Search results for ""Author Robert Graves""

The definitive and comprehensive edition of Robert Graves's classic retelling of the Greek myths'Icarus disobeyed his father's instructions and began soaring towards the sun, rejoiced by the lift of his great sweeping wings. Presently, when Daedalus looked over his shoulder, he could no longer see Icarus; but scattered feathers floated on the waves below...'These are the greatest stories ever told - the labours of Hercules, the voyage of the Argonauts, Theseus and the minotaur, Midas and his golden touch, the Trojan War and Odysseus's journey home - brought together into one epic and unforgettable story. Ideal for the first time reader, it can be read as a single page-turning narrative, while full commentaries as well as a comprehensive index of names make it equally valuable for anyone seeking an authoritative and detailed account of the spectacular stories that make up the bedrock of Western literature.The Greek Myths is a classic among classics, a treasure trove of extraordinary tales and a masterful work of literature in its own right.

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Apasionado por el mundo clásico, Robert Graves publicó en 1955 esta recreación narrada de los mitos griegos, que se ha convertido con el paso de los años en una obra de referencia ineludible para iniciarse en el fascinante mundo de la antigüedad.

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An essential selection from the range and bulk of Robert Graves's poetry, edited by Ulster poet Michael Longley. This edition restores Graves to view as a major twentieth century poet, and demonstrates his manifold achievement as war poet, as love poet, and as - in the round - a secular visionary whose poems are 'inimitable, eccentric marvels - some of which are extraordinary, many are masterly, all are like nothing else ever written' (Randall Jarrell).This edition of Robert Graves's poems is scrupulously selected from across the full range of his lifetime's verse. It opens with an illuminating introduction in which Longley makes a persuasive case for the importance of this remarkable poet.

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This labyrinthine and extraordinary book, first published more than fifty years ago, was the outcome of Graves's vast reading and curious research into strange territories of folklore, mythology, religion and magic. Erudite and impassioned, it is a scholar-poet's quest for the meaning of European myths, a polemic about the relations between man and woman, and also an intensely personal document in which Graves explored the sources of his own inspiration and, as he believed, all true poetry.This new edition has been prepared by Grevel Lindop, who has written an illuminating introduction. The text of the book incorporates all Graves's final revisions, as well as his replies to two of the original reviewers, and a long essay in which he describes the months of inspiration in which The White Goddess was written.

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An autobiographical work that describes firsthand the great tectonic shifts in English society following the First World War, Robert Graves's Goodbye to All That is a matchless evocation of the Great War's haunting legacy, published in Penguin Modern Classics.In 1929 Robert Graves went to live abroad permanently, vowing 'never to make England my home again'. This is his superb account of his life up until that 'bitter leave-taking': from his childhood and desperately unhappy school days at Charterhouse, to his time serving as a young officer in the First World War that was to haunt him throughout his life. It also contains memorable encounters with fellow writers and poets, including Siegfried Sassoon and Thomas Hardy, and covers his increasingly unhappy marriage to Nancy Nicholson. Goodbye to All That, with its vivid, harrowing descriptions of the Western Front, is a classic war document, and also has immense value as one of the most candid self-portraits of an artist ever written.Robert Ranke Graves (1895-1985) was a British poet, novelist, and critic. He is best known for the historical novel I, Claudius and the critical study of myth and poetry The White Goddess. His autobiography, Goodbye to All That, was published in 1929, quickly establishing itself as a modern classic. Graves also translated Apuleius, Lucan and Suetonius for the Penguin Classics, and compiled the first modern dictionary of Greek Mythology, The Greek Myths. His translation of The Rubáiyát of Omar Khayyám (with Omar Ali-Shah) is also published in Penguin Classics.If you enjoyed Goodbye to All That, you might like Ford Madox Ford's Parade's End, also available in Penguin Modern Classics.'His wonderful autobiography'Jeremy Paxman, Daily Mail

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Graves described poetry as his ruling passion, and for him love was 'the main theme and origin of true poems'. He created a rich mythology where love, fear, fantasy and the supernatural play an essential role. Intimate yet universal, passionate yet precise, their brilliant alchemy of realism and magic made Graves's poems some of the finest of the last century. In this edition the poems appear without critical apparatus or commentary. The volume represents in its purest form the achievement of Graves's seventy productive years.

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The ever-popular novelist and story-teller Robert Graves wrote fascinating and durable stories, here collected together in a single volume for the first time by the poet's daughter Lucia Graves.

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'Still an acknowledged masterpiece and a model for historical fiction ... sympathetic and intensely involving: a great feat of imagination' Hilary Mantel Bringing to life the intrigue of ancient Rome, Robert Graves's I, Claudius is one of the most celebrated, gripping historical novels ever writtenDespised for his weakness and regarded by his family as little more than a stammering fool, the nobleman Claudius quietly survives the bloody purges and mounting cruelty of the imperial Roman dynasties. In I, Claudius he watches from the sidelines to record the reigns of its emperors: from the wise Augustus and his villainous wife Livia to the sadistic Tiberius and the insane excesses of Caligula. Written in the form of Claudius' autobiography, this is the first part of Robert Graves's brilliant account of the madness and debauchery of ancient Rome.With an introduction by Barry Unsworth'An imaginative and hugely readable account of the early decades of the Roman Empire ... racy, inventive, often comic' Daily Telegraph

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En el díptico que integran " Yo, Claudio y Claudio el dios y su esposa Mesalina " , la amplitud y la profundidad de los conocimientos sobre la Antigüedad clásica de Robert Graves (1895-1985) se conjugan con una prosa de enorme belleza a la que da aliento una poderosa y viva imaginación, capaz de reconstruir toda la grandeza y miseria de la Roma imperial. Segundo y último volumen de la supuesta " autobiografía " de este singular emperador, destinado a serlo contra sus propias inclinaciones, en él Claudio alcanza la púrpura imperial y encauza todos sus esfuerzos, con el apoyo del pueblo llano, a reparar el legado de estragos y desastres que ha recibido de su antecesor Calígula, sin que su inesperado ascenso, no obstante, le procure la felicidad personal.

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[Aldous Huxley ]La moderna etnofarmacología y la psicología de losestados modificados de consciencia deben muchoa estos pioneros de las dos disciplinas. Probablemente,son los tres personajes que más han influido en las investigaciones posteriores dirigidas a la comprensiónde la experiencia visionaria. Era la época en que el ostracismo para la mescalina, la LSD o los hongos psicoactivos estaba en pañales. Todavía se podía hablar de estas substancias y utilizarlas con plena libertad de movimiento y de consciencia.

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Robert Graves, aged nineteen, left school within a week of the outbreak of World War I, and immediately volunteered with the Royal Welch Fusiliers. His experiences as a junior officer form the heart of this compelling autobiography. Beginning with an ironic overview of his Edwardian childhood, he proceeds to a tongue-in-cheek account of a young poet's life at public school (not helpful to be half-German, but handy to take up boxing), progressing to caricatures of military stereotypes he encounters in training, and the devastating farce of the War itself, the blundering and mismanagement, and the appalling human consequences. Graves's handling of the horrors of war is always deadpan, honest and unadorned. It is wholly in line with his sense of the absurd that his commanding officer should write to inform his parents that he had died of wounds during the battle of the Somme. He soon found that patriotism was meaningless to the men in the trenches; loyalty to comrades alive and dead drove him back to active service though still suffering from shell-shock. Goodbye to All That takes Graves through his convalescence in England, his efforts to protect the poet Siegfried Sassoon, a friend and fellow officer, from the consequences of his public denunciation of the war; marriage to artist and feminist Nancy Nicholson, postwar undergraduate years at Oxford and a decade as a struggling writer with four young children, beset with money problems and neurasthenia. It is written in a spirit of defiance as he prepared to put 'all that' behind him and begin a new life in Majorca with the American poet Laura Riding.

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Robert Graves's classic retelling of the Greek Myths is definitive, comprehensive and unparalleled - and available now in the Penguin Classics Deluxe series, featuring a new introduction from Rick Riordan (bestselling author of the Percy Jackson and Olympian series).Including many of the greatest stories ever told - the labours of Hercules, the voyage of the Argonauts, Theseus and the minotaur, Midas and his golden touch, the Trojan War and Odysseus's journey home - Robert Graves's superb and comprehensive retelling of the Greek myths for a modern audience has been regarded for over fifty years as the definitive version. With a novelist's skill and a poet's eye, Graves draws on the entire canon of ancient literature, bringing together all the elements of every myth into one epic and unforgettable story. Ideal for the first time reader, it can be read as a single, continuous narrative, while full commentaries, with cross-references, interpretations, variants and explanations, as well as a comprehensive index of names, make it equally valuable as a work of scholarly reference for anyone seeking an authoritative and detailed account of the gods, heroes and extraordinary events that provide the bedrock of Western literature.The result is a classic among classics, a treasure trove of extraordinary tales and a masterful work of literature in its own right.Robert Graves (1895-1985) was a novelist, poet, historian, critic and translator, author of some 140 books, and one of the greatest figures of 20th century British literature. Alongside The Greek Myths, his most famous works include the historical novels I, Claudius and Claudius the God and his First World War memoir Goodbye to All That.

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'There has been a lot of fighting hereabouts. The trenches have made themselves rather than been made, and run inconsequently in and out of the big thirty-foot high stacks of bricks; it is most confusing. The parapet of a trench which we don't occupy is built up with ammunition boxes and corpses . . .'In one of the most honest and candid self-portraits ever committed to paper, Robert Graves tells the extraordinary story of his experiences as a young officer in the First World War. He describes life in the trenches in vivid, raw detail, how the dehumanizing horrors he witnessed left him shell-shocked. They were to haunt him for the rest of his life.

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This is a collection of Robert Graves' essays, written between 1922 and 1972, on areas of culture which engaged him. They are organized around the thematic categories of literature, history and religion. The collection chronicles Graves' intellectual development by presenting the essays chronologically to show how ideas begin and evolve over half a century. At the same time, the essays demonstrate his eclectic knowledge over a vast range of topics and confirm not only his insights, but also his humour and famous "leaps of logic".

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Drawing on a huge number of chronicles of the time and the texts of Lamb himself, Robert Graves, who like him served in the Royal Welsh Rifles, managed with this work to offer the clearest, most equable and exciting explanation of how and why the Americans seceded from the British crown. A historical fresco of North America and England in the late 17th century as only Graves could write.

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The story starts from two facts that are as curious as they are little known: that the Spanish arrived in Australia a generation before the English and that, when General Álvaro de MendaÑa died in the middle of the expedition, his young widow, Ysabel de Barreto, assumed command of the fleet.

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Continuing the saga begun in I, Claudius, Robert Graves's Claudius the God is a compelling fictional autobiography of the Roman emperor, published with an introduction by Barry Unsworth in Penguin Modern Classics.Claudius has survived the murderous intrigues of his predecessors to become, reluctantly, Emperor of Rome. Here he recounts his surprisingly successful reign: how he cultivates the loyalty of the army and the common people to repair the damage caused by Caligula; his relations with the Jewish King Herod Agrippa; and his invasion of Britain. But the growing paranoia of absolute power and the infidelity of his promiscuous young wife Messalina mean that his good fortune will not last forever. In this second part of Robert Graves's fictionalized autobiography, Claudius - wry, rueful, always inquisitive - brings to life some of the most scandalous and violent times in history.If you enjoyed Claudius the God, you might like Marguerite Yourcenar's Memoirs of Hadrian, also available in Penguin Modern Classics.'I, Claudius and Claudius the God are an imaginative and hugely readable account of the early decades of the Roman Empire ... racy, inventive, often comic'Daily Telegraph'One of the really remarkable books of our day, a novel of learning and imagination, fortunately conceived and brilliantly executed' The New York Times'Graves made Roman history funny and familiar'Guardian

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In this autobiography, first published in 1929, poet Robert Graves traces the monumental and universal loss of innocence that occurred as a result of the First World War. Written after the war and as he was leaving his birthplace, he thought, forever, Good-Bye to All That bids farewell not only to England and his English family and friends, but also to a way of life. Tracing his upbringing from his solidly middle-class Victorian childhood through his entry into the war at age twenty-one as a patriotic captain in the Royal Welsh Fusiliers, this dramatic, poignant, often wry autobiography goes on to depict the horrors and disillusionment of the Great War, from life in the trenches and the loss of dear friends, to the stupidity of government bureaucracy and the absurdity of English class stratification. Paul Fussell has hailed it as ''the best memoir of the First World War'' and has written the introduction to this new edition that marks the eightieth anniversary of the end of the

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The sixth century was not a peaceful time for the Roman empire. Invaders threatened on all fronties, but they grew to respect and fear the name of Belisarius, the Emperor Justinian's greatest general. With this book Robert Graves again demonstrates his command of a vast historical subject, creating a startling and vivid picture of a decadent era.

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'Suetonius, in holding up a mirror to those Caesars of diverting legend, reflects not only them but ourselves: half-tempted creatures, whose great moral task is to hold in balance the angel and the monster within' GORE VIDALAs private secretary to the Emperor Hadrian, the scholar Suetonius had access to the imperial archives and used them (along with eyewitness accounts) to produce one of the most colourful biographical works in history. The Twelve Caesars chronicles the public careers and private lives of the men who wielded absolute power over Rome, from the foundation of the empire under Julius Caesar and Augustus to the decline into depravity under Nero and the recovery that came with his successors. This masterpiece of observation, immortalized in Robert Graves's classic translation, presents us with a gallery of vividly drawn - and all too human - individuals.Translated by ROBERT GRAVESRevised with an Introduction and notes by JAMES B. RIVES

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The poet and author Robert Graves (1895-1985), now best known for his historical novels "I, Claudius" and "Claudius the God", thanks to the legendary BBC TV adaptation, was recognised as one of the better Edwardian and First World War poets, although for a time his work was somewhat sidelined by the Modernists. Graves' writings and life belong to a period where the values and beliefs of the past were rejected or no longer felt sustainable: his unconventional life, bizarre domination by a series of strong-willed women and search for poetic rejuvenation through a series of muses can be seen as a rejection of Victorian values', caused by his childhood experiences and his service in the First World War, where he was seriously wounded on the Somme. His autobiography "Good-Bye to All That", published in 1929, is one of the landmark memoirs of the war in the trenches on the Western Front. By the time of his death, Graves was internationally famous, seen as one of the 20th century's best poets, and whose prose works were sold all over the world. This first single-volume biography over a decade will shed new light on this intriguing and unparalleled life.

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