Search results for ""Author Robert Dean""

A comprehensive and up-to-date field guide to the birds of Costa Rica. Graced with bounteous natural beauty Costa Rica has become a popular destination for travellers from all over the world. Birds play a prominent role in attracting visitors, too. The shimmering quetzals, gaudy macaws, and comical toucans that populate tourism posters only begin to hint at the impressive avian diversity to be found throughout this small country. The principal objective of this book is to help you correctly identify birds in Costa Rica. Each family of birds is introduced by a brief description that should help the novice birder determine to which group a bird belongs. Nearly every species is illustrated by one or more images, as needed. Corresponding to each species' illustration is a written account on the facing page. The account begins with the unique field marks to look for that will distinguish each species from similar ones. Following the description is information about status, distribution and vocalisation. Most species accounts include a a map showing the distribution within Costa Rica. This new edition features 903 species in total, including 64 that are illustrated here for the first time. The 174 colour plates include 360 new images from artist Robert Dean. The text and maps have been fully updated to ensure that this guide is the definitive field guide for anyone visiting Costa Rica.

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This is the only compact, portable, and user-friendly field guide the novice or experienced birder needs to identify birds in the field in the diverse habitats found in Costa Rica. It features descriptions and illustrations of all 903 species definitely known from Costa Rica, including pelagics and species regular to Cocos Island. Fifty-six of these species are placed in a "Rarities" section that includes accidentals, rarer pelagics, and species that have not been reported in more than twenty years. The detailed full-color illustrations show identifying features—including plumage differences among males, females, and juveniles—and views of birds in flight wherever pertinent. Robert Dean has supplied more than 360 new illustrations, including sixty-four species that are illustrated for the first time in this edition. These include recent additions to the country list, pelagic species, Cocos Island species, and all accidentals recorded from the Costa Rican mainland. Range maps and nomenclature have been updated for this edition, which also has a new user-friendly organizational scheme and an alphabetical quick-find index of groups on the inside back cover.

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The isthmus of Panama, where North and South America meet, hosts more bird species than all of North America. More accessible than ever to birdwatchers and other ecotourists, the country has become a premier neotropical birding and nature tourism destination in recent years. The Birds of Panama will be an essential tool for the new generation of birders traveling in search of Panama's spectacular avifauna. This user-friendly, portable, and affordable identification guide features: • large color illustrations of more than 900 species. • the first range maps published to show the distribution of Panama's birds. • concise text that describes field marks for identification, as well as habitat, behavior, and vocalizations. • range maps and species accounts face illustration pages for quick, easy reference. • the inclusion of North American migrants and seabirds, as well as female and juvenile plumage variations. • an up-to-date species list for the country that reflects recent additions, taxonomic splits, and other changes in classification. Panama's unique geography, small size, and varied habitats make it possible to see a vast diversity of birds within a short time. Its western and central areas harbor representatives of species found in Central America; species characteristic of South America may be found in the east. In the winter, birds from northern climes are commonly found in Panama as migrants. This is the one field guide the novice or experienced birder needs to identify birds in the field in Panama's diverse habitats.

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The sixth and final volume documenting the work of an iconic American artist The sixth and final volume of this exceptional catalogue raisonné project features over 360 works made by John Baldessari (1931–2020) between 2011 and 2019. Here, Baldessari continues his longstanding tradition of borrowing from artists as varied as David Hockney, Giotto, Gustave Courbet, Maria Lassnig, Lucas Cranach the Elder, Giorgio Morandi, and Jackson Pollock. Many of the works in this volume are a testament to the artist’s fascination and engagement with art from previous eras. In one example, Baldessari’s 2012 series “Double Bill” combines scenes from pairs of paintings, such as a Willem de Kooning face atop a Jean Dubuffet body, with the words, “…And Dubuffet” painted beneath: Baldessari is effectively collaborating with artists he has revered for years. This volume also surveys Baldessari’s complete film and video output, from 1968 to 2004, as well as the artist’s books he made, from 1972 to 2019. Additionally, an appendix catalogues works, mostly pre-1974, that were unknown at the time Volume 1 was published.Published in association with Marian Goodman Gallery

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The Book of Puka-Puka is not about travel, it is about staying still. It is about living as a conspicuous stranger and slowly allowing yourself to become absorbed into the ways of an ancient, indigenous community. This book was not composed by a colonial administrator, a missionary or an anthropologist, but by a hedonistic South Sea trader. This young American fishes, picnics, swims, sleeps and falls in love but fortunately he also listens out for good stories.

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The second in a projected four-volume series of the complete catalogue of works by John Baldessari Compiling four-hundred-plus unique works of art, this volume traces the shifts and developments in conceptual artist John Baldessari’s work from 1975-86. It covers his photo-based works such as the “Strobe,” “Word Chain,” and “Pathetic Fallacy” series from 1975; the “Violent Space” and the seminal “Concerning Diachronic/Synchronic Time: Above, On, Under (With Mermaid),” from 1976; and the “Blasted Allegories” series from 1977-78, which drew heavily from the artist’s vast collection of photo stills taken from commercial television.In the 1980s, Baldessari’s art took a different direction, beginning with the expansive “Fugitive Essays” triptychs from 1980 and leading to 1982’s photographic interpretations of Grimm’s Fairy Tales. Building on these themes, Baldessari began producing a body of work that was inspired in part by dreams, psychology, film, and popular culture. Ensuing works were more formal, elaborate, and large-scale. From 1984 to 1986 Baldessari created a number of works that employed his soon-to-be-signature colored discs painted over people’s faces in the photos.An introductory essay will provide a close reading of selected works and a historical context for understanding Baldessari’s art from this period. A detailed chronology and exhibition history and bibliography are also included. This is the second of a projected four-volume catalogue raisonné.Published in association with Marian Goodman Gallery

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The fourth volume of the John Baldessari Catalogue Raisonné comprises approximately 370 works that represent the activity of this iconic conceptual artist between 1994 and 2004. Here, John Baldessari (b. 1931) continues to interrogate the possibilities of photographic appropriation, further developing his unique strategies for the production of meaning and narrative within the picture frame. Included in this crucial volume is the landmark Goya series, which shows the artist revisiting his characteristic photo-text pieces established early in his career. In the serial trio Overlap, Intersection,and Junction, produced between 2000 and 2002, Baldessari riffs on the notion of pictorial space, with each series building on the preceding one. Along with a full chronology, an essay contributed by the eminent critic Robert Storr closely examines a selection of these works, articulating their place within the evolution of the artist’s career and their much broader historical climate. Published in association with Marian Goodman Gallery

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Birders in Central America have long known that Nicaragua is one of the best birding locations in the world, and with tourism to the country on the upswing, birders from the rest of the world are now coming to the same conclusion. The largest country in Central America, Nicaragua is home to 763 resident and passage birds, by latest count. Because of its unique topography—the country is relatively flat compared to its mountainous neighbors to the north and south—it forms a geographical barrier of sorts, which means that many birds that originate in North America reach their southernmost point in Nicaragua, while many birds from South America reach their northernmost point in the country. There are few places in the world where you can find both a Roadrunner and a Scarlet Macaw. Birds of Nicaragua features descriptions and illustrations of all 763 species currently identified in the country, along with information about 44 additional species that are likely to appear in the coming years. Range maps, based on years of field research, are color-coded. Other features include a richly illustrated anatomical features section, a checklist, a visual guide to vultures and raptors in flight, and a quick-find index.

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A comprehensive look at works made by Baldessari between the years 1987 and 1993 This handsome volume, the third of the John Baldessari (b. 1931) catalogue raisonné project, compiles 400-plus unique works of art made by the influential conceptual artist from 1987 through 1993. Here we see the artist’s large-scale photo-based works, many of which employed his signature colored discs painted over the faces of people in the photos, accompanied by entries that trace the shifts and developments in Baldessari’s work as his collaged photo narratives achieved maturity and mastery. A critical essay by Briony Fer provides a close reading of selected works, giving historical context for Baldessari’s art from this period. In addition to a detailed chronology, complete exhibition history, and bibliography, this volume notably features a previously unpublished conversation between Baldessari and the artist Ed Ruscha, which was undertaken specifically for this publication. In the conversation, the artists discuss their early careers in Southern California and the shared thematic concerns in their work. The artworks in this volume demonstrate Baldessari’s ability to express—and, in many cases, combine—the narrative potential of images and the associative power of language within the boundaries of a single piece. Published in association with Marian Goodman Gallery

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Birds of Aruba, Bonaire, and Curaçao is the essential guide for anyone traveling to those islands. It showcases the more than 280 species seen on Aruba, Bonaire, and Curaçao and provides descriptions of and directions to the best places to bird, from the famous white sand beaches to hidden watering holes to the majestic national parks. Aruba, Bonaire, and Curaçao—the "ABCs"—located in the southwestern Caribbean, not far from Venezuela, share fascinating ecological features with the West Indies as well as the South American mainland, making birding on the islands unique. The identification portion of the book features endemic subspecies such as the Brown-throated Parakeet; a wide variety of wintering North American migrants; spectacular restricted-range northern South American species such as the Yellow-shouldered Parrot, Bare-eyed Pigeon, Troupial, Ruby-topaz Hummingbird, and Yellow Oriole; and West Indian species including the Pearly-eyed Thrasher and Caribbean Elaenia. Colorful introductory sections provide readers with a brief natural history of the islands, detailing the geography, geology, and general ecology of each. In the site guide that follows, Jeffrey V. Wells and Allison Childs Wells share their more than two decades of experience in the region, providing directions to the best birding spots. Clear, easy-to-read maps accompany each site description, along with notes about the species that birders are likely to find. The identification section is arranged in classic field guide format and offers vivid descriptions of each bird, along with tips on how to identify them by sight and sound. The accounts also include current status and seasonality, if relevant, and common names in English, Dutch, and Papiamento, often inspired by the unique voices of the birds, such as the "chibichibi" (Bananaquit) and "choco" (Burrowing Owl). The accompanying color plates feature the beautiful work of illustrator Robert Dean. The final section, on conservation, raises awareness about threats facing the birds and the habitats on which they rely and summarizes conservation initiatives and needs, offering recommendations for each island.

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The fifth volume of the John Baldessari Catalogue Raisonné compiles the approximately 367 works made by the influential American conceptual artist (b. 1931) from 2005 through 2010. During these years, the artist undertook a number of series, including the shaped erasures of “Blockage”; the word-and-image juxtapositions of “Prima Facie”; the explorations of the face in “Nose and Ears, Etc.” and “Raised Eyebrows/Furrowed Foreheads”; and the muted, spare “Sediment” works on canvas. Catalogue entries allow readers to trace the shifts and developments in Baldessari’s work during these years, a time of continued experimentation and aesthetic distillation that is further explored in a conversation between Baldessari and fellow artist David Salle. A critical essay by Hannah B. Higgins provides a close reading of selected works and gives a historical context for understanding Baldessari’s art from this period. Published in association with Marian Goodman Gallery

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