements with important living radical histories to disrupt the cycles that keep the spectre of fascism alive in the modern era. The struggles faced by the John Brown Anti-Klan Committee continue today in our difficult arc towards collective liberation."—scott crow, author of Setting Sights: Histories and Reflections on Community Armed Self-Defense

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What is the meaning of freedom? Angela Y. Davis' life and work have been dedicated to examining this fundamental question and to ending all forms of oppression that deny people their political, cultural, and sexual freedom. In this collection of twelve searing, previously unpublished speeches, Davis confronts the interconnected issues of power, race, gender, class, incarceration, conservatism, and the ongoing need for social change in the United States. With her characteristic brilliance, historical insight, and penetrating analysis, Davis addresses examples of institutional injustice and explores the radical notion of freedom as a collective striving for real democracy - not something granted or guaranteed through laws, proclamations, or policies, but something that grows from a participatory social process that demands new ways of thinking and being. "The speeches gathered together here are timely and timeless," writes Robin D.G. Kelley in the foreword, "they embody Angela Davis' uniquely radical vision of the society we need to build, and the path to get there." The Meaning of Freedom articulates a bold vision of the society we need to build and the path to get there. This is her only book of speeches. "Davis' arguments for justice are formidable...The power of her historical insights and the sweetness of her dream cannot be denied."--The New York Times "One of America's last truly fearless public intellectuals." --Cynthia McKinney, former US Congresswoman "Angela Davis offers a cartography of engagement in oppositional social movements and unwavering commitment to justice." --Chandra Talpade Mohanty, Women's Studies, Hamilton College "Angela Davis deserves credit, not just for the dignity and courage with which she has lived her life, but also for raising important critiques of a for-profit penitentiary system decades before those arguments gained purchase in the mainstream." --Thomas Chatterton Williams, SFGate "Angela Davis's revolutionary spirit is still strong. Still with us, thank goodness!" --Virginian-Pilot "Long before 'race/gender' became the obligatory injunction it is now, Angela Davis was developing an analytical framework that brought all of these factors into play. For readers who only see Angela Davis as a public icon ...meet the real Angela Davis: perhaps the leading public intellectual of our era." --Robin D. G. Kelley author of Thelonious Monk: The Life and Times of an American Original "There was a time in America when to call a person an 'abolitionist' was the ultimate epithet. It evoked scorn in the North and outrage in the South. Yet they were the harbingers of things to come. They were on the right side of history. Prof. Angela Y. Davis stands in that proud, radical tradition." --Mumia Abu-Jamal, author of Jailhouse Lawyers: Prisoners Defending Prisoners v. the U.S.A. "Behold the heart and mind of Angela Davis, open, relentless, and on time!" --June Jordan "Political activist, scholar, and author Angela Davis confronts the interconnected issues of power, race, gender, class, incarceration, conservatism, and the ongoing need for social change in the U.S. in her book, The Meaning of Freedom: And Other Difficult Dialogues." --Travis Smiley Radio Angela Y. Davis is professor emerita at the University of California and author of eight books. She is a much sought after public speaker and an internationally known advocate for social justice. Robin D.G. Kelley is the author of numerous books and a professor at the University of Southern California.

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For more than three decades, Fred Ho has been a radical artist and activist. As a composer and baritone saxophonist, he is famed for creating a new music that fuses Asian and African traditions. The influence of the Black Power and Black Arts movements during his coming of age inspired him to become one of the leading radical Asian American activist-artists. Ho’s passions for art and justice have always been linked—his music seeks to express his politics and his activism has injected revolution into his art. Wicked Theory, Naked Practice is a groundbreaking collection of Ho’s writings, speeches, and interviews of the past three decades on topics ranging from Mao to Coltrane, from Sun Ra to selling out, and from fighting oppression to battling cancer. His work insists on connections among creative and artistic processes, political theorization, and activist organizing. As Robin D. G. Kelley says in the foreword, “Ho writes, speaks, and plays in order to persuade and inspire, to expose the crimes of the ruling class, and to challenge the status quo so that we imagine a different future.” Through Wicked Theory, Naked Practice, Ho’s contributions merge political and cultural theory, shedding new light on the radical movements of the 1960s and 1970s and revealing the fascinating story behind a prolific and politically engaged artist across all genres.

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