Search results for ""Author Robert McCrum""

John McConnell's list of collaborators includes many household names - Boots, Faber & Faber, Halfords, Clarks, John Lewis. The man behind the Biba logo (for which he won the D&AD Silver in 1969), the logo of the National Grid and the covers of a Penguin student textbook series from the early '70s has exerted a quiet influence over British design since the sixties. His awards alone speak to his prowess: the Prince Philip Designers' Prize (2002) and the title of RDI (Royal Designer of Industry, 1987) among them. Part biography, part showcase for some of McConnell's most celebrated designs, this book gathers McConnell's exclusive redesign for Faber & Faber - a revolutionary new approach to book covers from the early 1980s.

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AS READ ON BBC RADIO 4 BOOK OF THE WEEK'Thoughtful, subtle, elegantly clever and oddly joyous, Every Third Thought is beautiful' Kate Mosse In 1995, at the age of forty two, Robert McCrum suffered a dramatic and near-fatal stroke, the subject of his acclaimed memoir My Year Off. Ever since that life-changing event, McCrum has lived in the shadow of death, unavoidably aware of his own mortality. And now, twenty-one years on, he is noticing a change: his friends are joining him there. Death has become his contemporaries’ every third thought. The question is no longer ‘who am I?’ but ‘how long have I got?’ and ‘what happens next?’With the words of McCrum’s favourite authors as travel companions, Every Third Thought, takes us on a journey through a year and towards death itself. As he acknowledges his own and his friends’ ageing, McCrum confronts an existential question: in a world where we have learnt to live well at all costs, can we make peace with what Freud calls 'the necessity of dying'? Searching for answers leads him to others for advice and wisdom, and Every Third Thought is populated by the voices of brain surgeons, psychologists, cancer patients, hospice workers, writers and poets.Witty, lucid and provocative, Every Third Thought is an enthralling exploration of what it means to approach the ‘end game’, and begin to recognize, perhaps reluctantly, that we are not immortal. Deeply personal and yet always universal, this is a book for anyone who finds themselves preoccupied by matters of life and death. It is both guide and companion.

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The Story of English is the extraordinary tale of the origins and development of the English language. Two thousand years ago English was confined to a handful of savage tribes on the shores of north-west Europe; today, in one form or another, it is spoken by a billion people around the world. More widely scattered, written and spoken than any other language in history, English has become a global phenomenon. Exploring its amazing success, The Story of English is an essential companion for student and general reader alike.

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As read on BBC Radio 4 Book of the Week'Moving, intellectual and unsentimental. I think it will become a classic' Melvyn Bragg'Thoughtful, subtle, elegantly clever and oddly joyous, Every Third Thought is beautiful' Kate Mosse In 1995, at the age of forty-two, Robert McCrum suffered a dramatic and near-fatal stroke. Since that life-changing event, McCrum has lived in the shadow of death, unavoidably aware of his own mortality. And now, in his sixties, he is noticing a change: his friends are joining him there. Death has become his contemporaries’ every third thought.And so, with the words of McCrum’s favourite authors as travel companions, Every Third Thought takes us on a journey towards death itself. This is a deeply personal book of reflection and conversation – with brain surgeons, psychologists, hospice workers and patients, writers and poets, and it confronts an existential question: in a world where we have learnt to live well at all costs, can we make peace with dying?

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‘Enchanting’ - Simon Russell Beale ‘Remarkable’ - James Shapiro‘Wonderful . . . compulsively readable’ - Nicholas HytnerWhy do the collected works of an Elizabethan writer continue to speak to us as if they were written yesterday?When Robert McCrum began his recovery from a life-changing stroke, described in My Year Off, he discovered that the only words that made sense to him were snatches of Shakespeare. Unable to travel or move as he used to, McCrum found the First Folio became his ‘book of life’, an endless source of inspiration through which he could embark on ‘journeys of the mind’, and see a reflection of our own disrupted times.An acclaimed writer and journalist, McCrum has spent the last twenty-five years immersed in Shakespeare’s work, on stage and on the page. During this prolonged exploration, Shakespeare’s poetry and plays, so vivid and contemporary, have become his guide and consolation. In Shakespearean he asks: Why is it that we always return to Shakespeare, particularly in times of acute crisis and dislocation? What is the key to his hold on our imagination? And why do the collected works of an Elizabethan writer continue to speak to us as if they were written yesterday?Shakespearean is a rich, brilliant and superbly drawn portrait of an extraordinary artist, one of the greatest writers who ever lived. Through an enthralling narrative, ranging widely in time and space, McCrum seeks to understand Shakespeare within his historical context while also exploring the secrets of literary inspiration, and examining the nature of creativity itself. Witty and insightful, he makes a passionate and deeply personal case that Shakespeare’s words and ideas are not just enduring in their relevance – they are nothing less than the eternal key to our shared humanity.

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With an introduction by Henry Marsh, author of Do No HarmMy brain, which had just let me down so badly, was perhaps never so active. The paramedics' question was a fundamental one. Who are you? Yes indeed. Who am I?Robert McCrum was forty-two when he suffered a massive stroke which left one side of his body totally paralysed, his speech drastically impaired, and his sense of himself radically altered. What followed was a prolonged period of recovery, full of heart ache and frustration, as he gradually regained sensation, movement and self-esteem and as his family pulled together in the extraordinary effort necessary to make him well again. My Year Off is a moving story of determination, courage and love that sings with wit and honesty. An invaluable insight into the reality of life after stroke, the moments of hope, the anger and despair, this is a touching classic that gives voice to millions.

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With an introduction by publisher and acclaimed author Robert McCrum.Winner of the Booker Prize 1971 and nominated for the Golden Man Booker Prize in 2018. A young Indian servant in Washington. An Asian West Indian in London. Both are far from home and both are desperately trying to build a new life in a deeply unfamiliar world. In between them lies the landscape of an unnamed country, a brutal place reminiscent of Idi Amin’s Uganda. This central story is about those who once thought of Africa as liberating, but now find themselves in an increasingly harsher reality.Winner of the Booker Prize in 1971, In a Free State is one of Nobel Laureate V. S. Naipaul’s many towering literary achievements. It is a story of the desperation and heartbreak we find in those who are displaced and who try, often in vain, to make a home in their new surroundings. Frightening, disquieting and merciless, this is one of Naipaul’s greatest novels: fraught but full of pity.

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V. S. Naipaul’s Booker Prize winning novel about displacement, the yearning for the good place in someone else’s land and the attendant heartache.Part of the Macmillan Collector’s Library, a series of stunning, clothbound, pocket-sized classics with gold-foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition is introduced by acclaimed author, Robert McCrum. In a Free State tells the story first of an Indian servant in Washington, who becomes an American citizen but feels displaced. Then of a disturbed Asian West Indian in London who, in jail for murder, has never really known where he is. Then the central novel moves to a fictional African country. There, the central characters have to make the long drive to the safety of their compound. By the end of this drive we know everything about the English characters, the African country and the Idi Amin-like future awaiting it.

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