Search results for ""Author Robin D. G. Kelley""

Winner of the 2017 American Book Award Flores Forbes, a former leader in the Black Panther Party, has been free from prison for twenty-five years. Unfortunately that makes him part of a group of black men without constituency who are all but invisible in society. That is, the “invisible” group of black men in America who have served their time and not gone back to prison.Today the recidivism rate is around 65%. Almost never mentioned in the media or scholarly attention is the plight of the 35% who don’t go back, especially black men. A few of them are hiding in Ivy League schools’ prison education programs—they don’t want to be known—but most of them are recruited by the one billion dollar industry reentry employee programs that allow the US to profit from their life and labor. Whereas, African Americans consist of only 12% of the population in the US, black males are incarcerated at much higher rates. The chances of these formerly convicted men to succeed after prison—to matriculate as leading members of society—are increasingly slim. The doors are closed to them.Invisible Men is a book that will crack the code on the stigma of incarceration. When Flores Forbes was released from prison, he made a plan to re-invent himself but found it impossible. His involvement in a plan to kill a witness who was testifying against Huey P. Newton, the founder of the Black Panther Party, had led to his incarceration. While in prison he earned a college degree using a Pell Grant, with hope this would get him on the right track and a chance at a normal life. He was released but that’s where his story and most invisible men’s stories begin.This book will weave Flores’ knowledge, wisdom, and experience with incarceration, sentencing reform, judicial inequity, hiding and re-entry into society, and the issue of increasing struggles and inequality for formerly incarcerated men into a collection of poignant essays that finally give invisible men a voice and face in society.

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"The centuries-long attack on Black history represents a strike against our very worth, brilliance, and value. We’re ready to fight back. And when we fight, we win." —Colin KaepernickSince its founding as a discipline, Black Studies has been under relentless attack by social and political forces seeking to discredit and neutralize it. Our History Has Always Been Contraband was born out of an urgent need to respond to the latest threat: efforts to remove content from an AP African American Studies course being piloted in high schools across the United States. Edited by Colin Kaepernick, Robin D. G. Kelley, and Keeanga-Yamahtta Taylor, Our History Has Always Been Contraband brings together canonical texts and authors in Black Studies, including those excised from or not included in the AP curriculum.Featuring writings by: David Walker, Frederick Douglass, Anna Julia Cooper, Zora Neale Hurston, W. E. B. Du Bois, C. L. R. James, James Baldwin, June Jordan, Angela Y. Davis, Robert Allen, Barbara Smith, Toni Cade Bambara, bell hooks, Barbara Christian, Patricia Hill Collins, Cathy J. Cohen, Kimberlé Crenshaw, Saidiya Hartman, Khalil Gibran Muhammad, and many others.Our History Has Always Been Contraband excerpts readings that cut across and between literature, political theory, law, psychology, sociology, gender and sexuality studies, queer and feminist theory, and history. This volume also includes original essays by editors Kaepernick, Kelley, and Taylor, elucidating how we got here, and pieces by Brea Baker, Marlon Williams-Clark, and Roderick A. Ferguson detailing how we can fight back.To read Our History Has Always Been Contraband is to be an outlaw for liberation. These writings illuminate the ways we can collectively work toward freedom for all—through abolition, feminism, racial justice, economic empowerment, self-determination, desegregation, decolonization, reparations, queer liberation, cultural and artistic expression, and beyond.

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Reissue of an acclaimed collection of images from photographer W. Eugene Smith’s time in a New York City loft among jazz musicians. In 1957, Eugene Smith walked away from his longtime job at Life and the home he shared with his wife and four children to move into a dilapidated, five-story loft building at 821 Sixth Avenue in New York City’s wholesale flower district. The loft was the late-night haunt of musicians, including some of the biggest names in jazz—Charles Mingus, Zoot Sims, Bill Evans, and Thelonious Monk among them. Here, from 1957 to 1965, he made nearly 40,000 photographs and approximately 4,000 hours of recordings of musicians. Smith found solace in the chaotic, somnambulistic world of the loft and its artists, and he turned his documentary impulses away from work on his major Pittsburg photo essay and toward his new surroundings. Smith’s Jazz Loft Project has been legendary in the worlds of art, photography, and music for more than forty years, but until the publication of this book, no one had seen his extraordinary photographs or read any of the firsthand accounts of those who were there and lived to tell the tales.

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In Border and Rule, one of North America’s foremost thinkers and immigrant rights organizers delivers an unflinching examination of migration as a pillar of global governance and gendered racial class formation. Harsha Walia disrupts easy explanations for the migrant and refugee crises, instead showing them to be the inevitable outcomes of conquest, capitalist globalization, and climate change generating mass dispossession worldwide. Border and Rule explores a number of seemingly disparate global geographies with shared logics of border rule that displace, immobilize, criminalize, exploit, and expel migrants and refugees. With her keen ability to connect the dots, Walia demonstrates how borders divide the international working class and consolidate imperial, capitalist, ruling class, and racist nationalist rule. Ambitious in scope and internationalist in orientation, Border and Rule breaks through American exceptionalist and liberal responses to the migration crisis and cogently maps the lucrative connections between state violence, capitalism, and right-wing nationalism around the world. Illuminating the brutal mechanics of state formation, Walia exposes US border policy as a product of violent territorial expansion, settler-colonialism, enslavement, and gendered racial exclusion. Further, she compellingly details how Fortress Europe and White Australia are using immigration diplomacy and externalized borders to maintain a colonial present, how temporary labor migration in the Arab Gulf states and Canada is central to citizenship regulation and labor control, and how far-right nationalism is escalating deadly violence in the US, Israel, India, the Philippines, Brazil, and across Europe, while producing a disaster of statelessness for millions elsewhere. A must-read in these difficult times of war, inequality, climate change, and global health crisis, Border and Rule is a clarion call for revolution. The book includes a foreword from renowned scholar Robin D. G. Kelley and an afterword from acclaimed activist-academic Nick Estes.

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Drawn from the rich archives of the Birmingham Civil Rights Institute, this collection brings together twenty-nine oral histories from people of varying ages and occupations who participated in civil rights activism at the grassroots level. These highly personal narratives convey the real sense of fear and the risk of bodily danger people had to overcome in order to become the movement's foot soldiers. The stories offer testimony as to how policing was carried out when there were no cameras, how economic terrorism was used against activists, how experiences of the movement differed depending on gender, and how youth participation was fundamental to the cause. Participants in the struggle ranged from teachers, students of all ages, and domestic workers to elderly women and men, war veterans, and a Black Panther leader. This volume demonstrates the complexity and diversity of the spirit of resistance at a formative moment in American history.

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