Search results for ""Author Robert Adams""

A collection of inspiring essays by the photographer Robert Adams, who advocates the meaningfulness of art in a disillusioned society In Art Can Help, the internationally acclaimed American photographer Robert Adams offers over two dozen meditations on the purpose of art and the responsibility of the artist. In particular, Adams advocates art that evokes beauty without irony or sentimentality, art that “encourages us to gratitude and engagement, and is of both personal and civic consequence.” Following an introduction, the book begins with two short essays on the works of the American painter Edward Hopper, an artist venerated by Adams. The rest of this compilation contains texts—more than half of which have never before been published—that contemplate one or two works by an individual artist. The pictures discussed are by noted photographers such as Julia Margaret Cameron, Emmet Gowin, Dorothea Lange, Abelardo Morell, Edward Ranney, Judith Joy Ross, John Szarkowski, and Garry Winogrand. Several essays summon the words of literary figures, including Virginia Woolf and Czeslaw Milosz. Adams’s voice is at once intimate and accessible, and is imbued with the accumulated wisdom of a long career devoted to making and viewing art. This eloquent and moving book champions art that fights against disillusionment and despair.Distributed for the Yale University Art Gallery

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Introduction.- What Do We Mean by Integrative Social Work?.- PART 1: UNCERTAINTY AND COMPLEXITY IN PRACTICE.- What do we mean by Integrative Social Work? (TBC).- Encountering Complexity and Uncertainty.- Persistent Oppressions: The Example of Domestic Violence.- Risk and Protection: Working With Children and Families.- Troubled and in Trouble: Young People, Truancy and Offending.- Sexuality.- Frailty and Dignity in Old Age.- Risk, Rights and Anti-discrimination Work in Mental Health.- Social Work with Asylum-seekers.- Legal and Illicit Drug Use.- PART 2: MANAGEMENT, LEADERSHIP AND CHANGE.- Management and Managerialism.- Managing the Workload.- Partnership Working.- Strategic Leadership and Planning.- Supervision and Being Supervised.- Managing Risk and Decision-making.- Managing Finances.- Quality Assurance.- Change and Continuity in Social Work.- PART 3: RESEARCHING SOCIAL WORK.- Research Methods for Ethical Practice.- Getting Started With a Piece of Research/Evaluation in Social Work

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The eight essays in Beauty in Photography provide a critical appreciation of photography by one of its foremost proponents. The result is a rare book of criticism, alive to the pleasure and mysteries of true exploration.

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Robert Adams, one of America's foremost living photographers, has spent decades considering and documenting the landscape of the American West and the ways it has been altered, disturbed, or destroyed by the hand of man. A professor of English before turning to photography, Adams is also a skilled writer and acute thinker on aesthetic questions. Aperture's previous bestselling collections of his essays, Beauty in Photography and Why People Photograph, assembled his thoughts on a range of subjects, including writing, teaching, photography's place in the arts and a host of fellow photographers. Along Some Rivers collects Adams's correspondence and conversations—some of which have never been published before—with writers and curators including William McEwan, Constance Sullivan and Thomas Weski. In so doing, it provides another point of entry, offering a portrait of the artist in debate and elucidating his thoughts on a number of his now legendary projects, including Cottonwoods and What We Bought. Adams also expounds on why, in his view, Marcel Duchamp has not been a helpful guide for art, and he discusses which filmmakers and painters have influenced him, which cameras he prefers and how he approaches printing his pictures. Along Some Rivers also includes a selection of 28 unpublished landscapes.

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This engaging and accessible text offers a concise overview of social work which will appeal to anyone needing a quick introduction to social work as a discipline. It contains essential information for all prospective and new social work students, the theories and policy and practice frameworks as well as current issues facing social work today. Illustrated with many examples from practice, it covers social work with many service user groups including children and families, adults, older people, disabled people and people with mental health problems as well as specialist areas of practice.

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Discover the Power of You is for individuals who have a desire to better understand their own personality. People who may aspire to become great leaders in their field, regardless of their current business level. And more specifically, for anyone looking to raise their own self-awareness, confidence and understanding, in order to cultivate positive changes in their culture.

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A meditative portrayal of land and sea along an Oregon trail, from the leading figure of the New Topographics For more than 50 years, ever since his landmark photobook The New West, Robert Adams (born 1937) has numbered among America’s foremost modern photographers and chroniclers. Here, he returns to the landscape near his home on the Oregon coast, presenting photographs largely made on Nehalem Spit, a four-mile stretch of sand, seagrass and pines that divides the Pacific Ocean from Nehalem Bay. Recording changing light on the land and the sea, the black-and-white photographs, made between 2008 and 2019, and beautifully reproduced in this large-format volume, suggest questions to which Adams has often returned, about the meaning of our relationship to nature, and the precarity and brevity of our place in it.

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Chateau La Coste, near Aix-en-Provence, is a unique property that combines sculptural artworks by leading contemporary artists alongside works by some of the world's best-known architects, all within the grounds of a working organic vineyard. Since 2004 the estate, which occupies an ancient site, has been transformed into an exceptional plein-air museum, and the number of installations grows every year. The spreading collection lies within the walk of a spectacular Art Centre, designed by the world-renowned Japanese architect Tadao Ando. On the reflecting pool in front of the building is one of Louise Bourgeois' giant arachnoid sculptures, Crouching Spider. To the north lies a futuristic winery by Jean Nouvel. By taking one of several routes to the south or west, the visitor encounters such monumental installations as Sean Scully's sculpture of stacked blocks of limestone, Wall of Light Cubed; Richard Serra's steel sheets, AIX; and Oak Room by Andy Goldsworthy, a cave of interwoven oak branches, integrated into an old stone wall. Installations by Liam Gillick, Kengo Kuma, Paul Matisse, Sophie Calle and many others punctuate the pathways. And by an ancient Roman route, Ai Weiwei has created another new path up the hillside, using paving stones salvaged from the renovated port at Marseilles. Overlooking the site is a 16th-century chapel restored by Ando and enclosed by a framework of steel and glass. The music and exhibition pavilions, close to the `village' of buildings at the heart of the property, have been designed by Frank Gehry and Renzo Piano respectively. In this stunning new book, Robert Ivy of the American Institute of Architects and the curator Alistair Hicks explore each work of architecture and art installation in depth. Their insightful commentaries are accompanied by specially commissioned photographs by the acclaimed architectural photographer Alan Karchmer. The book is arranged into sections covering all areas of the property, so that the reader is able to experience and discover Chateau La Coste as a visitor would. In the introduction, Ivy relates the conception, creation and further development of Chateau La Coste by its owner, Patrick McKillen; while, to conclude the book, Hicks considers the site's ever-increasing exhibition programme. Throughout the pages, the reader will feel transported to idyllic Provence, to this most remarkable and significant collection of modern and contemporary art and architecture.

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Can individuals believe that they are acting with integrity, yet in disobedience to the dictates of their conscience? Can they retain fidelity to their conscience while ignoring a sense of what integrity requires? Integrity and conscience are often thought to be closely related, perhaps even different aspects of a single impulse. This timely book supports a different and more complicated view. Acting with integrity and obeying one's conscience might be mutually reinforcing in some settings, but in others they can live in varying degrees of mutual tension. Bringing together prominent scholars of legal theory and political philosophy, the volume addresses both classic ruminations on integrity and conscience by Plato, Hume, and Kant as well as more contemporary examinations of professional ethics and the complex relations among politics, law and personal morality.

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Based on the authors' twenty-five year experience of consultancy in the public services, this book develops an empowering approach to thinking about and doing consultancy with public services. It challenges the traditional view that the consultants are brought in as experts and instead examines ways of using consultancy to empower staff, patients, service users and members of the public, so that they can take part in developing, changing, innovating and ultimately transforming these services. The book includes chapters explaining consultancy, on preparing bids, on negotiations and on the importance of assessment and review which are geared towards the needs of those working in public and third sectors, either as or with consultants. It includes a glossary, abbreviations, helpful contacts and websites which are valuable for quick reference and to aid further understanding.

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The world in a front yard: Robert Adams records the seasonal shifts and transformations of the near and the intimate For much of his long career, Robert Adams (born 1937) has photographed the regions where he has lived, recording the transformation of the Western landscape into suburbs in Colorado, or documenting the destruction left in the wake of the timber industry in the Pacific Northwest. In recent years his focus has often turned to more intimate landscapes, as he has depicted the area around his home near the Oregon coast, where he has lived for more than 20 years. Standing Still celebrates a small front yard—its verdancy, and the changing light and seasons throughout the year. The black-and-white photographs record a lawn and its border of shrubs and small trees; a stone bird bath, deer and Adams' wife, Kerstin. They show a landscape immersed in fog and dusted with snow, or bathed in warm sunlight. In this quiet place, “each day can be the first day,” writes Adams.

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A major new work, Tenancy is comprised of 42 photographs by Robert Adams (born 1937) made in Nehalem Bay State Park, Oregon, between 2013 and 2015, with short texts by the artist. The book’s theme of tenancy expresses the idea of “temporary possession of what belongs to another”—specifically, the natural environment. Adams’ recent photographs of the landscape reference the current and imminent threats of clearcutting, environmental degradation and natural disasters along the Northwestern coast of the US. The black-and-white photographs include poignant images of massive tree stumps on the beach—a product of the cutting of first and early second growth—as well as shimmering stretches of coastline protected for endangered birds previously thought to have abandoned northern Oregon.

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A now classic text on the art, Why People Photograph gathers a selection of essays by the great master photographer Robert Adams, tackling such diverse subjects as collectors, humor, teaching, money and dogs. Adams also writes brilliantly on Edward Weston, Paul Strand, Laura Gilpin, Judith Joy Ross, Susan Meiselas, Michael Schmidt, Ansel Adams, Dorothea Lange, and Eugène Atget. The book closes with two essays on "working conditions" in the nineteenth- and twentieth-century American West, and the essay "Two Landscapes." Adams writes: At our best and most fortunate we make pictures because of what stands in front of the camera, to honor what is greater and more interesting than we are."

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Learn everything you need to know about Calculus and practice your reasoning and practical skills with a high-end textbook suitable for a wide range of course levels. Calculus: A Complete Course, 10th Edition by Robert Adams and Christopher Essex is the ultimate guide written by two leading authors in the field that continues to build its solid core following the successful pattern of its previous editions. With its reader-friendly language, the textbook holds a reputation for excellent accuracy and mathematical rigour, offering you study material suitable to cover a standard semester course, as well as high-end content that will help you further explore some of the unique topics and approaches in the landscape of Mathematics. Adding important, but overlooked topics while clarifying old ones, this edition will help you develop and practice your reasoning skills and apply techniques you have learned to concrete situations. Some of the topics this edition explores include: Sufficient conditions for maxima and minima in higher dimensions: this is the only mainstream textbook that covers the topic sufficiently. The fuzzy topic of metrics: the text explores and addresses any issues and questions, leading to new gateway topics, including spherical geometry (as in navigation) and special relativity, which emerge rather effortlessly once the metric concept is in place properly. Computers and mathematics through Maple and now Python: there is no other Calculus book that deals better with the topic while treating unique but important applications from information theory to Lévy distributions. With a wide variety of exercises and useful features to support your learning, this unique edition continues to aspire to the definition of its subtitle of “A Complete Course.” Also available with MyLab® Math MyLab is the teaching and learning platform that empowers you to reach every student. By combining trusted author content with digital tools and a flexible platform, MyLabMath personalises the learning experience and improves results for each student. If you would like to purchase both the physical text and MyLab® Math, search for: 9780135732595 Calculus: A Complete Course, 10th Edition plus MyLab Math with Pearson eText -- Access Card Package Package consists of: 9780135732588 Calculus: A Complete Course, 10th Edition 9780135732526 Calculus: A Complete Course, 10th Edition MyLab® Math -- Standalone Access Card MyLab® Math is not included. Students, if MyLab is a recommended/mandatory component of the course, please ask your instructor for the correct ISBN. MyLab should only be purchased when required by an instructor. Instructors, contact your Pearson representative for more information.

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A photographic study of the land that served as the main testing site for American nuclear devices for four decadesMore nuclear bombs have been detonated in America than in any other country in the world. Between 1951 and 1992, the Nevada National Security Test Site was the primary location for these activities, withstanding more than a thousand nuclear tests that left swaths of the American Southwest resembling the moon. In The Nevada Test Site, renowned American photographer Emmet Gowin (b. 1941) presents staggering aerial photographs of this powerfully evocative place.Gowin remains the only photographer granted official and sustained access to the Nevada Test Site. For this book, he has revisited his original negatives, made in 1996 and 1997, and fully three-quarters of the images featured here have never been published before. These images show blast areas where sand has been transformed to glass, valleys pockmarked with hundreds of craters, trenches that protected soldiers from blasts, areas used to bury radioactive waste, and debris left behind following tests conducted as deep as five thousand feet below the Earth’s surface. Together, these stunning, unsettling views unveil environmental travesties on a grand scale. An essay by Gowin delves into the history of his work at the site, including his decade-long efforts to secure entry, the photographic equipment and techniques employed, and what the images mean to him today.With a foreword by photographer and writer Robert Adams, The Nevada Test Site stands as a testament to the harms we inflict on our surroundings, the importance of bearing witness, and the possibilities for aesthetic redemption and a more hopeful future.

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This handbook provides guidance for all practising social work professionals, and the staff who support them, on the post-qualifying (PQ) framework for social workers. The book introduces the framework and outlines how post-qualification accreditation and professional registration affect social workers.Covering the theory and practice of social work, the Handbook provides a set of tools and resources that enable social workers to develop their practice while coping with the demands of operational duties. The book looks at working with a range of service user groups such as children, people with learning disabilities and young offenders, as well as examining common issues that social workers may encounter, such as inter-agency work, and issues such as loss and participation. Tackling the increased post-qualification training necessitated by the new framework, this handbook contains resources and materials to help practitioners continue their own professional development.This definitive guide is an invaluable resource for all practising qualified social workers, students and trainers, and educators.Consultant editor: Robert Adams is Professor of Social Work in the School of Health and Social Care at the University of Teesside, UK.

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