Search results for ""Author Robert Aickman""

Completed by Robert Aickman in 1975, but never before widely available, Go Back at Once is a delicious, delirious comic fantasia about the joys and terrors of a life devoted to resisting the degradations of conformism. It tells the story of Cressida Hazeborough and her friend Vivien, two mordantly intelligent young women trying to find their ways in a misty, pre-Depression Britain. The pair have little patience for the company of the marriageable men they are meant to endure, yet neither do they possess the means to live as they might wish: together, and apart from the demands of modern society. What's a girl to do? Having left school and taken the sorts of London job available to women of their age and station, remarkable arrives: a great foreign poet, playwright, athlete, and soldier named Virgilio Vittore has successfully conquered the tiny country of Trino, on the Adriatic Sea, and is now governing it 'according to the laws of music'. Could this new utopia be a refuge for Cressida and Vivien, and indeed all who seek a life less ordinary? Or should the women, having arrived in this chaotic land, where love, life, and politics must submit to the rules of the beautiful, take to heart the advice of the novel's title? Snobbish yet humane, reactionary yet camp, strait-laced yet queer, old-fashioned yet radical, Go Back at Once reveals Robert Aickman as a master not only of the 'strange story', but a satirist deserving of a place alongside the mischievous and venomous greats of the inter-war canon: Firbank, Compton-Burnett, Waugh, Powell.

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Faber Stories, a landmark series of individual volumes, presents masters of the short story form at work in a range of genres and styles. In perhaps the most magnificent of what he called his 'strange stories', Robert Aickman blurs the lines between memory, premonition and the hallucinated life.Lene, a woman now recovering from the losses of the Second World War, recalls a gothic dolls' house of her childhood and the way in which its uncanny inhabitants entered her dreams. Most chillingly, the geometries of the house didn't add up; there had to be a secret room inside it.Years later, she comes across a life-size version in a wood not marked on any map . . .Bringing together past, present and future in our ninetieth year, Faber Stories is a celebratory compendium of collectable work.

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'Reading Robert Aickman is like watching a magician work, and very often I'm not even sure what the trick was. All I know is that he did it beautifully.' Neil GaimanFor fans of the BBC's Inside Number 9 and The League of GentlemenAickman's 'strange stories' (his preferred term) are constructed immaculately, the neuroses of his characters painted in subtle shades. He builds dread by the steady accrual of realistic detail, until the reader realises that the protagonist is heading towards their doom as if in a dream.First published in 1988, The Wine-Dark Sea contains eight stories that build towards disturbing yet enigmatic endings, including the classic story 'Your Tiny Hand is Frozen.' 'Of all the authors of uncanny tales, Aickman is the best ever . . . His tales literally haunt me; his plots and his turns of phrase run through my head at the most unlikely moments.' Russell Kirk

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'Reading Robert Aickman is like watching a magician work, and very often I'm not even sure what the trick was. All I know is that he did it beautifully.' Neil GaimanFor fans of the BBC's Inside Number 9 and The League of GentlemenAickman's 'strange stories' (his preferred term) are constructed immaculately, the neuroses of his characters painted in subtle shades. He builds dread by the steady accrual of realistic detail, until the reader realises that the protagonist is heading towards their doom as if in a dream. Dark Entries was first published in 1964 and contains six curious and macabre stories of love, death and the supernatural, including the classic story 'Ringing the Changes'. Robert Aickman (1914-1981) was the grandson of Richard Marsh, a leading Victorian novelist of the occult. Though his chief occupation in life was first as a conservationist of England's canals he eventually turned his talents to writing what he called 'strange stories.' Dark Entries (1964) was his first full collection, the debut in a body of work that would inspire Peter Straub to hail Aickman as 'this century's most profound writer of what we call horror stories.'

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'Reading Robert Aickman is like watching a magician work, and very often I'm not even sure what the trick was. All I know is that he did it beautifully.' Neil GaimanFor fans of the BBC's Inside Number 9 and The League of GentlemenAickman's 'strange stories' (his preferred term) are constructed immaculately, the neuroses of his characters painted in subtle shades. He builds dread by the steady accrual of realistic detail, until the reader realises that the protagonist is heading towards their doom as if in a dream. The Unsettled Dust was first published as a collection in 1990. Aickman received the British Fantasy Award for 'The Stains'.'We are all potential victims of the powers Aickman so skilfully conjures and commands.' Robert Bloch

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'Reading Robert Aickman is like watching a magician work, and very often I'm not even sure what the trick was. All I know is that he did it beautifully.' Neil GaimanFor fans of Inside Number 9 and The League of Gentlemen -- with an introduction by Reece ShearsmithAickman's 'strange stories' (his preferred term) are constructed immaculately, the neuroses of his characters painted in subtle shades. He builds dread by the steady accrual of realistic detail, until the reader realises that the protagonist is heading towards their doom as if in a dream. Cold Hand in Mine, first published in 1975, stands as one of Aickman's finest collections and contains eight tales including 'Pages from a Young Girl's Journal' which won the World Fantasy Award. 'He had the ability to invest the daylight world with all the terrors of the night, and specialised in subverting notions of safety and sunshine into something sinister and unforgiving.' Christopher Fowler, Independent

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