Search results for ""Author Robert von Hallberg""
The University of Chicago Press Canons
Canon formation: ". . . the traditional dream of ambitious critics. A canon is commonly seen as what other people, once powerful, have made and what should now be opened up, demystified, or eliminated altogether." So writes editor Robert von Hallberg in his introduction. This collection of essays articulates how canons are constructed and examines the ways in which academic canons influence literary thought and instruction. Presenting a wide range of canonical interpretation, the volume includes essays on such themes as Native American literature and the canon, the ideology of canon formation, the history of American poetry anthologies, undoing the canonical economy, the making of the modernist canon, and canon and power in the Hebrew scriptures.
£20.61
Harvard University Press Charles Olson: The Scholar’s Art
Charles Olson is often described as one of the most influential American poets of the last quarter century; some would rather describe him as a cult figure, prophet of the Black Mountain poets and their descendants. Both judgments refer to an influence exerted as much through theories as through poems. Here is an examination of Olson's understanding of poetry that is cogent and a pleasure to read. It provides the framework needed for understanding Olson's work.Mr. von Hallberg shows us the Olson of the 1950s, who tried to bring change through teaching, who wanted poetry to communicate knowledge, as well as the more private poet of the 1960s, turning from history to myth. Olson's ambitions for poetry were based on his sense of cultural politics, and the author studies the relation between Olson's politics and his poetics. He traces too Olson's relation to older poets, especially Ezra Pound and William Carlos Williams. His book will interest anyone reading contemporary American poetry.
£58.46
Dalkey Archive Press Monogamy: Its Songs and Poems
Monogamy elaborates an ideology of romance from extraordinary poems and songs, one by one. Poems and popular songs are still the main medium for preserving the rules of romance. Each chapter is a meditation on one of eight commonplaces about love: that it makes one monogamous, sentimental, vulnerable; that its force is immediate and transformative; or that it is a fickle force, but cannot be bought, and yet endures. Strong poets and lyricists bend these notions, as lovers do too. Great poems and songs come from interstices between celebrated commonplaces, felt desires and second-thoughts. The Book of Love is heterogeneous, complicated. Some love poems reach significant numbers through books and anthologies, and eventually classroom textbooks, and are held in memory by generations of admirers. Many popular songs, however, have reached extremely large audiences, beginning with Broadway musicals, and continuing in the recordings of later jazz vocalists. They are not read, but they are firmly lodged in memory. They are the only poems known by most audiences. Canonical poems are imitated by aspiring poets and versifiers. The actual verse culture is layered with light verse, song lyrics, and Shakespeare’s sonnets. To understand what poems effectively teach—about romance, in particular—one should attend closely to songs too, particularly in the U.S. since 1920.
£27.00
